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学生作品ガイド

Snuffbox

6 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely6 Art quiz

氏名 クラス 日付
paul robert, Snuffbox (1758), メトロポリタン美術館. パブリックドメイン

基本情報

作家
paul robert artsdot.com/ja/artists/paul-robert/
制作年
1851 – 1923
彩色済み
1758
技法
Oil
原寸大
8 x 7 cm
様式
French Rococo
制作年代
19th Century
開催場所
メトロポリタン美術館 artsdot.com/ja/museums/metorohoritanmei-shu-guan-new-york_ja/

In context

Snuffbox — paul robert

How big is it?

The original measures 8 × 7 cm (height × width), drawn here beside an adult of average height.

制作年

  1. 1740
  2. 1760
  3. 1780
  4. 1800
  5. 1820
  6. 1840
  7. 1860
  8. 1880
  9. 1900
  10. 1920

Shaded: paul robertの生涯 (1851–1923) ▲ 本作品、1758

カラーパレット

画像より計測

    主な色

    Clay #8a6d44

    登録済みパレット

    • #8A6D44
    • #96928F
    • #5F4939
    • #302B2B
    パレット
    Earthy 作品の中で主要な色調。
    主な色名
    Clay
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Gentle 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Strong Color Unity 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Balanced 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    この作品について

    Snuffbox — paul robert

    Notes on this work

    Written for this guide from published sources. The catalogue record itself is on the first part of this guide.

    Artistic style
    Post-Impressionism
    Influences
    François Riel
    Notable elements
    Cartouches, reeding
    Subject or theme
    Luxury goods, snuff

    The Intricate World of Paul Robert’s Snuffbox

    Paul Robert's "Snuffbox," crafted in 1758 during the height of Louis XV’s reign, offers a captivating glimpse into the opulent world of Parisian goldsmithery and the burgeoning social ritual of snuff-taking. More than just a container for powdered tobacco, this exquisite piece is a miniature masterpiece—a testament to the skill of its maker, the artistry of the enamelist, and the prevailing aesthetic sensibilities of the mid-18th century. The box itself, executed in rich gold, immediately commands attention with its meticulously rendered reeding, a hallmark of French luxury goods at the time. But it’s the cartouches—small, framed panels—that truly elevate this object to an extraordinary level of detail and artistry.

    The scenes depicted within these cartouches are charming pastoral vignettes: idyllic landscapes populated by shepherds, sheep, and flowering meadows. These aren't merely decorative elements; they speak volumes about the era’s fascination with nature and the idealized vision of rural life. The use of bright colors—a vibrant palette of blues, greens, and yellows—contrasts beautifully with the warm tones of the gold, creating a dynamic visual experience. Robert’s choice to depict these scenes within the confines of a small box highlights their importance; they are not simply background ornamentation but integral components of the overall design, contributing to a sense of harmonious balance.

    A Masterclass in Technique and Craftsmanship

    The creation of this snuffbox represents a remarkable confluence of artistic skills. The goldwork itself is flawlessly executed—the reeding precise and elegant, the cartouches delicately chased with incredible attention to detail. Beyond the metalworking lies the artistry of the enamelist, who brought these pastoral scenes to life through vibrant colors and intricate patterns. Robert’s use of multiple layers of enamel – a technique known as “four-color” enameling—allowed him to achieve an astonishing level of realism and depth within such a small space. This method involved applying different colored enamels in successive layers, each fired separately to build up the final image.

    The box’s markings—the fleur-de-lis, the Paris charge marks (including the harrow and eagle), and the restricted warranty marks – provide valuable clues about its provenance and production history. These stamps, applied by goldsmiths and wardens in Paris, indicate the quality of materials used, the workshop where it was made, and the period during which it was produced. The presence of these marks underscores the box’s status as a high-quality luxury item, intended for a discerning clientele.

    Symbolism and Social Context

    The popularity of snuffboxes in 18th-century Europe is inextricably linked to the rise of snuff-taking itself—a social custom that swept across France and beyond. Initially associated with the aristocracy, snuff was initially considered a medicinal remedy, but quickly evolved into a fashionable pastime. Snuffboxes became status symbols, reflecting wealth, taste, and social standing. The elaborate decoration of these boxes—often featuring portraits of royalty or scenes from mythology—served as visual declarations of one’s position within society.

    Robert's snuffbox is not simply an object of beauty; it’s a window into the social customs and artistic trends of its time. It reflects the aristocratic fascination with pastoral landscapes, the importance of craftsmanship, and the use of luxury goods as markers of status. The box’s diminutive size—only 3 3/16 x 2 9/16 inches—further emphasizes its exclusivity and desirability, making it a prized possession for those who could afford such a luxurious item.

    A Timeless Treasure

    Paul Robert's "Snuffbox" stands as a remarkable example of French goldsmithing artistry. Its exquisite craftsmanship, vibrant colors, and evocative imagery continue to captivate viewers today. Reproductions offer an accessible way to appreciate the beauty and detail of this historical treasure, bringing its elegance and charm into modern homes and collections. It’s a piece that speaks not only of skill and artistry but also of the social rituals and aesthetic values of a bygone era.

    アーティストと美術館

    Snuffbox — paul robert

    作家

    paul robert

    Born in Biel-sur-Neuve, Switzerland

    a swiss painter's journey through birds and wildlife

    paul robert, a swiss painter, left an indelible mark on the world of art with his captivating depictions of birds and wildlife. born in biel/bienne, switzerland, on march 19, 1851, paul was the son of aurèle robert, who, like his brother louis léopold robert, was a painter.

    early life and training

    paul's artistic journey began under the guidance of his father. initially, he explored allegories, then transitioned to landscapes, eventually specializing in watercolors of birds and caterpillars. this progression not only showcases paul's versatility but also his deepening fascination with the natural world.

    artistic legacy

    paul robert's sons, théophile, philippe, and paul-andré, followed in their father's footsteps, with paul-andré also focusing on nature subjects. several of robert's works are now housed in the musée d'art et d'histoire at neuchâtel, a testament to his enduring impact.

    discovering paul robert's art with AllPaintingsStore.com

    explore paul robert's collection on AllPaintingsStore.com: [https://AllPaintingsStore.com/@/paul-robert](https://AllPaintingsStore.com/@/paul-robert)

    learn more about the musée d'art et d'histoire at neuchâtel and its collections: /en/art/show/art-d3aue3-en/

    美術館・博物館

    メトロポリタン美術館

    On show in New York, United States of America

    メトロポリタン美術館:時を超える創造の叙事詩

    ニューヨーク、マンハッタンのファースト・アベニューにそびえ立つメトロポリタン美術館は、単なる美術品の収蔵庫ではありません。それは、人類が世界を形作り、解釈し、表現してきた飽くなき衝動を物語る壮大な叙事詩なのです。1870年、芸術が普遍的にアクセス可能であるべきだと信じる先見の明のあるニューヨーク人たちによって設立されたこの美術館は、当初から革新的な試みでした。今や世界最大級かつ最も包括的な美術館の一つとして、5千年以上にわたる無数の文化を網羅し、古代文明のこだまが近代芸術の大胆な革新と共鳴する比類なき旅を提供しています。

    壮麗なる建築と空間:古典主義の息吹

    メトロポリタン美術館を真に理解するには、その物理的な存在こそがアイデンティティの一部であることを認識する必要があります。1902年から1914年にかけて完成した主要な建物は、ベアウ=アルス様式を体現した壮大な建造物であり、古典的な威厳に満ちています。巨大な柱が入口を飾り、自然光が降り注ぐ高揚感あふれるギャラリーへと誘い込みます。これは、内部の傑作たちにふさわしい舞台です。ヨーロッパの宮殿へのオマージュとして意図的に設計されたこの記念碑的な構造物は、建築家たちの野心とビジョンを物語り、圧倒されるとともに歓迎されている空間を作り出しています。しかし、メトロポリタン美術館の建築的叙事詩はそれだけではありません。アッパー・マンハッタンのフォート・トライオン公園にある、静寂に包まれた聖域であるザ・クロイスターとの対比は、美術館の本質的な使命を明らかにします。第五大街がスケールと普遍性を体現する一方、ザ・クロイスターは中世ヨーロッパを再現した礼拝堂や庭園を通して、環境が知覚を形作り、芸術表現への深い没入を育むという理解に基づいた、親密な静けさを提供しています。

    時を超えた宝物:多様な文化の響き

    メトロポリタン美術館の神聖なる空間には、何世紀もの時の重みが感じられます。アッシリアのレリーフは、王権と神聖な儀式を描写し、私たちを皇帝や神々の世界へと誘う、圧倒的な存在感を示しています。千年以上の時を経て鮮やかに残された色彩を持つこれらの巨大なパネルは、古代文明の複雑な政治的・宗教的信念の一端を垣間見せてくれます。また、理想化された形態と調和を体現したギリシャ彫刻も目を奪います。パルテノン神殿の装飾石は、古典芸術と民主主義の理念を象徴する不朽の証です。

    しかし、メトロポリタン美術館の宝物は西洋美術に留まりません。中国の陶磁器の繊細な筆致、日本の屏風絵の緻密な描写、アフリカ、オセアニア、アメリカ大陸の芸術作品など、アジア美術の素晴らしいコレクションも充実しています。ミン朝時代の壺の繊細な筆致、ナバホ織物の鮮やかな色彩、古代エジプトのアミュレットに込められた力強い象徴性—これらはすべて、時と空間を超えた人類の創造性の豊かさを示す一例です。

    芸術的共鳴:マネからレンブラントへ

    メトロポリタン美術館は、常に美術史と文化を再構築する画期的な展覧会を開催してきました。エドゥアール・マネの『ボート遊び』は、セーヌ川でのレジャーを捉え、印象主義特有の穏やかな雰囲気で、リアリズムからモダニズムへの移行における重要な作品です。パリの社会情勢の変化を巧みな光と色彩によって表現したこの絵画は、鑑賞者に19世紀の…

    詳細はこちら

    オンラインで見る

    SnuffboxのダウンロードページへつながるQRコード

    artsdot.com/ja/art/download/paul-robert-snuffbox-D2VGDE-en/

    この作品の引用方法

    MLA
    robert, paul. Snuffbox. 1758, メトロポリタン美術館. https://artsdot.com/ja/art/paul-robert-snuffbox-D2VGDE-en/
    APA
    robert, paul (1758). Snuffbox [Painting]. メトロポリタン美術館. https://artsdot.com/ja/art/paul-robert-snuffbox-D2VGDE-en/
    Chicago
    paul robert. Snuffbox. 1758. メトロポリタン美術館. https://artsdot.com/ja/art/paul-robert-snuffbox-D2VGDE-en/
    Harvard
    robert, paul (1758) Snuffbox. メトロポリタン美術館. Available at: https://artsdot.com/ja/art/paul-robert-snuffbox-D2VGDE-en/

    Look closely

    Snuffbox — paul robert

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: gold, snuffbox, miniature. Do you agree? What would you add, or take away?
    4. Themes that come back through the work of paul robert: french luxury, rococo elegance, courtly life. Which of them do you see here?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    アートクイズ

    Snuffbox — paul robert

    この作品について、どれくらいご存知ですか?

    以下の質問に対して、正しい答えを一つ選んでチェックを入れてください。正解は一つだけです。

    1. 1. What is the primary subject depicted in the painting "Snuffbox"?

      • A A portrait of a royal figure
      • B A scene depicting three women enjoying a meal
      • C A close-up view of a gold snuffbox
    2. 2. According to the description, in what century was the snuffbox produced?

      • A The 16th Century
      • B The 18th Century
      • C The 20th Century
    3. 3. What material is the snuffbox primarily made of?

      • A Silver
      • B Tortoiseshell
      • C Gold
    4. 4. The description mentions several markings on the snuffbox. What does the ‘P.M.’ marking likely represent?

      • A The artist's initials
      • B A Parisian charge mark for gold and small silver
      • C The date of manufacture
    5. 5. What was the social significance of snuffboxes during the period depicted in this artwork?

      • A They were primarily used for storing medicinal herbs.
      • B They served as a symbol of wealth and status, often given as gifts to ambassadors or courtiers.
      • C They were exclusively used by royalty.

    スコア:5点中 ____点

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3C · 4B · 5B