学生作品ガイド
著作権 この作品はパブリックドメインです。John Robertson Reidは1926に没し、著作権は没後70年まで保護されるため、1996に終了しました。
文脈に合わせて
In the Cabbage Patch — John Robertson Reid
原寸は 46 × 30 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。
上の行：年。下の行：各期間の開始時と終了時の年齢 — 出生時は0、没時は 75。
作家が 26 歳の時に制作。 そのアーティストは75歳で亡くなりました。 1 の当カタログにおけるこの作家の制作年が判明している 18 点の作品のうち、これよりも以前に制作されたものがあります。
背景色：John Robertson Reidの生涯 (1851–1926) ▲ 本作品、1877 年代ごとに記された、すべての絵画作品
初期作品：1882年まで 主な活動期間：1882–1902 晩年の作品：1902年以降
これら3つの区分により、本カタログに日付が記されている作品群は、第1四半期、中間期、そして第4四半期へと分けられます。これらはアーティストの全作品を網羅したものではありません。記録の空白期間が、単なる活動休止期間として現れている場合もあります。 アーティストの生涯が刻まれた、その年月とともに
上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
こちらの作品とあわせてご覧いただける他の作品：artsdot.com/ja/art/similar/john-robertson-reid-in-the-cabbage-patch-AQV4MP-en/
画像から抽出したパレット
主要色
Driftwood #898953
カタログ済みパレット
アーティストのパレット全体に含まれるこれらの色彩 色から他の絵画を探す
主要な10カ国
地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか？遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。
これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 100.0% を占めています。カタログにはこのアーティストによる 28 点の作品が収められており、そのうち 9 点は少なくとも一度は閲覧されました。 この絵画は、その中での注目度が 6 位で、その注目の 5.3% を占めています。 月ごとの集計結果は同一です
バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください：絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。
この作品について
In the Cabbage Patch — John Robertson Reid
The painting "In the Cabbage Patch" by John Robertson Reid is a beautiful example of oil on canvas art, created in 1877. This stunning piece is housed at the Russell-Cotes Art Gallery - Museum in the United Kingdom. The painting measures 46 x 30 cm and depicts a woman standing in a garden surrounded by various plants, including broccoli.
John Robertson Reid's style is characterized by his attention to detail and ability to capture the essence of everyday life. In "In the Cabbage Patch", he masterfully uses light and color to create a sense of warmth and tranquility. The woman in the painting is shown holding a large bunch of broccoli, while two other people can be seen in the background. Handmade oil painting reproductions of "In the Cabbage Patch" are available on https://AllPaintingsStore.com, allowing art lovers to own a piece of history. These reproductions are created using the same techniques and materials as the original, ensuring that they are of the highest quality.
Painting title: In the Cabbage Patch
Artist: John Robertson Reid
Museum: Russell-Cotes Art Gallery - Museum
Year created: 1877
Medium: Oil on canvas
Other notable artists whose works are available on https://AllPaintingsStore.com include Jean Jacques Henner, Ilya Yefimovich Repin, and Jean Georges Béraud. Their paintings, such as "Pasteur" and "Portrait of Chuguev resident S.L. Lyubitskaya", are also available as handmade oil painting reproductions.
For more information on John Robertson Reid and his works, visit https://AllPaintingsStore.com. To learn more about the Russell-Cotes Art Gallery - Museum, visit their website or check out https://AllPaintingsStore.com for more information on art museums and galleries.
アーティストと美術館
John Robertson Reid, born on August 6th, 1851, in Scotland, embarked on a journey that would see him capture the essence of British life with remarkable detail and sensitivity. His initial artistic training under George Chalmers and William MacTaggart laid a solid foundation for his future endeavors, instilling within him a respect for traditional techniques alongside an emerging interest in capturing the natural world directly from observation. This early period was characterized by a dedication to plein air painting – working outdoors, directly before the subject – a practice that would become central to his artistic identity and set him apart from many of his contemporaries. He honed his skills depicting the Surrey countryside, often employing local people as models, creating scenes imbued with authenticity and a quiet dignity.
In the early 1880s, Reid relocated to Cornwall, a region that would profoundly influence his artistic output for decades. The rugged coastline, picturesque villages, and vibrant community provided an endless source of inspiration. It was here that his career truly flourished. He became known for his ability to portray everyday life with both realism and emotional depth. Scenes of coastal activity, family gatherings, and rural pursuits filled his canvases, offering a glimpse into the lives of ordinary people during the Victorian era. This period saw him move toward what would become his signature style – a blend of Naturalism, influenced by artists like Sir George Clausen, and elements of Realism inspired by French painters such as Jules Bastien-Lepage, with subtle hints of Impressionistic techniques in his handling of light and color.
Reid’s talent and dedication did not go unnoticed. In 1886, he was elected President of the Society of British Artists, a prestigious position that provided him with increased visibility and access to London's art circles. He further solidified his standing in the artistic community by becoming President of the Society of Sculptors, Painters and Gravers in 1898. These roles not only elevated his profile but also allowed him to champion the work of other artists and contribute to the broader cultural landscape. His paintings were increasingly sought after, and he gained a reputation for capturing the spirit of the age with honesty and grace.
While Reid excelled in portraying various aspects of British life, his depictions of country cricket matches are particularly noteworthy. “A Country Cricket Match,” painted at The Well House in West Sussex, is a prime example of his ability to blend sporting action with social observation. These paintings weren’t merely records of a game; they were detailed portraits of Victorian society, capturing the interactions and nuances of village life. He meticulously documented the scene on location, adding layers of authenticity that resonated with viewers. Beyond cricket, Reid's work often subtly commented on the changing social dynamics of the time, portraying the lives of working-class individuals with respect and dignity – a refreshing perspective in an era often dominated by depictions of the upper classes.
John Robertson Reid passed away on February 10th, 1926, leaving behind a rich artistic legacy. His work continues to be admired for its technical skill, emotional depth, and insightful portrayal of Victorian life. He was not only a talented painter but also a dedicated advocate for the arts, fostering a sense of community among his peers. His sisters, Lizzie Reid and Flora MacDonald Reid, were also exhibiting artists, demonstrating a strong artistic lineage within the family. Furthermore, he was the great-uncle of Sir Norman Reid, who later served as Director of the Tate Gallery, further cementing the family’s contribution to the art world. His paintings offer a valuable window into a bygone era, capturing the beauty and complexity of British society with enduring appeal.
artsdot.com/ja/art/download/john-robertson-reid-in-the-cabbage-patch-AQV4MP-en/
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In the Cabbage Patch — John Robertson Reid
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