用紙

学生作品ガイド

Pietà

氏名 クラス 日付

cliff holden, Pietà (1990), London South Bank University. 参考用として複製。著作権は権利者に帰属します。

基本情報

作家
cliff holden artsdot.com/ja/artists/cliff-holden/
制作年
1919 – 2020
彩色済み
1990
原寸大
122 x 122 cm
開催場所
London South Bank University artsdot.com/ja/museums/london-south-bank-university-london/

文脈内

Pietà — cliff holden

サイズについて

原寸は 122 × 122 cm (高さ × 幅) で、ここでは平均的な身長の成人と比較して表示しています。

制作年

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010
  12. 2020

Shaded: cliff holdenの生涯 (1919–2020) ▲ 本作品、1990

比較する作品

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こちらの作品と並べて鑑賞したい他の作品:artsdot.com/ja/art/similar/cliff-holden-pieta-AQSMT5-en/

カラーパレット

画像より計測

    主な色

    Clay #8c6a54

    登録済みパレット

    • #8C6A54
    • #792D26
    • #C7B09D
    • #400F16
    パレット
    Earthy 作品の中で主要な色調。
    主な色名
    Clay
    彩度
    Balanced 単一の落ち着いた色調から、多彩で鮮やかな色彩まで、色の彩度やバリエーションの豊かさ。
    コントラスト
    Statement 作品全体における、色の明度と彩度の差異の度合い。
    調和
    Balanced Harmony 対照的な色合いから完全に調和したものまで、色彩がいかに美しく響き合っているか。
    明るさ
    Balanced 深い影から明るいハイライトまで、作品全体の明暗の度合い。
    彩度
    Balanced Soft 限りなくグレーに近い色合いから、鮮やかな色彩まで、その純度と強さが際立ちます。

    アーティストと美術館

    作家

    cliff holden

    The Visionary Spirit of Cliff Holden

    In the grand tapestry of twentieth-century British modernism, few threads are as intricately woven or as resilient as those left by Cliff Holden. Born in Manchester in December 1919, Holden’s early life was far removed from the avant-garde studios of London; instead, his formative years were rooted in the practical and grounded disciplines of agriculture and veterinary science at Reaseheath School. This initial connection to the natural world, characterized by an observant eye for structure and life, would later manifest in a subtle, underlying strength within his artistic compositions. However, it was a transformative encounter in 1944 with the legendary David Bomberg at the City Literary Institute that redirected his destiny, pulling him away from the sciences and into the profound, experimental realm of fine art.

    The bond between Holden and Bomberg became the catalyst for one of the most significant movements in postwar British art. Following Bomberg to Borough Polytechnic, Holden became a foundational figure in the Borough Group, serving as its inaugural president from 1946 to 1948. This was not merely a social circle but an intellectual laboratory where artists sought to push the boundaries of abstraction and challenge the stagnant artistic norms of the era. Alongside peers such as Dennis Creffield, Holden helped cultivate an aesthetic defined by rigorous experimentation and a shared devotion to Bomberg’s visionary principles. Through his leadership, the group became a cornerstone of modernism, fostering a spirit of rebellion against convention that would resonate through the decades.

    A Journey Across Borders and Mediums

    As Holden’s artistic horizons expanded, so too did his geographic and stylistic reach. His connection with the Swedish artist Torsten Renquist opened a gateway to the international art community, leading to exhibitions in Sweden that solidified his reputation far beyond the shores of England. From 1956 onward, his residence in Sweden provided a new landscape for his creative evolution. This period of his life saw him masterfully navigating diverse mediums; he was not only a painter but a skilled designer and silk-screen printer, demonstrating a versatility that allowed him to bridge the gap between fine art and applied design. His membership in the London Group and his status as a Fellow of the Chartered Society of Designers underscore a career that refused to be confined by a single discipline.

    The technical brilliance of Holden’s work often lies in its ability to evoke deep emotion through texture and light. Whether working with the delicate precision of silk-screen printing or the bold, tactile application of acrylics and oils, his pieces possess an enduring vitality. His later works, such as the vibrant Bathers, showcase a mastery of color—utilizing warm yellows and reds to create atmospheres that feel both contemporary and timeless. There is a rhythmic quality to his compositions, where figures and landscapes interact with a sense of movement and energy that draws the viewer into a contemplative state.

    Legacy and Enduring Significance

    The legacy of Cliff Holden is etched into the very fabric of major institutional collections worldwide. His contributions are preserved in the hallowed halls of Tate Britain, the Victoria and Albert Museum, and the Arts Council, ensuring that his role in the development of British abstraction remains a subject of scholarly and aesthetic reverence. Beyond the canvas, his influence as a designer and educator left an indelible mark on the visual culture of the twentieth century.

    Reflecting on a life that spanned an incredible century—from the post-war reconstruction of London to the dawn of the twenty-first century—Holden’s work remains a testament to the power of artistic persistence. His journey from a student of agriculture to a pioneer of the Borough Group serves as an inspiring narrative of intellectual growth and creative courage. Through his eyes, we see a world where abstraction meets structure, and where the boundaries between design and fine art dissolve into a singular, beautiful expression of human experience.

    美術館・博物館

    London South Bank University

    展示場所 London, United Kingdom

    A Portal to Post-War Britain: The Borough Road Gallery

    Nestled within the vibrant, pulsing heart of London's South Bank, where the energy of the Thames meets the intellectual rigor of academia, lies a hidden sanctuary for those seeking the soul of a changing nation. The Borough Road Gallery, part of London South Bank University, is far more than a mere repository of canvas and clay; it is a compelling portal into the dynamic, often turbulent world of Post-War British Art. To step inside is to enter a visual narrative of a country grappling with profound transformation, rebuilding its identity amidst the echoes of conflict and the dawn of modernism. The gallery’s very existence is a testament to a long-standing commitment to community and creativity, tracing its lineage back to the Borough Polytechnic Institute founded in 1892. This deep historical root ensures that every brushstroke on display is anchored in a legacy of practical skill and the democratization of knowledge.

    The collection itself serves as a breathtaking mirror to the societal shifts of the mid-twentieth century, offering a curated journey through themes of anxiety, liberation, and reconstruction. Visitors are invited to lose themselves in the bold, sweeping abstract compositions of artists such as Mitchell's Fold and Cliff Holden, where color and form dance to the rhythm of a new era. Yet, the gallery does not shy away from the more visceral, human elements of the period; expressive figurative pieces delve into the psychological depths of the post-war psyche, capturing the tension between lingering shadows of the past and the burgeoning optimism of the future. The works of masters like David Bomberg and Denys Lasdun are particularly poignant here, as their contributions exemplify a commitment to social commentary and an uncompromising pursuit of aesthetic innovation that continues to challenge and inspire.

    Architecturally, the gallery embodies a seamless blend of modern academic functionality and thoughtful preservation, situated within the sprawling LSBU campus. Its location on the South Bank provides an inclusive atmosphere where the boundaries between student life and public exploration dissolve, making high art accessible to all without the barrier of admission fees. This spirit of inclusivity is further enriched by the gallery's active role in the contemporary dialogue; through rotating exhibitions, it champions emerging talents alongside established legends, ensuring that the conversation between historical milestones and current trends remains vibrant and urgent. For the art lover, the collector, or the interior designer seeking pieces with profound narrative weight, the Borough Road Gallery offers a unique encounter with an era that redefined the British aesthetic landscape.

    詳細はこちら

    オンラインで見る

    PietàのダウンロードページへつながるQRコード

    artsdot.com/ja/art/download/cliff-holden-pieta-AQSMT5-en/

    この作品の引用方法

    MLA
    holden, cliff. Pietà. 1990, London South Bank University. https://artsdot.com/ja/art/cliff-holden-pieta-AQSMT5-en/
    APA
    holden, cliff (1990). Pietà [Painting]. London South Bank University. https://artsdot.com/ja/art/cliff-holden-pieta-AQSMT5-en/
    Chicago
    cliff holden. Pietà. 1990. London South Bank University. https://artsdot.com/ja/art/cliff-holden-pieta-AQSMT5-en/
    Harvard
    holden, cliff (1990) Pietà. London South Bank University. Available at: https://artsdot.com/ja/art/cliff-holden-pieta-AQSMT5-en/

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    Pietà — cliff holden

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    ご自身の言葉で回答してください。正解はありません。大切なのは、その答えを説明できるかどうかです。

    1. まず最初に目に飛び込んでくるのはどこですか?また、それはなぜでしょうか?
    2. どのような色や形がその情緒を作り出しているでしょうか。そして、それはどのような情緒なのでしょうか。
    3. このガイドの前述にある Two Seated Figures (1948) を改めて振り返ってみましょう。この作品と共通する点を2つ、そして異なる点を1つ挙げてください。
    4. cliff holden は、この作品の制作当時 71 歳でした。作品のどのような点に、その時期のアーティストらしい特徴が見て取れるでしょうか。
    5. アーティストは、あなたにどのような感情を抱いてほしかったのでしょうか。

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