学生作品ガイド
著作権 この作品の著作権は現在も存続しています。Dod Procterは1972に没年しました。著作権は没後70年間継続するため、2042まで有効です。本画像は教育目的の参照用として掲載しており、権利は権利者に帰属します。
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Aunt Lilla — Dod Procter
原寸は 98 × 65 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。
Shaded: Dod Procterの生涯 (1890–1972) ▲ 本作品、1943
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Aunt Lilla — Dod Procter
The painting Aunt Lilla by Dod Procter is a masterpiece that exudes elegance and sophistication. Created in 1943, this oil on canvas painting measures 98 x 65 cm and is currently located at the Penlee House Gallery - Museum in Penzance, United Kingdom.
Dod Procter's unique style is characterized by her ability to capture the subtleties of human emotion and the play of light on her subjects. In Aunt Lilla, the artist's use of warm colors and soft brushstrokes creates a sense of intimacy and comfort, drawing the viewer into the quiet world of the subject.
The painting features a woman sitting in a chair with her hands folded on her lap, surrounded by the gentle curves of furniture and the soft glow of light reflected from the mirror. The overall effect is one of serene contemplation, inviting the viewer to step into the peaceful atmosphere of the scene.
Some of Dod Procter's notable works include Self Portrait, which showcases her skill in capturing the subtleties of human expression.
Dod Procter's use of color and light creates a sense of depth and dimensionality in her paintings.
Her ability to capture the essence of her subjects has made her one of the most celebrated artists of her time.
Handmade oil painting reproductions of Aunt Lilla are available at https://AllPaintingsStore.com, allowing art lovers to bring a piece of history into their own homes.
For more information on Dod Procter and her works, visit https://AllPaintingsStore.com or the Penlee House Gallery - Museum website.
アーティストと美術館
生誕地 Hampstead, United Kingdom
Born: Doris Margaret Shaw, 21 April 1890, Hampstead, United Kingdom
Died: 31 July 1972
Nationality: English
Her father was a ship's doctor and her mother a former art student.
The family moved to Tavistock, Cornwall in 1907.
She enrolled at the School of Painting run by Elizabeth Forbes and Stanhope Forbes in Newlyn at age 15.
Met Laura Knight, who became a lifelong friend and influence.
Studied at Atelier Colarossi in Paris alongside Ernest Procter.
Influenced by Impressionism and Post-Impressionism movements.
Mentored by Elizabeth Forbes and Stanhope Forbes.
Inspired by artists like Pierre-Auguste Renoir and Paul Cézanne.
Developed a distinctive style characterized by sensual portraits of women and Cornish landscapes.
Early works included illustrated "Nature Notes" sent to her father at sea.
Morning (1927): Her most famous work, a portrait of a fisherman's daughter that caused a sensation and was bought by the Daily Mail for the Tate Gallery.
Early Morning: A smaller version of "Morning" held by the Royal Pavilion in Brighton.
Series of simplified, monumental images of young women (c. 1922).
Commissioned to decorate the Kokine Palace in Rangoon with her husband Ernest Procter.
Exhibited at the Royal Academy on numerous occasions.
Awarded "Picture of the Year" at the Royal Academy Summer Exhibition in 1927 for “Morning”.
After Ernest's death in 1935, she travelled extensively to the United States, Canada, Jamaica, and Africa.
Became President of St Ives Society of Artists (STISA) in 1966.
Member of several artists organizations including the Newlyn School.
Buried next to her husband at St Hilary Church, Cornwall.
Her work is recognized for its evocative portrayal of Cornish life and its contribution to early twentieth-century British art.
A prominent figure in the Newlyn School of artists.
Known for her unique vision and style that captured a sense of modernity.
Her portrait "Morning" is considered a significant work of 20th-century British art, praised for its “sensuous but sombre style” and depiction of Cornish light.
Contributed to the development of portraiture in Britain during the early 20th century.
展示場所 Penzance, United Kingdom
Nestled within the tranquil, verdant embrace of Penlee Park in Penzance, Penlee House Gallery & Museum stands as a luminous beacon of West Cornwall’s cultural soul. Originally conceived in 1865 as a lavish Victorian residence for the wealthy Branwell family, the estate’s stately façade reflects an era defined by profound artistic ambition and refined taste. To walk through its doors is to step into a narrative interwoven with remembrance; the building itself serves as a poignant memorial to those lost during World War II, lending an atmosphere of quiet contemplation to its halls. The architecture, a harmonious blend of Victorian grandeur and understated elegance, provides a sophisticated backdrop that invites both the casual visitor and the discerning collector to lose themselves in the beauty of the past.
The heart of the museum beats most vibrantly through its incomparable collection of the Newlyn School. This collective of artists, drawn to the dramatic coastline and the unparalleled, mercurial quality of Cornish light, revolutionized British landscape painting during the late Victorian period. Their work is not merely a representation of scenery but an emotional immersion into the essence of the region. One cannot help but be moved by the atmospheric perspective in Norman Garstin’s
The Rain It Raineth Every Day
, which captures the very breath of a Cornish storm, or the sun-drenched vitality found in Elizabeth Forbes’
School is Out
. These masterpieces, characterized by their sensitivity to rural life and immediacy of technique, offer interior designers and art lovers alike a window into a world where light and tradition are eternally entwined.
Beyond the evocative canvases of the Newlyn and Lamorna colonies, Penlee House offers a rich tapestry of maritime and local history that deepens the visitor's connection to the landscape. The museum’s scope extends into the tactile realms of sculpture and the intricate beauty of Cornish ceramics, showcasing the exceptional skill of regional craftspeople. For those fascinated by the sea, the exhibits dedicated to the Royal Marines of Lyonesse provide a gripping glimpse into Cornwall’s seafaring prowess and naval heritage. This intersection of fine art and historical artifact creates a unique museum experience where the maritime identity of the coast meets the delicate artistry of the studio. It is a destination where history is not just studied, but felt through every weathered artifact and every brushstroke of light.
artsdot.com/ja/art/download/dod-procter-aunt-lilla-AQSGU7-en/
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Aunt Lilla — Dod Procter
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