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学生作品ガイド

One Hundred Boys

氏名 クラス 日付

Kano Einō, One Hundred Boys (601). パブリックドメイン

基本情報

作家
Kano Einō artsdot.com/ja/artists/kano-eino/
制作年
1631 – 1697
彩色済み
601
原寸大
114.0cm x 282.0cm

文脈内

One Hundred Boys — Kano Einō

サイズについて

原寸は 114 × 282 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。

制作年

  1. 560
  2. 640
  3. 720
  4. 800
  5. 880
  6. 960
  7. 1040
  8. 1120
  9. 1200
  10. 1280
  11. 1360
  12. 1440
  13. 1520
  14. 1600
  15. 1680

Shaded: Kano Einōの生涯 (1631–1697) ▲ 本作品、601

カラーパレット

画像より計測

    主な色

    Driftwood #d5a750

    登録済みパレット

    • #D5A750
    • #1A201A
    • #A0824E
    • #594B2D
    パレット
    Dark 作品の中で主要な色調。
    主な色名
    Driftwood
    彩度
    Vivid 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Bold 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Unified Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Bright 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Clear Color Presence 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    この作品について

    One Hundred Boys — Kano Einō

    The signatures and red intaglio seals appearing at the left- and rightmost corners of these brilliantly painted small-format screens read, respectively, "painted by Kano Nuidonosuke Einō" and "Sansei." The character "San" (mountain) of the "Sansei" seal refers to Einō"s father, Sansetsu (ca. 1589–1651), whom he succeeded as the third head of the Kyoto-based branch of the preeminent Kano family workshop. Unarguably the most important family of painters in Japanese history, the House of Kano served as official painters to the imperial and military elite for over four centuries. In addition to excelling in the family style, Einō is widely known as the author of History of Painting in This Realm (Honchō gashi), the first major history of painting written in Japan. His text, based on drafts by his father, was heavily influenced by Chinese histories of the subject, reflecting a continental bias that is also evident in his and other Kano artists" paintings.While the felicitous theme of "One Hundred Boys" first appeared in China during the Song dynasty (960–1279), these screens are indebted to prototypes from the later Ming era (1368–1644), when the subject also appeared widely on ceramics and other decorative arts objects. The detail, variety, and sheer number of figures, executed in fine-quality pigments, along with other features of the screens" construction indicate that the family who commissioned them was aristocratic. They may have belonged to a bride"s wedding trousseau, perhaps to inspire the creation of a large and joyous family.

    アーティストと美術館

    作家

    Kano Einō

    生誕地 Kyoto, Japan

    biography of a noted artist

    kano einō, a japanese painter from the kyō-ganō sub-school of the renowned kanō school of painting, lived from 1631 to 1697. he succeeded his father, kanō sansetsu, as the head of the kyō-ganō upon his passing in 1651. his grandfather, kanō sanraku, was the founder of the kyō-ganō. einō is best known for compiling the honchō gashi (本朝畫史, 'japanese painting history'), the earliest serious art-historical work in japan.

    artistic contributions and legacy

    the honchō gashi*: this monumental work, completed by 1678, provides biographies of over 400 artists from ancient japan. a shortened version was published in 1691 as honchō gaden (本朝画伝, 'japanese painting traditions'), with the full work being published in 1693. artistic style*: einō's paintings reflect the kanō school's characteristic blend of chinese influence and distinctly japanese traditions. his works often feature strong outlines, bold colors, and extensive use of gold leaf.

    notable works and collections

    one hundred boys (1631-1697): a pair of six-panel folding screens showcasing einō's mastery of color and composition. [https://AllPaintingsStore.com/@/kano-eino](https://AllPaintingsStore.com/@/kano-eino)

    winter landscape by kanō sansetsu: demonstrates the school's versatility in style and technique. [https://AllPaintingsStore.com/@@/d2ucjy-kano-sansetsu-winter-landscape](https://AllPaintingsStore.com/@@/d2ucjy-kano-sansetsu-winter-landscape)

    drinking festival of the eight immortals of the wine cup by nagasawa rosetsu: highlights the school's influence on various artistic themes. [https://AllPaintingsStore.com/@@/d2zutt-nagasawa-rosetsu-drinking-festival-of-the-eight-immortals-of-the-wine-cup](https://AllPaintingsStore.com/@@/d2zutt-nagasawa-rosetsu-drinking-festival-of-the-eight-immortals-of-the-wine-cup)

    conclusion

    kano einō's legacy as a painter and art historian has significantly impacted the development of japanese art. his contributions to the kanō school continue to influence artists today, making him an indispensable figure in the history of japanese painting.

    learn more about the kanō school and its notable artists at [https://AllPaintingsStore.com](https://AllPaintingsStore.com).

    explore the honchō gashi and other art historical works on /en/art/show/art-d3cpwr-en/

    discover more about japanese painting techniques and styles at [https://www.britannica.com/art/kanō-school](https://www.britannica.com/art/kanō-school).

    references

    [https://AllPaintingsStore.com/@/kano-eino](https://AllPaintingsStore.com/@/kano-eino)

    [https://en.wikipedia.org/wiki/kan%c5%8d_school](https://en.wikipedia.org/wiki/kan%c5%8d_school)

    詳細はこちら

    オンラインで見る

    One Hundred BoysのダウンロードページへつながるQRコード

    artsdot.com/ja/art/download/kano-eino-one-hundred-boys-D2XQHA-en/

    この作品の引用方法

    MLA
    Einō, Kano. One Hundred Boys. 601, https://artsdot.com/ja/art/kano-eino-one-hundred-boys-D2XQHA-en/
    APA
    Einō, Kano (601). One Hundred Boys [Painting]. https://artsdot.com/ja/art/kano-eino-one-hundred-boys-D2XQHA-en/
    Chicago
    Kano Einō. One Hundred Boys. 601. https://artsdot.com/ja/art/kano-eino-one-hundred-boys-D2XQHA-en/
    Harvard
    Einō, Kano (601) One Hundred Boys. Available at: https://artsdot.com/ja/art/kano-eino-one-hundred-boys-D2XQHA-en/

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    One Hundred Boys — Kano Einō

    細部を観察する

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。
    4. もしこの作品についてアーティストに一つだけ質問できるとしたら、何を聞いてみたいですか?

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