用紙サイズ

学生作品ガイド

Spring 3

氏名 学年 日付

Esphyr Slobodkina, Spring 3 (1948). 参考用として複製。著作権は権利者に帰属します。

詳細情報

作家
Esphyr Slobodkina artsdot.com/ja/artists/esphyr-slobodkina/
制作年
1908 – 2002
彩色済み
1948
原寸大
18 x 36 cm

文脈に合わせて

Spring 3 — Esphyr Slobodkina

サイズ感について

原寸は 18 × 36 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。

制作時期

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990
  11. 2000

背景色:Esphyr Slobodkinaの生涯 (1908–2002) ▲ 本作品、1948

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カラー

画像から抽出したパレット

    主要色

    White #f5f5f0

    カタログ済みパレット

    • #F5F5F0
    • #8E623E
    • #2B2C30
    • #8D8781
    カラーパレット
    Earthy 作品の中で主要な色調。
    主要色
    White
    彩度
    Monochromatic 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Strong Color Unity 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    輝度
    Balanced 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Muted 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    Esphyr Slobodkina

    生誕地 Chelyabinsk, Russia

    Esphyr Slobodkina: A Life in Art and Illustration

    Born: Chelyabinsk, Russia (1908)

    Died: 2002

    Esphyr Slobodkina was a remarkable artist whose career spanned both the abstract art world of the mid-20th century and the beloved realm of children's literature. Born Esphyr Solomonovna Slobodkina in Chelyabinsk, Russia, her life took many unexpected turns, shaped by revolution, emigration, and artistic exploration. She is perhaps best known for her classic children’s book, Caps for Sale (1940), but her contributions to abstract art, collage, and construction deserve equal recognition.

    Early Life and Artistic Beginnings

    Slobodkina's early life was dramatically altered by the Russian Revolution of 1917. She emigrated with her family to Harbin, Manchuria (China), where she received artistic training and studied architecture. This period proved formative, exposing her to a blend of ancient icons and rich craft traditions that instilled in her a lifelong appreciation for clear colors and stylized forms. In 1928, Slobodkina immigrated to the United States, enrolling at the National Academy of Design in New York City. It was there she met Ilya Bolotowsky, whom she married in 1933; they later divorced in 1938.

    Abstract Art and American Abstract Artists

    Slobodkina’s commitment to abstract art led her to become a founding member of the American Abstract Artists (AAA) group in 1936. This marked a significant moment in American art history, establishing abstraction as a viable form of expression within the United States. Alongside artists like Ilya Bolotowsky, she explored flattened, abstracted styles incorporating line and interlocking forms. Her work during this period reflected influences from Russian modernism, characterized by rich colors and stylized shapes. Slobodkina’s unique method involved working in oils with a flattened, abstracted style that incorporated line, suspended or interlocking forms.

    Transition to Children's Literature

    A pivotal moment arrived in 1938 when Slobodkina met children's author Margaret Wise Brown. Seeking work as an illustrator, she created a story and collage, Mary and the Poodies, which impressed Brown. This led to a fruitful collaboration, with Slobodkina illustrating numerous stories for Brown, including the popular Sleepy ABCs and the Big and Little series. Simultaneously, Slobodkina began writing and illustrating her own children's books, culminating in the enduring success of Caps for Sale. This book, with its whimsical illustrations and memorable rhymes, sold over two million copies and has been translated into numerous languages, earning her the Lewis Carroll Shelf Award in 1958.

    Later Years and Artistic Evolution

    After building a home in Great Neck, New York, Slobodkina continued to evolve as an artist. She experimented with various techniques and materials, including collage, construction, paint, wood, plastic, and metal. Her later works often incorporated everyday objects like typewriter and computer parts into amusing and inventive compositions. She maintained her connection to the art world through residencies at Yaddo and MacDowell colonies. Slobodkina’s work eventually received high acclaim, being included in Peggy Guggenheim's exhibition Exhibition by 31 Women at the Art of This Century gallery in New York. Throughout the last years of the 20th century, she continued to alternate between serious abstract paintings and more playful activities like creating sculpture, wall hangings, dolls, and jewelry.

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    オンラインで詳細を見る

    Spring 3のダウンロードページへつながるQRコード

    artsdot.com/ja/art/download/esphyr-slobodkina-spring-3-AQRSX3-en/

    この作品の引用元

    MLA
    Slobodkina, Esphyr. Spring 3. 1948, https://artsdot.com/ja/art/esphyr-slobodkina-spring-3-AQRSX3-en/
    APA
    Slobodkina, Esphyr (1948). Spring 3 [Painting]. https://artsdot.com/ja/art/esphyr-slobodkina-spring-3-AQRSX3-en/
    Chicago
    Esphyr Slobodkina. Spring 3. 1948. https://artsdot.com/ja/art/esphyr-slobodkina-spring-3-AQRSX3-en/
    Harvard
    Slobodkina, Esphyr (1948) Spring 3. Available at: https://artsdot.com/ja/art/esphyr-slobodkina-spring-3-AQRSX3-en/

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    Spring 3 — Esphyr Slobodkina

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    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. このガイドの前述にある Crossroad 2 (1945) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    4. Esphyr Slobodkina は、この作品の制作当時 40 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。
    5. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。