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著作権 この作品の著作権は現在も存続しています。Rodney Joseph Burnは1984に没年しました。著作権は没後70年間継続するため、2054まで有効です。本画像は教育目的の参照用として掲載しており、権利は権利者に帰属します。
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Bembridge — Rodney Joseph Burn
原寸は 40 × 58 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。
Shaded: Rodney Joseph Burnの生涯 (1899–1984)
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画像より計測
主な色
Rosy Brown #aba784
登録済みパレット
アーティストと美術館
生誕地 Palmer's Green, United Kingdom
Born: Palmer's Green, United Kingdom (1899)
Died: 1984
Nationality: British
Known for: Landscapes, portraits, figures, and seascapes.
Rodney Joseph Burn was born in Palmer's Green, London, in 1899 into a prominent family; his father was Sir Joseph Burn, chairman of the Prudential Insurance Company.
He attended Harrow School, demonstrating early artistic inclinations.
Following military service in the British Army during World War I, he pursued formal art training at the Slade School of Art (1918-1922).
At the Slade, Burn excelled, winning six major prizes and gaining recognition through a feature article in The Burlington Magazine. It was also where he met his future wife, Dorothy Sharwood Smith, a sculptor.
He was selected by the London County Council to contribute a large work depicting scenes from London parks for the newly built County Hall, showcasing his talent early on.
Burn began exhibiting with the New English Art Club in 1923, establishing himself within the British art scene.
In 1926, he participated in a joint exhibition with Stephen Bone and Robin Guthrie at the Goupil Gallery.
He briefly taught as a tutor at the Royal College of Art from 1929 to 1931.
A significant period in his career involved co-directing painting and drawing at the School of the Museum of Fine Arts, Boston (1931-1934), alongside Robin Guthrie, broadening his artistic horizons across the Atlantic.
During World War II, Burn contributed to the Civil Defence Camouflage Establishment in Leamington Spa and completed commissions for the War Artists' Advisory Committee, including a portrait of Dr Stradling.
After the war, he returned to the Royal College of Art, serving as a senior tutor until his retirement in 1965. He also taught at the Camberwell School of Art and the City and Guilds of London Art School.
Burn's artistic style is characterized by its evocative portrayal of landscapes, portraits, and seascapes. His works often capture a sense of atmosphere and light.
While influenced by traditional landscape painting techniques, Burn developed his own distinct approach, blending realism with impressionistic elements.
His time in Venice and the Channel Islands significantly impacted his work, inspiring vibrant depictions of coastal scenes and architectural details.
The influence of Slade School instructors like Henry Tonks, Walter Russell, and Philip Wilson Steer is evident in his technical skill and observational approach.
Burn was elected a member of the Royal Academy in 1962, a prestigious honor recognizing his contributions to British art.
He also held positions within various artistic organizations, including membership in the Royal West of England Academy and presidency of the St. Ives Society of Artists.
His later years were spent teaching in Europe and sailing, reflecting a life dedicated to both art and exploration.
Burn's legacy lies in his ability to capture the beauty and character of the British landscape and its people, leaving behind a body of work that continues to be appreciated for its skill and sensitivity.
展示場所 Bristol, United Kingdom
Nestled within the elegant enclave of Bristol’s Clifton district, the
(RWA) stands as a profound testament to over 175 years of artistic devotion. To step through its doors is to enter a sanctuary where the weight of British tradition meets the vibrant pulse of contemporary innovation. Founded in 1844 through the indomitable vision of
Ellen Sharples
, the Academy emerged from the Bristol Society of Artists, born from a desire to capture the picturesque landscapes of the region. This institution was never merely a gallery; it was a movement, bolstered by the early support of luminaries such as Isambard Kingdom Brunel and Prince Albert, transforming a local collective into one of the United Kingdom’s most enduring regional bastions of fine art.
The architectural grandeur of the RWA serves as a magnificent prelude to the treasures held within. Housed in a spectacular Grade II* listed building, the Academy’s facade commands attention with its imposing presence and classical grace. As one approaches, the eye is drawn to Corinthian pilasters and shell-heavened niches, where statues of legendary sculptors like
John Flaxman
and
Sir Joshua Reynolds
keep watch over the entrance. The subtle carvings of the Three Graces lend an ethereal quality to the stone, hinting at the beauty awaiting inside. Upon crossing the threshold, visitors are greeted by a world of refined elegance; colored marble floors gleam under soft light, and a meticulously crafted replica of the
Parthenon Frieze
adorns the walls, grounding the space in the timeless ideals of classical antiquity.
The collection itself is a breathtaking tapestry of British art history, offering a journey through shifting aesthetics and profound cultural movements. The RWA celebrates the atmospheric depictions of the
Newlyn School
, which captured the rugged, salt-sprayed essence of Cornish fishing life, alongside the abstract, light-drenched energy of the
St Ives School
. Within these walls, the delicate floral contemplations of
Elizabeth Blackadder
exist in harmony with the spirited, personality-filled still lifes of
Mary Fedden
. For the collector or the designer seeking narrative depth, the works of
Carel Weight
offer psychological complexity, while the landscapes of
Bernard Dunstan
provide a window into evocative, storied terrains. This diversity ensures that the Academy remains a living archive, where the legacy of the Bloomsbury Group breathes alongside modern acrylic explorations like those of
Alastair Milne Michie
.
Beyond its permanent holdings, the RWA thrives as a dynamic center for creative dialogue and education. Its renowned Open Exhibitions serve as a vital stage where seasoned professionals and emerging talents converge, fostering a unique connection between artists and the public. This spirit of engagement extends to the
RWA Drawing School
, which continues the Academy's long-standing commitment to the mastery of craft and skill development. Whether one is drawn by the historical resonance of its halls, the technical brilliance of its canvases, or the opportunity to witness the next generation of British masters, the Royal West of England Academy remains an essential destination—a place where every brushstroke tells a story and every visitor finds inspiration.
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Bembridge — Rodney Joseph Burn
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