Work, Work, Work
66.0 x 40.0 cm
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
Work, Work, Work
ジークレー/アートプリント
複製画のサイズ
-
合計金額
-
関連作品
アーティストの略歴
Thérèse Lessore: A Quiet Observer of Bloomsbury Beauty
Thérèse Lessore (1884 – 1945) was a British artist whose distinctive watercolor paintings and collaborative designs for Wedgwood pottery cemented her place as a significant figure in the artistic landscape of the early twentieth century. Born in Southwick, West Sussex, she inherited an artistic lineage stretching back to Jules Frédéric Lessore, her father—a French painter who had established himself in England—and his wife Ada Louise Cooper. Her family’s connections to Wedgwood and its celebrated designers further shaped her creative vision, fostering a fascination with decorative arts alongside her passion for capturing the subtleties of human experience. Lessore's formative years were marked by exposure to artistic excellence; she attended Slade School of Fine Art from 1904 to 1909, where she honed her skills and earned the prestigious Melville Nettleship Prize for figure composition—a testament to her burgeoning talent and dedication to mastering traditional techniques. This prize acknowledged her ability to convey emotion and narrative through meticulous observation and skillful brushwork, qualities that would characterize her entire artistic career. Her involvement with the Camden Town Group, spearheaded by Walter Sickert, proved pivotal in shaping Lessore’s aesthetic sensibilities. Collaborating closely with fellow artists like Vanessa Bell and Duncan Grant—members of the Bloomsbury Group—she embraced a looser style informed by Impressionistic principles, prioritizing atmospheric light and color palettes that mirrored the group's exploration of psychological depth and artistic experimentation. This association instilled in her an appreciation for understated beauty and a commitment to portraying subjects with sensitivity and nuance. Lessore’s artistic output spanned painting and ceramics. Her watercolor landscapes—particularly “Greta” (1942), depicting Bath’s Pulteney Bridge—demonstrate her mastery of capturing serene vistas and conveying mood through subtle tonal variations. These paintings exemplify Lessore's signature style: a restrained palette combined with precise rendering to evoke emotion without resorting to overt sentimentality. Similarly, her Wedgwood designs reflected the Bloomsbury Group’s influence, incorporating organic forms and muted hues into decorative patterns that celebrated craftsmanship and artistic innovation. Throughout her life, Lessore maintained an unwavering dedication to her craft, producing works that continue to resonate with viewers today. Her legacy resides not only in her individual paintings but also in her contribution to a broader artistic movement—the Bloomsbury Group—which fundamentally altered the course of British art history. Thérèse Lessore’s quiet observation and masterful technique ensured her enduring recognition as one of Britain's most accomplished watercolorists and ceramic designers.thérèse lessore
1884 - 1945
基本情報
- Artistic Movement Or Style: Bloomsbury Group
- Artists Or Movements Influenced By This Artist:
- Vanessa Bell
- Duncan Grant
- Artists Who Influenced This Artist: ['Jules Lessore']
- Date Of Birth: 1884
- Date Of Death: 1945
- Full Name: Thérèse Lessore
- Nationality: British
- Notable Artworks:
- Greta
- Pulteney Bridge over the Avon at Bath
- Place Of Birth: Southwick, West Sussex

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。