学生作品ガイド
著作権 この作品の著作権は現在も存続しています。Eleanor Coenは2010に没年しました。著作権は没後70年間継続するため、2080まで有効です。本画像は教育目的の参照用として掲載しており、権利は権利者に帰属します。
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Haystack — Eleanor Coen
原寸は 30 × 38 cm (高さ × 幅) で、ここでは平均的な身長の成人と並べて表示しています。
上の行：年。下の行：各期間の開始時と終了時の年齢 — 出生時は0、没時は 94。
背景色：Eleanor Coenの生涯 (1916–2010) 年代ごとに記された、すべての絵画作品
このレコードには正確な制作年が記録されていません。アーティストの生涯と作品のスタイルから、何年代のものだと推測されますか？
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主要色
Espresso #4b4340
カタログ済みパレット
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主要な10カ国
地図上で最も色が濃い3つの国を見つけてください。この絵画を収蔵している美術館は、そのいずれかの国にありますか？遠く離れた場所にいる人々が、この作品に目を向ける理由を一つ書き出してください。
これらの作品は、このアーティストの絵画が過去12か月間に受けた注目全体の 100.0% を占めています。カタログにはこのアーティストによる 11 点の作品が収められており、そのうち 4 点は少なくとも一度は閲覧されました。 この絵画は、その中での注目度が 4 位で、その注目の 16.7% を占めています。 月ごとの集計結果は同一です
バーは注目度を示すものであり、品質を示すものではありません。リストの最上部にある作品と、こちらの作品を選んでください：絵画がその技術的な巧拙を超えて有名になる要因として、考えられることを一つ挙げてください。
アーティストと美術館
生誕地 Normal, United States of America
Eleanor Coen, born in Normal, Illinois, in 1916, was an artist whose life and work resonated with the spirit of her time—a period marked by economic hardship, social change, and a burgeoning artistic ferment. Her path to becoming a significant figure in American art wasn’t one of privilege but rather a determined pursuit fueled by talent and a relentless curiosity. The daughter of an Irish druggist and a German mother, Coen found early solace and expression within the walls of the Art Institute of Chicago (SAIC), where she studied painting under Boris Anisfeld and lithography with Max Kahn—a relationship that would blossom into both artistic partnership and marriage in 1942. To support herself during her studies, she worked as a waitress at Marshall Field’s, a testament to her practicality and dedication. This early experience instilled within her a keen observation of everyday life, an element that would later become central to her artistic vision.
Coen's emergence as an artist coincided with the Great Depression, a time when art served not only as aesthetic expression but also as social commentary. She became involved in the Works Progress Administration (WPA) Federal Art Project, contributing to a legacy of 20th-century color lithography and painting. Alongside Max Kahn, Isadore Weiner, and Misch Kohn, she pushed the boundaries of this medium in Chicago, despite it not being formally taught at SAIC. This spirit of innovation was further ignited by a pivotal journey to Mexico in 1941, made possible by the James Nelson Raymond Traveling Fellowship. Due to wartime restrictions on European travel, Coen and Kahn found themselves immersed in the vibrant artistic landscape of Mexico City, living with Alfredo Zalce, a founder of the Taller de Gráfica Popular (TGP). Coen became the first woman to work at the TGP, an experience that profoundly shaped her aesthetic sensibilities. Exposure to the monumental works of Mexican muralists like José Clemente Orozco left an indelible mark on her figural style, imbuing it with a sense of drama and emotional intensity. Collaborations with artists such as Leopoldo Méndez and Ángel Bracho further enriched her artistic vocabulary. The couple later established a lithography studio in San Miguel de Allende, where Max taught at the School of Bellas Artes, and Eleanor created a mural that remains a prominent feature of the school courtyard today—a lasting testament to their commitment to art and education.
Eleanor Coen’s artistic style is characterized by an expressive energy, manifested in swift brushstrokes, heavy impasto, and intricate layers of glowing color. Her work wasn't confined to a single subject matter; she explored urban and rural landscapes with equal passion, alongside intimate depictions of children—often her own family. However, beneath the surface beauty often lay a current of unease, a sense of isolation and anxiety that permeated many of her compositions. This emotional depth was not merely decorative but rather an attempt to grapple with the complexities of modern life. Her paintings weren’t simply representations of reality; they were explorations of psychological states, rendered with raw honesty and vulnerability. She worked fluidly between color lithography and oil painting throughout her career, each medium offering unique possibilities for expressing her vision. The recurring themes in her work—urban life, travel experiences, the human figure—were always filtered through a lens of emotional intensity and introspective observation.
Throughout her career, Eleanor Coen received numerous accolades, including awards from the American Color Print Society (1953) and the Philadelphia Print Club (1952). She taught at the SAIC Ox-Bow summer school of art in Saugatuck, Michigan, alongside Francis Chapin, nurturing a new generation of artists. Later in her life, she was represented by the Corbett vs. Dempsey gallery in Chicago, which helped to bring renewed attention to her work. Her paintings and prints are now held in prestigious museum collections such as the Art Institute of Chicago and the Smithsonian American Art Museum, solidifying her place within the canon of 20th-century American art. Some have described her as “the best painter in Chicago of the 1940s & 1950s era,” a testament to her unique talent and enduring influence. Even after moving between San Francisco, Blackhawk Colorado, Santa Fe, and finally Martha's Vineyard—where she maintained a studio until her death in 2010—Coen continued to paint and create prints with unwavering dedication. Her legacy endures not only through the beauty of her artwork but also as an example of artistic resilience, innovation, and emotional honesty.
artsdot.com/ja/art/download/eleanor-coen-haystack-AQRQTH-en/
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Haystack — Eleanor Coen
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Eleanor Coen作「Haystack」は、彩度Mutedで記録されています。
Eleanor Coen作「Haystack」はNeutralsのパレットを使用しており、Espresso (#4b4340)が基調となっています。
「Haystack」を手がけたアーティストはEleanor Coenです。この作品はEleanor Coenの名でカタログに登録されています。