用紙サイズ

学生作品ガイド

Pensive Rabbit

氏名 学年 日付

Michael Teffo, Pensive Rabbit (2020), University of Pretoria Museums. 参考用として複製。著作権は権利者に帰属します。 動きのある光の下で、このキャンバスをご覧ください。描線、ニス越しに透ける真の色、そして剥き出しの顔料を。

詳細情報

作家
Michael Teffo artsdot.com/ja/artists/michael-teffo/
制作年
1975 –
彩色済み
2020
原寸大
8 x 70 cm
様式
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
開催場所
University of Pretoria Museums artsdot.com/ja/museums/university-of-pretoria-museums-tshwane/

文脈に合わせて

Pensive Rabbit — Michael Teffo

サイズ感について

原寸は 8 × 70 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。

制作時期

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010
  6. 2020

上の行:年。下の行:各期間の開始時と終了時の年齢(誕生時を0歳として計算)。

作家が 45 歳の時に制作。 1 の当カタログにおけるこの作家の制作年が判明している 3 点の作品のうち、これよりも以前に制作されたものがあります。

▲ 本作品、2020 年代ごとに記された、すべての絵画作品

類似の作品と比較

  • Bull, 2000 artsdot.com/ja/art/michael-teffo-bull-D736YP-en/
  • Protestor, 2020 artsdot.com/ja/art/michael-teffo-protestor-D9D96K-en/

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品とあわせてご覧いただける他の作品:artsdot.com/ja/art/similar/michael-teffo-pensive-rabbit-D9D97N-en/

カラー

画像から抽出したパレット

    主要色

    White #f6f7f8

    カタログ済みパレット

    • #F6F7F8
    • #2B1F22
    • #594546
    • #9C8C8B

    アーティストのパレット全体に含まれるこれらの色彩 色から他の絵画を探す

    カラーパレット
    Pastels 作品の中で主要な色調。
    主要色
    White
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Discordant Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    輝度
    Brilliant 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    この絵画は世界のどこで鑑賞されていますか?

    • 1%未満
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 以上
    この絵画単体では、地図化できるほどの来場者数が記録されていないため、このプレートには過去12か月間における Michael Teffo の全作品を記載しています。合計で 1 か国にわたります。 これらの数値の出典について

    主要な10カ国

    1. 1 アメリカ合衆国 100.0%

    地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか?遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。

    Michael Teffo による注目の作品 2点

    1. 1 Bull, 2000 100.0%
    2. — Pensive Rabbit, 2020 この絵画 0.0%

    これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 100.0% を占めています。カタログにはこのアーティストによる 3 点の作品が収められており、そのうち 1 点は少なくとも一度は閲覧されました。 この絵画は、現時点ではまだ閲覧されていません。そのため、順位なしとしてリストの最後に表示されています。 月ごとの集計結果は同一です

    バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください:絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。

    この作品について

    Pensive Rabbit — Michael Teffo

    A carved wooden work titled, Pensive Rabbit (2020) by the South African artist Michael Madimetja Teffo (b.1957). Playing on the Moral story of the “Tortoise and the Hare” Teffo sculpted this rabbit as part of a small series of five works that also included a tortoise and a boxing rabbit. Short biography: Michael Madimetja Teffo was born in 1957 in the Pretoria township of Lady Selborne. He went to school in Hammanskraal, but abandoned school early to focus on his artwork. Teffo has received no formal institutional art training, but he was interested in art from a young age, sculpting in Marula wood with a pen knife as a child. His first solo exhibition was held at the South African Association of Arts in May 1978. From 1977, Teffo participated in group and solo exhibitions in Johannesburg, Pretoria and Potchefstroom in South Africa and in 1980, he exhibited pen and ink drawings at the Nassau County Black History Museum in New York. Teffo has served on several judging art panels for the Pretoria’s State Theatre Art Gallery and for the Sasol New Signatures competition in Pretoria. He has held several major exhibitions including at the Oliewenhuis Art Museum in Bloemfontein and Pretoria’s Brooklyn Theatre in Menlo Park.

    アーティストと美術館

    作家

    Michael Teffo

    生誕地 Pretoria, South Africa

    The Soul of the Wood: The Journey of Michael Teffo

    Born in the Pretoria township of Lady Selborne, Michael Madimetja Teffo’s artistic journey is one defined by an innate connection to the natural world and a profound, self-taught mastery of form. His story began not in the halls of formal academies, but in the quiet landscapes of his youth, where he spent his childhood sculpting Marula wood with nothing more than a simple pen knife. This early intimacy with organic materials laid the foundation for a career characterized by a deep respect for the medium. Without formal institutional training, Teffo developed a unique methodology, often working with random chunks of wood and allowing the natural knots, grains, and inherent shapes of the timber to dictate the eventual form of his sculptures. To witness his work is to see a dialogue between the artist's vision and the living history held within the wood itself.

    A Legacy of Expression and Resistance

    Teffo’s evolution as an artist has seen him move from early pencil drawings and pen and ink works to the powerful, tactile sculptures that have garnered international attention. His early career was marked by significant milestones, including his first solo exhibition at the South African Association of May 1978, which featured a striking collection of sixty-three works. This period saw his talent recognized far beyond the borders of South Africa, with diplomats from America and Australia acquiring his pieces, and in 1980, his expressive drawings were showcased at the Nassau County Black History Museum in New York. His work has always been deeply rooted in the human experience, exploring themes of bonding, affection, and the more turbulent currents of social reality.

    Symbolism and the Weight of History

    The power of Teffo’s sculpture lies in its ability to capture a global zeitgeist through the medium of earth and grain. His pieces often serve as visceral embodiments of struggle and resilience. In works such as Protestor, created during an era marked by the Black Lives Matter movement and global crises, the artist uses the silhouette of a female figure to articulate a plea for justice and a defiant declaration of existence. Through his hands, the wood becomes a vessel for political and social resonance, bridging the gap between personal identity and collective human struggle. Whether depicting the quiet contemplation of a Pensive Rabbit or the grounded strength of a Bull, Teffo’s oeuvre remains a testament to the enduring power of art to speak truth to the shadows of history.

    Early Beginnings: Sculpting Marula wood with a pen knife in his childhood.

    Artistic Method: Utilizing the natural features and knots of wood to guide sculptural form.

    Notable Exhibitions: The South African Association of Arts, Nassau County Black History Museum, and Oliewenhuis Art Museum.

    Themes: Human bonding, social resistance, and the intersection of nature and politics.

    美術館・博物館

    University of Pretoria Museums

    展示中: Tshwane, South Africa

    A Tapestry of Pretoria’s Heritage

    Nestled within the vibrant, purple-hued embrace of the Jacaranda City, the

    University of Pretoria Museums

    stand as a profound testament to South Africa's intellectual and artistic soul. More than mere repositories for silent artifacts, these institutions function as living chronicles, weaving together a complex narrative of a nation’s journey through time. To step into these halls is to embark on an immersive voyage where academic rigor meets the evocative power of storytelling, illuminating a multifaceted past that ranges from ancient indigenous traditions to the transformative echoes of the liberation struggle. The museum serves as a vital bridge between the preservation of heritage and the pulse of contemporary artistic appreciation, offering a sanctuary for those who seek to understand the deep-seated cultural currents that shape South African identity.

    The architectural landscape of the campus itself provides a majestic stage for this collection, dominated by the venerable

    Old Arts Building

    and the

    Merensky Building

    . The Old Arts Building is a true architectural marvel, a landmark that breathes with the elegance of various eras, from the sweeping grandeur of Victorian design to the streamlined sophistication of Art Deco. Within its soaring ceilings and ornate structural details, one finds a curated dialogue between European influences and African aesthetics. This sense of structural innovation extends into the museum's unique holdings, most notably through the remarkable assemblage featuring works by

    Jean Prouvé

    . The visionary French architect’s influence brings a touch of modern functionalism to the collection, where his philosophy of prioritizing aesthetic beauty alongside structural engineering resonates powerfully against the backdrop of historical South African narratives.

    Treasures of Gold and Global Dialogue

    The true heart of the museum lies in its ability to curate moments of profound historical significance through diverse visual media. Collectors and art enthusiasts will find themselves captivated by the meticulous archives that offer unparalleled access to the figures and pivotal movements that have defined the country. A singular highlight that commands reverence is the

    Golden Rhinoceros of Mapungubwe

    , a medieval masterpiece of wood overlaid with thin sheets of gold. This delicate yet powerful artifact, discovered by archaeologists from the university, serves as a shimmering symbol of the ancient Kingdom of Mapungubwe and the sophisticated artistry of pre-colonial South Africa.

    Such treasures are complemented by recent exhibitions that have brought groundbreaking international perspectives to the local context, fostering a global dialogue through collaborations with world-class curators. What distinguishes the University of Pretoria Museums is their holistic commitment to the lifecycle of art and history. It is not merely a place for observation, but a center for active scholarly research where advanced analytical techniques are employed to reconstruct lost artistic traditions. For the interior designer or the passionate art lover, the museum offers an endless wellspring of inspiration, blending the textures of historical struggle with the elegance of architectural innovation. By integrating educational programs and postgraduate studies into its very framework, the institution ensures that the stories held within its walls continue to evolve, inspiring new generations of creators to find beauty in the enduring power of heritage.

    さらに詳しく読む

    オンラインで詳細を見る

    Pensive RabbitのダウンロードページへつながるQRコード

    artsdot.com/ja/art/download/michael-teffo-pensive-rabbit-D9D97N-en/

    この作品の引用元

    MLA
    Teffo, Michael. Pensive Rabbit. 2020, University of Pretoria Museums. https://artsdot.com/ja/art/michael-teffo-pensive-rabbit-D9D97N-en/
    APA
    Teffo, Michael (2020). Pensive Rabbit [Painting]. University of Pretoria Museums. https://artsdot.com/ja/art/michael-teffo-pensive-rabbit-D9D97N-en/
    Chicago
    Michael Teffo. Pensive Rabbit. 2020. University of Pretoria Museums. https://artsdot.com/ja/art/michael-teffo-pensive-rabbit-D9D97N-en/
    Harvard
    Teffo, Michael (2020) Pensive Rabbit. University of Pretoria Museums. Available at: https://artsdot.com/ja/art/michael-teffo-pensive-rabbit-D9D97N-en/

    細部まで見る

    Pensive Rabbit — Michael Teffo

    もっと近くで見る

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. いくつの顔を見つけることができますか? ____ (当カタログでは 1 と数えています —— あなたもそう思いますか?)
    4. 当カタログでは、この作品を rabbit, sculpture, reflection として分類しています。この分類は適切でしょうか?追加したい項目や、削除すべき項目があれば教えてください。
    5. このガイドの前述にある Bull (2000) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。

    よくあるご質問

    Michael Teffoには、他にどのような別名や通称がありますか?

    「Pensive Rabbit」の作者であるMichael Teffoには、他にDrive Like I Do, Truman Blackといった名称でも記録されています。

    Michael Teffo作「Pensive Rabbit」は、作家の母国に保管されていますか?

    はい、作品は作家の母国に保管されています。。Michael Teffoの出生国はSouth Africaであり、「Pensive Rabbit」の真作を収蔵している美術館はSouth Africaにあります。

    「Pensive Rabbit」のダウンロードは可能ですか?

    Michael Teffo作「Pensive Rabbit」の画像は、作品のダウンロードページからダウンロードいただけます:高解像度デジタル画像のダウンロード。