用紙

学生作品ガイド

Black Trophy

氏名 クラス 日付

oscar cahen, Black Trophy (1956), The Robert McLaughlin Gallery. パブリックドメイン

基本情報

作家
oscar cahen artsdot.com/ja/artists/oscar-cahen/
制作年
1916 – 1956
彩色済み
1956
原寸大
122 x 91 cm
開催場所
The Robert McLaughlin Gallery artsdot.com/ja/museums/the-robert-mclaughlin-gallery-oshawa/

文脈内

Black Trophy — oscar cahen

サイズについて

原寸は 122 × 91 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。

制作年

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Shaded: oscar cahenの生涯 (1916–1956) ▲ 本作品、1956

比較する作品

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品と並べて鑑賞したい他の作品:artsdot.com/ja/art/similar/oscar-cahen-black-trophy-D7H22Z-en/

カラーパレット

画像より計測

    主な色

    Phthalo Green #1d1817

    登録済みパレット

    • #1D1817
    • #9C1347
    • #663D21
    • #BF2610
    主な色名
    Phthalo Green
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Serene 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Softly Mixed Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Deep_shadow 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Subtle Color 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    oscar cahen

    生誕地 Copenhagen, Denmark

    early life and artistic beginnings

    oscar cahén, a painter and illustrator, was born in denmark in 1916. his life trajectory took him to canada, where he became an integral part of the country's art scene, particularly as a member of the painters eleven, a group of abstract artists active in toronto from 1953-1960.

    artistic contributions and style

    cahén's work is characterized by its versatility, ranging from abstract pieces to illustrations for canadian magazines, which he contributed to for over fifteen years. his style, though varied, often reflected the post-war avant-garde spirit of his time, with a focus on experimentation and pushing boundaries.

    notable works and exhibitions

    - the north gate of the citadel, a piece that showcases his ability to capture the essence of danish landscapes, is reminiscent of christen købke's style, though this is not a direct association. - his abstract works, akin to those found in the woolsthorpe manor, lincolnshire, united kingdom collection on AllPaintingsStore, demonstrate his engagement with modern art movements.

    legacy and impact

    despite his short career, ending with his passing in 1956, cahén's influence can be seen in the subsequent generations of canadian artists. his involvement with painters eleven solidified his place in canadian art history.

    key art movement: abstract and contemporary art

    notable group affiliation: painters eleven (toronto, 1953-1960)

    mediums: oil, watercolour, illustration

    view cahén's work on AllPaintingsStore: [https://AllPaintingsStore.com/@/oscarcahen](https://AllPaintingsStore.com/@/oscarcahen)

    explore similar artists: /en/art/list/

    further reading and resources

    - for more on oscar cahén's life and works, visit his museum page on AllPaintingsStore. - delve into the world of abstract art with [https://AllPaintingsStore.com/@@/d3z3qc-johannes-simon-holtzbecher-asphodelus-ramosus](https://AllPaintingsStore.com/@@/d3z3qc-johannes-simon-holtzbecher-asphodelus-ramosus), showcasing johannes simon holtzbecher's work. - understand the broader context of canadian art with /en/art/list/

    美術館・博物館

    The Robert McLaughlin Gallery

    展示場所 Oshawa, Canada

    A Sanctuary of Light and Line: The Robert McLaughlin Gallery

    Nestled within the vibrant pulse of Downtown Oshawa, Ontario,

    The Robert McLaughlin Gallery

    stands as a luminous beacon for the Canadian spirit, offering a profound sanctuary where modernism meets memory. To step into this institution is to enter a carefully curated dialogue between the earth and the ether, a place where the heavy weight of history is lifted by the soaring, light-filled expansiveness of its design. Established in 1967, the gallery has evolved far beyond its origins as a local endeavor, ascending to become one of Canada’s most vital repositories for contemporary and modern Canadian artwork. It is not merely a hall of silent objects, but an immersive experience designed to stir the soul, inviting visitors—from the wandering art lover to the discerning collector—to witness the very evolution of our national aesthetic.

    The architectural presence of the gallery is, in itself, a masterpiece of modernist principle. Designed by the legendary Canadian architect

    Arthur Erickson

    , the building serves as a structural poem that mirrors the artistic ethos found within its walls. Erickson’s vision prioritizes an organic connection to the surrounding urban landscape, utilizing expansive windows that flood the interior with natural light. This intentional luminosity does more than illuminate; it breathes life into the canvases, mirroring the brilliance and depth found in many of the gallery's most celebrated works. For the interior designer or lover of fine spaces, the gallery offers a masterclass in how architecture can act as a silent collaborator to art, creating an environment that is simultaneously invigorating and deeply contemplative.

    At the heart of the RMG’s identity lies its unparalleled devotion to

    Abstract Expressionism

    . This singular focus is inextricably linked to the pioneering legacy of Alexandra Luke, a visionary whose advocacy for abstract forms irrevocably altered the trajectory of Canadian art history. The gallery holds the distinction of housing the largest collection of works by the

    Painters Eleven

    in Canada, a group of rebels and innovators who sought to break free from representational constraints to explore pure emotion, form, and texture. To wander through these collections is to encounter monumental works that pulse with energy, offering profound insights into a collective movement that redefined how we perceive the canvas. This dedication to the abstract makes the RMG a pilgrimage site for those seeking to understand the raw, unbridled power of modern Canadian creativity.

    Beyond its permanent treasures, which number over 4,500 diverse pieces ranging from sculpture to printmaking, the gallery remains a living, breathing entity through its commitment to groundbreaking exhibitions and community engagement. The RMG consistently pushes boundaries, presenting shows that traverse themes from the intricate nuances of Indigenous storytelling to the tactile explorations of materiality and process. It is this unwavering commitment to artist-centered programming—fostering critical dialogue and nurturing new perspectives—that solidifies its position as a vital cultural resource for the Durham Region and beyond. Whether one is drawn by the historical weight of the McLaughlin legacy or the cutting-edge pulse of contemporary trends, the gallery offers an enduring journey through the heart of Canadian expression.

    詳細はこちら

    オンラインで見る

    Black TrophyのダウンロードページへつながるQRコード

    artsdot.com/ja/art/download/oscar-cahen-black-trophy-D7H22Z-en/

    この作品の引用方法

    MLA
    cahen, oscar. Black Trophy. 1956, The Robert McLaughlin Gallery. https://artsdot.com/ja/art/oscar-cahen-black-trophy-D7H22Z-en/
    APA
    cahen, oscar (1956). Black Trophy [Painting]. The Robert McLaughlin Gallery. https://artsdot.com/ja/art/oscar-cahen-black-trophy-D7H22Z-en/
    Chicago
    oscar cahen. Black Trophy. 1956. The Robert McLaughlin Gallery. https://artsdot.com/ja/art/oscar-cahen-black-trophy-D7H22Z-en/
    Harvard
    cahen, oscar (1956) Black Trophy. The Robert McLaughlin Gallery. Available at: https://artsdot.com/ja/art/oscar-cahen-black-trophy-D7H22Z-en/

    細部まで見る

    Black Trophy — oscar cahen

    細部を観察する

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. このガイドの前述にある Small Structure (1955) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    4. oscar cahen は、この作品の制作当時 40 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。
    5. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。