学生作品ガイド
著作権 この作品の著作権は現在も存続しています。Ralph Steinerは1986に没年しました。著作権は没後70年間継続するため、2056まで有効です。本画像は教育目的の参照用として掲載しており、権利は権利者に帰属します。
文脈において
Eight O'Clock Coffee — Ralph Steiner
原寸は 19 × 24 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。
上の行：年。下の行：各期間の開始時と終了時の年齢 — 出生時は0、没時は 87。
作家が 36 歳の時に制作。 そのアーティストは87まで生きました。 9 of the 10 dated works by this artist in our catalogue came earlier.
背景色：Ralph Steinerの生涯 (1899–1986) ▲ 本作品、1935 年代ごとに並ぶ、すべての制作年入り作品
上記の作品から一つ選んでください。その作品と共通する点を2つ、異なる点を1つ挙げてください。
こちらの作品とあわせてご覧いただける他の作品：artsdot.com/ja/art/similar/ralph-steiner-eight-o-clock-coffee-ARA82W-en/
画像から抽出したカラーパレット
メインカラー
Rosy Brown #9a9690
保存済みパレット
アーティストのパレット全体を構成するこれらの色彩 色から他の絵画を探す
主要な10カ国
地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか？遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。
これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 100.0% を占めています。カタログにはこのアーティストによる 11 点の作品が収められており、そのうち 1 点は少なくとも一度は閲覧されました。 この作品は現時点ではまだ閲覧されていないため、順位なしとしてリストの最後に表示されています。 月ごとの集計結果は同一です
バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください：絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。
アーティストと美術館
生誕地 Cleveland, United States of America
Ralph Steiner emerged as a pivotal figure in the evolution of American photography and avant-garde filmmaking, a true innovator who bridged the gap between artistic experimentation and social consciousness. Born in Cleveland, Ohio, in 1899, his journey began with an initial pursuit of chemistry at Dartmouth College. However, this scientific inclination soon gave way to a burgeoning passion for visual expression when he discovered photography. This shift proved transformative, setting him on a path that would redefine the boundaries of both still and moving images. His early training at the Clarence H. White School of Modern Photography in 1921 was foundational, instilling in him not only technical mastery but also an appreciation for the artistic potential inherent within the medium. The guidance he received from Clarence H. White proved invaluable, leading to his employment at the Manhattan Photogravure Company where Steiner honed his skills producing photogravure plates based on Robert Flaherty’s groundbreaking film, Nanook of the North. This early exposure to cinematic storytelling would profoundly influence his own artistic endeavors.
Steiner's creative spirit quickly extended beyond traditional photographic practices. He transitioned into freelance work in New York City, initially focusing on commercial assignments for publications like Ladies’ Home Journal, but this pragmatic pursuit did not stifle his desire for artistic exploration. Influenced by the work of Paul Strand, he became involved with the Film and Photo League around 1927, a collective dedicated to socially engaged art. This marked a turning point in his career, as he began to explore the power of imagery as a tool for social commentary. Simultaneously, Steiner played a crucial role in mentoring Walker Evans, providing both technical assistance and access to essential equipment – a testament to his generosity and commitment to fostering emerging talent. His own experimentation with film blossomed during this period, culminating in H2O (1929), a pioneering abstract work that captured the mesmerizing patterns of water through evocative imagery. This film, alongside similar works by Joris Ivens and Henwar Rodakiewicz, established Steiner as a key figure in early experimental cinema. The recognition bestowed upon H2O, including its addition to the National Film Registry in 2005, underscores its enduring significance. He continued pushing boundaries with films like Surf and Seaweed (1931) and Mechanical Principles (1930), expanding his exploration of abstract forms and rhythmic visual sequences.
The 1930s witnessed a shift in Steiner’s focus towards documentary filmmaking, driven by a desire to use his art as a force for social change. His involvement with the Harry Alan Potamkin Film School brought him into contact with Leo Hurwitz, whose vision of film as a tool for activism deeply resonated with Steiner. This led to his participation with NYKino, a collective producing newsreels for worker’s rallies and strikes – much of this work sadly lost in a warehouse fire. However, he also contributed to satirical “pool” films like Pie in the Sky (1935), an early collaboration with Elia Kazan that showcased his versatility. His most significant documentary achievements came through his cinematography on Pare Lorentz’s landmark films, The Plow That Broke the Plains (1936) and The River (1938). Commissioned by the Resettlement Administration during the New Deal era, these films powerfully depicted the devastating impact of the Dust Bowl on American farmers, offering a poignant visual record of hardship and resilience. Steiner’s collaboration with Willard Van Dyke on The City (1939), set to music by Aaron Copland, further solidified his reputation as a master documentarian, capturing the vibrant energy and complex social fabric of New York City.
Following a brief foray into Hollywood as a writer-producer in the 1940s, Steiner returned to New York and resumed freelance photography for publications like Vogue and Look Magazine, before retiring in 1962. However, his creative spirit remained undimmed. He settled in Vermont and Maine, where he continued making films privately, creating eight works grouped under the title “The Joy of Seeing” between 1960 and 1975 – a testament to his lifelong dedication to visual exploration. Steiner’s still photographs are characterized by their unique angles, abstraction, and sometimes surreal subject matter, reflecting a modernist sensibility that challenged conventional perspectives. His work stands as a significant contribution to early American avant-garde cinema, influencing filmmakers like Timoleon Wilkins and inspiring generations of artists to push the boundaries of visual storytelling. Ralph Steiner’s legacy lies in his pioneering spirit, blending artistic experimentation with social commentary, and bridging the gap between early abstract film movements and later generations of experimental filmmakers. He remains a vital figure in understanding the evolution of American photography and cinema, a true visionary whose work continues to resonate today.
Born: Cleveland, United States of America (1899)
Died: 1986
artsdot.com/ja/art/download/ralph-steiner-eight-o-clock-coffee-ARA82W-en/
細部まで見る
Eight O'Clock Coffee — Ralph Steiner
ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。
この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。
「Eight O'Clock Coffee」において、Statementな対比とUnified Paletteな調和が響き合っています。
「Eight O'Clock Coffee」の形式はLandscapeです。複製画を飾る場所を検討する際にお役立てください。
Ralph Steiner作「Eight O'Clock Coffee」の色調は、Mutedな彩度を持っています。彩度とは、色の鮮やかさや落ち着きの度合いを表すものです。