用紙

学生作品ガイド

Basket Drawing

氏名 クラス 日付

Dale Chihuly, Basket Drawing (1994). 参考用として複製。著作権は権利者に帰属します。

基本情報

作家
Dale Chihuly artsdot.com/ja/artists/dale-chihuly/
制作年
1941 – ?
彩色済み
1994
原寸大
104 x 74 cm

文脈内

Basket Drawing — Dale Chihuly

サイズについて

原寸は 104 × 74 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。

制作年

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Shaded: Dale Chihulyの生涯 (1941–?) ▲ 本作品、1994

比較する作品

上記の作品を一つ選んでください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。

こちらの作品と並べて鑑賞したい他の作品:artsdot.com/ja/art/similar/dale-chihuly-basket-drawing-AQRF2S-en/

カラーパレット

画像より計測

    主な色

    Espresso #305946

    登録済みパレット

    • #305946
    • #B98B1A
    • #A43322
    • #1F1F1B
    パレット
    Dark 作品の中で主要な色調。
    主な色名
    Espresso
    彩度
    Balanced 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Gentle 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Discordant Palette 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Shadow 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Clear Color Presence 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    Dale Chihuly

    生誕地 Tacoma, United States of America

    A Life Illuminated: The Story of Dale Chihuly

    Born in Tacoma, Washington, in 1941, Dale Patrick Chihuly’s journey to becoming a revolutionary figure in glass art was marked by both profound personal loss and an unwavering artistic vision. His early life was shadowed by tragedy – the death of his brother George in a Navy aviation accident and later, the passing of his father from a heart attack. These experiences instilled within him a sensitivity that would subtly permeate his work, a poignant awareness of fragility and beauty existing side-by-side. Initially drawn to interior design at the University of Washington, Chihuly’s path dramatically shifted in 1961 when he discovered the captivating potential of glass. This initial spark ignited a lifelong passion, leading him to Florence, Italy, and eventually to the University of Wisconsin–Madison under the tutelage of Harvey Littleton, a pioneer of the studio glass movement. It was Littleton who provided Chihuly with the foundational skills and encouragement to explore this nascent art form, setting the stage for his future innovations. He further honed his craft at the Rhode Island School of Design (RISD), earning his MFA in sculpture in 1968.

    Forging a New Language in Glass

    Chihuly’s artistic development wasn't solely shaped by formal education; it was profoundly influenced by encounters with master craftsmen and the rich artistic traditions of Italy. A Fulbright Fellowship in 1968 took him to Venini, a renowned glass factory on Murano, where he witnessed firsthand the collaborative nature of Italian glassblowing. This experience proved pivotal, instilling in him a belief in teamwork as an essential component of realizing ambitious artistic visions. He also forged close relationships with fellow artists Italo Scanga and Lino Tagliapietra, enriching his technical skills and broadening his aesthetic horizons. The influence of the Italian Impressionist school, particularly its emphasis on color and form, is evident in Chihuly’s vibrant palette and organic shapes. However, he didn't simply replicate existing styles; he sought to redefine what glass could be, pushing the boundaries of technique and scale. His mother’s passion for gardening also played a role, fostering an appreciation for natural forms that would become a recurring motif throughout his career.

    Transforming Spaces: Major Achievements & Artistic Style

    Dale Chihuly's impact on the art world is immeasurable, largely due to his ability to elevate blown glass from a craft into a recognized fine art form. He didn’t work in isolation; instead, he assembled teams of skilled glassblowers, directing their efforts with an almost orchestral precision. This collaborative approach allowed him to create works of breathtaking complexity and scale. His artistic output is characterized by a series of iconic collections: the fluid Cylinders, the intricately woven Baskets, the ethereal Seaforms evocative of marine life, the richly colored Macchia inspired by Italian spotted glass, the elegant Venetians, the vibrant Persians, the delicate Niijima Floats, and the spectacular Chandeliers. Beyond individual pieces, Chihuly is celebrated for his large-scale architectural installations. These immersive environments transform spaces with cascading colors and organic forms, enveloping viewers in a world of light and wonder. Landmark projects like Chihuly Over Venice in 1996 – where sculptures were suspended over the canals and piazzas of Venice – and the permanent Chihuly Garden and Glass exhibition in Seattle (opened in 2012) demonstrate his ability to create truly unforgettable artistic experiences. His style is instantly recognizable: organic, flowing shapes, a dazzling array of colors, and a sense of joyous exuberance.

    A Lasting Legacy

    Chihuly’s influence extends far beyond his own creations. He co-founded the Pilchuck Glass School in 1971, near Stanwood, Washington, which quickly became a vital center for glass art education and innovation, nurturing generations of artists. His pioneering techniques – often involving multiple blowers working simultaneously – revolutionized the field, challenging conventional notions of authorship and artistic control. Despite facing physical challenges later in life, including vision loss in one eye, Chihuly continued to direct his teams with unwavering creative energy. He has received numerous accolades throughout his career, and his works are now included in over 200 museum collections worldwide, solidifying his position as a major figure in contemporary art. While he navigated legal challenges regarding copyright and trademark infringement in 2006, these did not diminish his artistic drive. Dale Chihuly remains actively involved in artistic endeavors today, continuing to inspire awe and wonder with his breathtaking creations. His legacy lies not only in the beauty of his glass sculptures but also in his transformative impact on the perception of glass as an art medium – a testament to the power of vision, collaboration, and unwavering dedication.

    Exploring Chihuly’s World

    Emerald Green Blanket Cylinder with Cerulean Blue Drawing (1984): A mesmerizing example of his organic forms and vibrant color palette.

    Seafoam and Amber Tipped Chandelier: Showcasing the grandeur and complexity of his chandelier series.

    Untitled (Glass Vessel): Demonstrating his mastery of form and texture in a more intimate scale.

    Discover more about Dale Chihuly’s work and the artists he has inspired at AllPaintingsStore.com, where you can explore high-quality reproductions of his iconic pieces and delve deeper into the world of glass art.

    詳細はこちら

    オンラインで見る

    Basket DrawingのダウンロードページへつながるQRコード

    artsdot.com/ja/art/download/dale-chihuly-basket-drawing-AQRF2S-en/

    この作品の引用方法

    MLA
    Chihuly, Dale. Basket Drawing. 1994, https://artsdot.com/ja/art/dale-chihuly-basket-drawing-AQRF2S-en/
    APA
    Chihuly, Dale (1994). Basket Drawing [Painting]. https://artsdot.com/ja/art/dale-chihuly-basket-drawing-AQRF2S-en/
    Chicago
    Dale Chihuly. Basket Drawing. 1994. https://artsdot.com/ja/art/dale-chihuly-basket-drawing-AQRF2S-en/
    Harvard
    Chihuly, Dale (1994) Basket Drawing. Available at: https://artsdot.com/ja/art/dale-chihuly-basket-drawing-AQRF2S-en/

    細部まで見る

    Basket Drawing — Dale Chihuly

    細部を観察する

    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. 当カタログでは、この作品を arts として分類しています。この分類は適切でしょうか?追加したい項目や、削除すべき項目があれば教えてください。
    4. このガイドの前述にある Royal Blue Mint Chandelier を改めて見返してみてください。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    5. Dale Chihuly は、この作品の制作当時 53 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。

    回答内容

    この作品について短い文章を書いてください。本ガイドの前半部分に記載されている事実と、上記での回答内容を活用してください。