用紙

学生作品ガイド

The runner

氏名 クラス 日付

petri lajos, The runner (1911), Museu d'Art Jaume Morera. 参考用として複製。著作権は権利者に帰属します。

基本情報

作家
petri lajos artsdot.com/ja/artists/petri-lajos/
制作年
1884 – 1963
彩色済み
1911
原寸大
42 x 54 cm
開催場所
Museu d'Art Jaume Morera artsdot.com/ja/museums/museu-d-art-jaume-morera-lleida/

文脈内

The runner — petri lajos

サイズについて

原寸は 42 × 54 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。

制作年

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960

Shaded: petri lajosの生涯 (1884–1963) ▲ 本作品、1911

カラーパレット

画像より計測

    主な色

    White #fefefe

    登録済みパレット

    • #FEFEFE
    • #2B2B2F
    • #605F60
    • #ADABAA
    パレット
    Neutrals 作品の中で主要な色調。
    主な色名
    White
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Strong Color Unity 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Brilliant 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    petri lajos

    生誕地 Szeged, Hungary

    Early Life and Artistic Awakening

    Lajos Petri, born Lajos Pick in Szeged, Hungary, on June 10th, 1884, emerged from a family deeply rooted in the nation’s entrepreneurial spirit—the renowned Pick Salami dynasty. While destined for a life within the family business, a profound artistic calling tugged at his soul, setting him on an unexpected path. His early years were marked by intellectual curiosity; he initially pursued law studies in Budapest and Berlin, immersing himself in lectures on art history and philosophy alongside luminaries like Gyula Pasteiner and Heinrich Wölflin. However, the vibrant cultural landscape of Germany ignited a passion within him, shifting his focus irrevocably towards sculpture.

    Returning to Hungary with this newfound conviction, he faced initial resistance from his father but ultimately secured permission to pursue his artistic ambitions. He apprenticed under Eduard Telcs in Budapest, where he honed his foundational skills and developed a commitment to honest emotional expression in art—a principle that would define his entire career. This period instilled in him a rejection of superficiality and a dedication to the integrity of form.

    Years in Brussels and Developing Style

    Seeking broader exposure and an international artistic dialogue, Petri relocated to Brussels in 1909, establishing his own atelier within the heart of Belgium’s thriving sculpture scene. This move proved pivotal. He engaged with prominent Belgian sculptors like Jules Lagae and Egide Rombeaux, absorbing diverse influences that shaped his evolving style. His early work focused on portraiture, demonstrating a remarkable ability to capture character and nuance. However, Petri wasn't content merely replicating likeness; he sought to infuse his portraits with psychological depth and emotional resonance.

    His time in Brussels witnessed a stylistic transformation—a move away from purely formal concerns towards a more dramatic and expressive approach. He described this evolution as prioritizing the conveyance of emotion over mere technical skill, emphasizing that an artist’s true worth lay in their ability to articulate meaningful content rather than adhering to prevailing artistic movements.

    Olympic Participation and Monumental Ambitions

    Petri's dedication to his craft led to recognition on a global stage. He participated in the art competitions at both the 1928 Summer Olympics in Amsterdam and the 1936 Summer Olympics in Berlin, submitting sculptures that showcased his evolving style and technical prowess. His entry for the 1936 games, Futó (Runner), received an Honorable Mention—a testament to its artistic merit.

    Throughout his career, Petri aspired to create monumental sculptures capable of capturing grand narratives and evoking powerful emotions in public spaces. While many of these ambitious projects remained unrealized due to various constraints, his 1935 Hussar Monument in Budapest stands as a successful example of his classicizing style—a work that resonated with the national spirit.

    Post-War Commissions and Legacy

    The aftermath of World War II brought new opportunities for Petri. He received several state commissions, allowing him to create public sculptures like Glass Blower in Sajószentpéter and portraits of prominent Hungarian figures such as Adolf Fényes and Antal Tisza. These works reflect his ability to adapt his style while maintaining his commitment to realistic representation and emotional depth.

    In 1960, a comprehensive exhibition of his life’s work was held at the National Salon in Budapest, solidifying his position as a significant figure in Hungarian sculpture. His characteristic portraits—demonstrating exceptional technical skill and psychological insight—remain highly regarded. Petri passed away in Budapest in 1963, leaving behind a legacy of impactful sculptures that continue to captivate audiences with their emotional power and artistic integrity.

    Petri’s life story is one of transformation—from the heir apparent of a successful business empire to a dedicated sculptor who embraced his artistic calling. His work reflects a deep understanding of human emotion, a commitment to technical excellence, and a desire to create art that resonates with both intellectual and emotional depth. He stands as a testament to the enduring power of artistic vision and the courage to pursue one’s passion against all odds.

    美術館・博物館

    Museu d'Art Jaume Morera

    展示場所 Lleida, Spain

    A Catalan Art Haven: Unveiling the Treasures of the Museu d'Art Jaume Morera

    Nestled in the heart of Lleida, Spain, the Museu d’Art Jaume Morera stands as a vibrant testament to Catalonia’s rich artistic heritage. More than just a museum, it’s a journey through centuries of creative expression, deeply rooted in the region’s unique identity and shaped by the legacy of its namesake, Jaume Morera i Galícia. This public institution, distinguished by its commitment to accessibility – offering free admission to all – invites visitors to immerse themselves in a world where landscape painting, local artistry, and a profound appreciation for visual culture converge. The museum's location within the historic Casino Principal building adds an immediate layer of elegance and historical significance, reflecting Lleida’s own storied past.

    A Foundation Built on Passion:

    The story begins with Jaume Morera i Galícia (1854-1927), a landscape painter born in Lleida who played a pivotal role in establishing the initial “Museu d'Art Modern de Lleida.” His dedication and collection, including works by Carlos de Haes, formed the bedrock upon which the museum was built. The renaming to Museu d’Art Jaume Morera in 1924 served as a fitting tribute to his enduring contribution.

    Beyond Landscapes:

    While Morera's landscapes – particularly those capturing the beauty of Lleida’s natural surroundings, exemplified by works like “Naturaleza. Flores y frutos leridanos” – remain central to the collection, the museum has evolved to encompass a diverse range of artistic styles and periods. From the 19th century through to contemporary art, visitors will encounter paintings, sculptures, drawings, and prints that offer a panoramic view of Catalan artistic development.

    The MULBERRY Collection: A Jewel in Lleida’s Artistic Crown

    A particularly noteworthy aspect of the Museu d'Art Jaume Morera is its acquisition of the MULBERRY collection. This significant addition dramatically expanded the museum’s holdings, introducing a wealth of modern and contemporary artworks that further enrich the narrative of Catalan art. The MULBERRY Collection represents a diverse range of styles and techniques, showcasing both established and emerging artists who have shaped the region's visual landscape. It provides a crucial bridge between the historical works and the dynamic artistic expressions of today, demonstrating the ongoing evolution of Catalan creativity.

    Notable Works within the MULBERRY Collection include pieces by:

    Baldomer Gili i Roig

    Josep Benseny Piñol

    A Tapestry of Artistic Voices: Exploring Local and International Influences

    The museum’s strength lies not only in its collection but also in its ability to contextualize it. The emphasis on local Catalan artists provides a vital lens through which to understand the region's unique artistic identity, reflecting its landscapes, traditions, and cultural values. However, the museum doesn’t shy away from showcasing international influences; works by Henri Matisse, as seen in “Torse de plâtre et bouquet Huile sur Toile Sao Paulo,” demonstrate the museum’s commitment to exploring broader artistic dialogues. This blend of local pride and global awareness creates a truly engaging experience for visitors. The influence of artists like Baldomer Gili i Roig, known for his vibrant landscapes and caricatures, and Josep Benseny Piñol, who captured the essence of marine art with photography and theater, adds depth to this narrative.

    Architectural Setting & Historical Context

    The museum’s home within the Casino Principal building is itself a significant part of its appeal. Originally constructed in 1929 as a social hub for the city, the building's grand architecture provides a stunning backdrop for the artworks it houses. The decision to relocate the museum from its original space reflects the city’s growth and commitment to preserving its cultural heritage. The ongoing renovation project, overseen by architects Gae Aulenti and Enric Steegmann, ensures that this historic landmark continues to serve as a vibrant center for artistic appreciation. Furthermore, the museum's proximity to other historical sites in Lleida enhances the visitor experience, offering opportunities to explore the city’s rich past alongside its artistic treasures.

    A Dynamic Space for Cultural Engagement

    The Museu d'Art Jaume Morera is more than just a repository of art; it’s a dynamic space dedicated to fostering appreciation for visual arts within the community. Through engaging exhibitions, educational programs, and free admission, the museum welcomes visitors from all walks of life. Its commitment to accessibility ensures that everyone has the opportunity to experience the beauty and significance of Catalan art. The museum's website (https://morera.paeria.cat/en/) provides further information on current exhibitions, events, and visitor services.

    詳細はこちら

    オンラインで見る

    The runnerのダウンロードページへつながるQRコード

    artsdot.com/ja/art/download/petri-lajos-the-runner-D7GQPP-en/

    この作品の引用方法

    MLA
    lajos, petri. The runner. 1911, Museu d'Art Jaume Morera. https://artsdot.com/ja/art/petri-lajos-the-runner-D7GQPP-en/
    APA
    lajos, petri (1911). The runner [Painting]. Museu d'Art Jaume Morera. https://artsdot.com/ja/art/petri-lajos-the-runner-D7GQPP-en/
    Chicago
    petri lajos. The runner. 1911. Museu d'Art Jaume Morera. https://artsdot.com/ja/art/petri-lajos-the-runner-D7GQPP-en/
    Harvard
    lajos, petri (1911) The runner. Museu d'Art Jaume Morera. Available at: https://artsdot.com/ja/art/petri-lajos-the-runner-D7GQPP-en/

    細部まで見る

    The runner — petri lajos

    細部を観察する

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. いくつの顔を見つけることができますか? ____ (当カタログでは 1 と数えています —— あなたもそう思いますか?)
    4. petri lajos は、この作品の制作当時 27 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。
    5. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。

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