学生作品ガイド
著作権 この作品は、現在も著作権の保護対象です。Jacopo Rinaldi は 1988 に生まれ、没年は記録されていません。著作権は、作者の死後 70 年間存続します。この画像は教育目的の参照用として掲載されており、権利は権利者に帰属します。
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Intervallo — Jacopo Rinaldi
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Gray #958c70
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この作品について
Intervallo — Jacopo Rinaldi
Intervallo is a moving piece on a railcar crossing Salento from Lecce to Gagliano del Capo, southern Italy. The installation consists in the substitution of a train window shades with printed curtains reproducing still shots from a 1935 newsreel. The sequence is a one-second footage divided into the number of the train windows. The original footage is a tracking shot which was caught through the windows of a newly produced Littorina railcar during the fascist regime. Since then “littorina” became an Italian commonly used term indicating railway cars. The train station
アーティストと美術館
生誕地 Rome, Italy
Jacopo Rinaldi, born in Rome in 1988, emerged from a city steeped in layers of history—a landscape that would profoundly shape his artistic vision. His early exposure to the Eternal City’s complex narrative, its palimpsest of eras and ideologies, instilled within him a fascination with memory, time, and the very nature of representation. This formative period wasn't simply about observing Rome’s grandeur; it was about sensing the echoes beneath the surface, the stories held within its stones and archives. Rinaldi’s academic path reflected this inclination, beginning with studies at the Academy of Fine Arts in Rome before expanding his focus to visual arts and curatorial studies at NABA in Milan. This dual pursuit—the creation of art alongside a critical engagement with its presentation and context—would become a defining characteristic of his practice. The foundational years were crucial in establishing not only his technical skills but also his conceptual framework, setting the stage for an exploration that would increasingly intertwine personal investigation with broader historical inquiries.
A pivotal moment in Rinaldi’s development came with his involvement at the Szeemann Archive starting in 2011. Working within this repository of art historical documentation—the legacy of the influential curator Harald Szeemann—provided him with unprecedented access to a wealth of materials, methodologies, and perspectives. The archive wasn't merely a collection of objects; it was a living testament to the power of artistic research and critical thinking. This experience profoundly influenced his approach, fostering a deep engagement with archival sources as both subject matter and medium. His early exhibitions began to reflect this sensibility, often incorporating found materials, documents, and ephemera to explore themes of collective memory and historical reconstruction. These weren’t simply displays of artifacts; they were carefully constructed narratives designed to provoke questions about the construction of history itself—how it is recorded, interpreted, and ultimately remembered (or forgotten).
Rinaldi's work consistently orbits around the elusive nature of memory. He doesn’t seek to reconstruct the past in a literal sense but rather to excavate its fragments, revealing the inherent subjectivity and instability of historical accounts. This is often achieved through his skillful manipulation of archive materials—photographs, documents, texts—which are presented not as definitive evidence but as traces of lived experience, imbued with their own biases and limitations. Time itself becomes a central concern, explored not as a linear progression but as a layered and fragmented phenomenon. His installations frequently employ moving images and sound to create immersive environments that evoke a sense of temporal disorientation, challenging viewers to confront the complexities of historical perception. The image, in Rinaldi’s work, is never neutral; it's always mediated by context, interpretation, and the passage of time.
Rinaldi’s artistic trajectory has been marked by a growing recognition within the contemporary art world. His participation in residency programs has allowed him to expand his research into new territories, fostering collaborations and deepening his engagement with diverse cultural contexts. The exhibition *Intervallo*, for example—a captivating moving installation blending archive footage and train nostalgia—demonstrates his ability to evoke powerful emotional responses through subtle yet evocative juxtapositions. His work was featured in the ninth edition of Portfolio at the Quadriennale di Roma, a significant platform for emerging Italian artists. The piece presented there, iio sono un disgraziato il mio destino è di morir in prigione strangolato, exemplifies his critical approach to historical memory and the problematic categorization of individuals based on physical characteristics. This achievement, along with numerous other solo and group exhibitions, underscores his growing influence within the Italian art scene.
Jacopo Rinaldi’s work occupies a unique space within contemporary artistic discourse. He isn't simply an artist who uses archives; he is an artist who interrogates the very foundations of archival practice—its power structures, its biases, and its inherent limitations. His exploration of memory, time, and image resonates with broader theoretical concerns surrounding post-structuralism, critical history, and the construction of identity. By challenging conventional notions of historical representation, Rinaldi invites viewers to become active participants in the process of meaning-making, questioning the narratives they have been taught and seeking out alternative perspectives. As he continues to develop his practice, it is likely that his work will continue to push boundaries, prompting critical reflection on the complexities of our shared past and its enduring impact on the present. His dedication to research, combined with a keen sensitivity to aesthetic form, positions him as a significant voice in contemporary Italian art—an artist whose work promises to provoke thought and inspire dialogue for years to come.
展示中： Milan, Italy
In the vibrant, beating heart of Milan, where tradition meets the cutting edge of modernity, Viafarini stands not merely as a repository for finished works, but as a breathing incubator for the very soul of contemporary art. Established in 1991, this non-profit sanctuary transcends the static nature of traditional museums to function as a dynamic laboratory of innovation. It is a place where the boundary between the artist’s private struggle and the public’s gaze becomes beautifully blurred. Nestled within the historic resonance of Fabbrica del Vapore and along Via Marco d'Agrate, Viafarini serves as a vital bridge between the raw energy of artistic research and the sophisticated dialogue of the global art scene, fostering an environment where ideas are nurtured long before they reach the permanence of a gallery wall.
The architectural essence of Viafarini mirrors its profound mission of connectivity. The space is designed with an adaptable, modern fluidity that invites interaction rather than imposing distance. It is a structure built for the convergence of disciplines, allowing for a seamless transition between the quiet intensity of studio residency and the expansive energy of public exhibition. For the discerning visitor or the interior designer seeking inspiration, the museum offers a glimpse into the "work-in-progress"—a rare opportunity to witness the evolution of form, texture, and concept. This architectural resonance creates a sense of being part of an ongoing narrative, where the physical space acts as a vessel for the transformative power of creative thought.
What truly distinguishes Viafarini from its peers is its unparalleled commitment to the preservation of the contemporary moment through its "Italian Area" archive. This meticulously curated documentation captures the trajectory of Italian artistic production from 1988 to the present day, acting as a profound temporal map of a nation's visual evolution. Unlike archives that merely store objects, Viafarini’s collection is a living tapestry; each artist featured in this prestigious selection has personally chosen a piece that represents their creative essence, directly linking historical significance with contemporary digital presence. This approach creates an intimate, curated experience that allows collectors and historians alike to trace the lineage of style, medium, and social commentary through decades of Italian excellence.
The breadth of the collection is nothing short of breathtaking, spanning a diverse spectrum of mediums including painting, sculpture, and photography. The museum’s prestige is further cemented by its illustrious residency program, which attracts a global cohort of artists, critics, and curators to Milan. Through this program, Viafarini becomes a crucible where international perspectives collide with local traditions. Notable exhibitions often delve into pressing social, political, and anthropological themes, ensuring that the art on display remains deeply relevant to the zeitgeist. To walk through Viafarini is to engage in a continuous conversation about the state of our world, making it an essential destination for those who view art not just as decoration, but as a vital instrument of cultural discourse.
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Intervallo — Jacopo Rinaldi
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Jacopo Rinaldi作「Intervallo」の手描き複製画は、こちらの手描き油彩複製画ページからご注文いただけます：リネンキャンバスに手描きされた油彩複製画（受注制作）
原画の「Intervallo」はViafarini, Milan, Italyにてご覧いただけます。
「Intervallo」の色彩の調和は、Strong Color Unityと表現されます。