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学生作品ガイド

Landscape IV

氏名 クラス 日付

john virtue, Landscape IV, University of Plymouth. 参考用として複製。著作権は権利者に帰属します。

基本情報

作家
john virtue artsdot.com/ja/artists/john-virtue/
制作年
1947 – ?
原寸大
168 x 167 cm
様式
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
開催場所
University of Plymouth artsdot.com/ja/museums/university-of-plymouth-plymouth/

文脈内

Landscape IV — john virtue

サイズについて

原寸は 168 × 167 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。

この作品の制作時期はいつ頃と考えられますか?

  1. 1940

Shaded: john virtueの生涯 (1947–?)

このレコードには正確な制作年が記録されていません。アーティストの生涯と作品のスタイルから、何年代のものだと推測されますか?

比較する作品

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こちらの作品と並べて鑑賞したい他の作品:artsdot.com/ja/art/similar/john-virtue-landscape-iv-AQSNQZ-en/

カラーパレット

画像より計測

    主な色

    Putty #c1c2c4

    登録済みパレット

    • #C1C2C4
    • #1D1D1B
    • #4C4C4B
    • #86847D
    主な色名
    Putty
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Softly Mixed Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Shadow 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    john virtue

    生誕地 Accrington, United Kingdom

    The Emergence of a Minimalist Vision: Laurie Anderson’s Pioneering Career

    June 5, 1947, marked the birth of Laura Phillips Anderson, later known to the world as Laurie Anderson – an artist whose career has consistently defied easy categorization. Born in Chicago and raised in Glen Ellyn, Illinois, her early life was steeped in artistic exposure, fostered by frequent visits to the Art Institute of Chicago and a burgeoning interest in music nurtured through participation in the Chicago Youth Symphony Orchestra. This foundation laid the groundwork for a trajectory that would ultimately reshape contemporary art, blending performance, music, visual elements, and technological innovation in ways previously unseen.

    Anderson’s formal education at Mills College in California provided her with a crucial grounding in art history, while her subsequent studies at Barnard College honed her critical thinking skills. However, it was her experiences in the vibrant, experimental art scene of 1970s New York City that truly ignited her artistic fire. The burgeoning SoHo district, transformed from an industrial wasteland into a haven for artists and creatives, became her laboratory – a space where she could experiment with new forms of expression and challenge established conventions. This period witnessed the development of her signature style: a fusion of minimalist aesthetics, electronic music, and multimedia performance, often incorporating elements of language, poetry, and social commentary.

    Early Performances and the Rise to Prominence

    Anderson’s early performances were characterized by their unconventional nature and willingness to push boundaries. She began utilizing synthesizers and tape loops, creating soundscapes that were both hypnotic and unsettling. Her 1978 performance of “O Superman” at Carnegie Hall, a haunting rendition of the Goldie Hawn song accompanied by a robotic voice and a simple visual projection, catapulted her into the public consciousness. This unlikely success demonstrated Anderson’s ability to transform familiar material into something entirely new and deeply affecting – a hallmark of her artistic approach.

    The 1980s saw Anderson further refine her techniques and expand her repertoire. Her collaboration with visual artist John Barth on the multimedia project Home of the Brave (1986) showcased her ability to seamlessly integrate disparate elements into a cohesive and thought-provoking whole. This film, exploring themes of war, technology, and human connection, solidified her reputation as a visionary artist capable of tackling complex subjects with both intellectual rigor and emotional sensitivity.

    Technological Innovation and Expanding Artistic Boundaries

    Throughout her career, Anderson has consistently embraced technological innovation as a tool for artistic expression. She is credited with inventing several musical devices, including the “Bow,” a device that allows musicians to manipulate sound through physical contact, and the “Zooid,” a robotic instrument designed to mimic human movement. These inventions not only expanded the possibilities of her music but also served as metaphors for exploring themes of artificiality, automation, and the relationship between humans and machines.

    Beyond performance art, Anderson has ventured into film, literature, and visual installations. Her 1986 film Home of the Brave remains a significant work in the history of experimental cinema, while her electronic literature projects have explored the intersection of language, technology, and storytelling. Her commitment to pushing boundaries extends beyond traditional media, reflecting a deep-seated desire to challenge conventional notions of art and its role in society.

    Legacy and Historical Significance

    Laurie Anderson’s impact on contemporary art is undeniable. She emerged as a pivotal figure during the rise of electronic music and multimedia performance, paving the way for subsequent generations of artists who have embraced technology as a creative tool. Her willingness to experiment with unconventional materials and techniques, coupled with her intellectual curiosity and social consciousness, has established her as a true pioneer.

    Her work continues to resonate today, prompting viewers and listeners to consider the complex relationship between art, technology, and human experience. Anderson’s legacy extends beyond individual artworks; she represents a spirit of innovation, experimentation, and critical engagement that remains profoundly relevant in an increasingly digital world. She is not simply an artist; she is a cultural commentator, a technological innovator, and a fearless explorer of the possibilities of creative expression.

    美術館・博物館

    University of Plymouth

    展示場所 Plymouth, United Kingdom

    Plymouth’s Artistic Heartbeat: Exploring The Box

    Nestled in the revitalized heart of Plymouth, England, The Box stands as a testament to civic pride and a beacon for cultural enrichment. More than just a museum, it's an immersive experience—a convergence of artistic vision, scholarly exploration, and community engagement that captures the spirit of Devon’s coastal city.

    Founded in 2015, The Box emerged from the ambitious redevelopment of Plymouth Docklands, transforming a former industrial site into a vibrant cultural destination. Its architectural design cleverly integrates historic buildings—primarily Rolle College and Seale-Hayne College—with striking contemporary structures conceived by Sauerbruch Architekten, creating a dialogue between past and present.

    A Diverse Collection: From Maritime Heritage to Fine Arts

    The Box’s collection is remarkably varied, reflecting Plymouth's multifaceted heritage. Visitors can delve into the captivating narratives of Devonport’s seafaring history through exhibits showcasing maritime artifacts and artworks inspired by the ocean—including stunning pieces by Stephen Wheeler, whose whimsical realism style beautifully captures the essence of coastal landscapes.

    Local History:

    Explore Plymouth's rich past, from its role in naval prowess to the stories of influential figures who shaped the city’s identity.

    Art Gallery:

    Admire a curated selection of modern and contemporary artworks, featuring prominent artists like Kehinde Wiley, known for his bold portraits that challenge perspectives on representation.

    Maritime Heritage:

    Discover Plymouth's deep connection to the sea through interactive displays and meticulously preserved vessels—a journey back to Britain’s maritime golden age.

    The Mayflower 400 Anniversary:

    Commemorate the pivotal voyage of the Mayflower, examining its impact on American history and exploring exhibitions that celebrate Plymouth’s role as a cradle of liberty.

    Decorative & Fine Arts:

    Immerse yourself in collections encompassing sculpture, ceramics, silver, and other decorative arts—each piece offering insights into artistic styles and cultural traditions across time periods.

    The Cottonian Collection: A Window to Natural History

    Alongside its art gallery offerings, The Box houses a significant collection of natural history specimens and antiquities—the Cottonian Collection—representing centuries of scientific curiosity and artistic patronage. These treasures provide invaluable context for understanding Plymouth’s cultural landscape and fostering appreciation for the interconnectedness between art and science.

    A Hub for Creativity and Engagement

    What truly distinguishes The Box is its commitment to fostering creativity and community connection. Regular events, workshops, and collaborative projects invite visitors of all ages to engage with artistic ideas and contribute to Plymouth’s cultural vitality. Furthermore, admission to many exhibits is free, ensuring that this extraordinary institution remains accessible to everyone—a cornerstone of Plymouth's educational landscape.

    Located at

    https://www.theboxplymouth.com/

    , The Box stands as a symbol of Plymouth’s ambition and its dedication to preserving artistic heritage for generations to come.

    詳細はこちら

    オンラインで見る

    Landscape IVのダウンロードページへつながるQRコード

    artsdot.com/ja/art/download/john-virtue-landscape-iv-AQSNQZ-en/

    この作品の引用方法

    MLA
    virtue, john. Landscape IV. n.d., University of Plymouth. https://artsdot.com/ja/art/john-virtue-landscape-iv-AQSNQZ-en/
    APA
    virtue, john (n.d.). Landscape IV [Painting]. University of Plymouth. https://artsdot.com/ja/art/john-virtue-landscape-iv-AQSNQZ-en/
    Chicago
    john virtue. Landscape IV. n.d. University of Plymouth. https://artsdot.com/ja/art/john-virtue-landscape-iv-AQSNQZ-en/
    Harvard
    virtue, john (n.d.) Landscape IV. University of Plymouth. Available at: https://artsdot.com/ja/art/john-virtue-landscape-iv-AQSNQZ-en/

    細部まで見る

    Landscape IV — john virtue

    細部を観察する

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. 当カタログでは、この作品を monochrome, landscape, cityscape として分類しています。この分類は適切でしょうか?追加したい項目や、削除すべき項目があれば教えてください。
    4. このガイドの前述にある Landscape No.664 (2003) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. この作品のどこにそれが見て取れるでしょうか?

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。