Saint Anthony Abbot [left panel]

サイズ
90.0 x 36.0 cm

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コレクション詳細

Explore Puccio di Simone’s 1354 altarpiece, ‘Saint Anthony Abbot.’ A stunning example of Early Renaissance art featuring gold, intricate details & religious iconography. Discover this unique piece!

アーティストプロフィール

Explore the enigmatic Puccio di Simone's art – a blend of Argentine realism & dramatic storytelling. Discover his haunting portraits & impactful narratives from 1320-1362.

手描き油彩複製画

当社のアーティストが、お客様のご希望のサイズと額縁に合わせて、キャンバスに手描きで制作する油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

More about this painting

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1 Step one of four

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These sizes keep the proportions of the original painting. The drawing shows your choice on a wall, above a two-metre sofa.

Your painting: () — with its frame.

Or give your own measurements

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2 Step two of four

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Corner sample of the WhiteWrap canvas edge finish, stretched on 天然木 bars
White ¥1
Corner sample of the BlurSideWrap canvas edge finish, stretched on 天然木 bars
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Corner sample of the ExtendedWrap canvas edge finish, stretched on 天然木 bars
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Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 天然木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 天然木, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 天然木, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 天然木, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 天然木, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 天然木, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: 天然木, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 天然木, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: 天然木, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: 天然木, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 天然木, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 天然木, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 天然木, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: 天然木, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 天然木, 6 cm wide and 3.5 cm thick
W953PJ ¥8
Corner sample of the H24-GOLD picture frame: ジェッソ仕上げの木彫, 10 cm wide and 6 cm thick
H24-GOLD ¥30
Corner sample of the H24-SILVER picture frame: ジェッソ仕上げの木彫, 10 cm wide and 6 cm thick
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Corner sample of the H36-GOLD picture frame: ジェッソ仕上げの木彫, 15 cm wide and 6.5 cm thick
H36-GOLD ¥45
Corner sample of the H36-SILVER picture frame: ジェッソ仕上げの木彫, 15 cm wide and 6.5 cm thick
H36-SILVER ¥45
額縁プレビュー
額装済み

Moulding: . Overall size with the frame: .

3 Step three of four

Would you like anything changed in the painting?

Most people answer no. Because each painting is made by hand, our artist can also adapt it for you.

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
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4 Step four of four

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世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(1 11月)。品質には一切妥協いたしません。

A nameplate, as in a museum?

刻印入りブロンズプレートの詳細

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

透明アクリル銘板の詳細

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

黒アクリル製銘板の詳細

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Your painting, as you ordered it

Saint Anthony Abbot [left panel]

再現技法

複製画サイズ一覧

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厳選された熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用額装

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

  • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

  • 付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。

  • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

銘板

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保護用ワニス

光沢ワニス(色彩を鮮やかに引き立て、光や湿気から保護します)

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作品をカスタマイズ

カスタマイズの例:顔をお客様の写真に差し替える、ペットを追加する(例:猫を犬に変更)、背景に隠しメッセージを入れる、背景の風景や要素を変更する。

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お急ぎ便

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(1 11月)。品質には一切の妥協を許しません。

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お急ぎ便

世界中への配送()は、5週間ほどでお届けします。(8 11月)。

送料込

合計金額

¥ 73062

合計金額 ¥ 73062

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。

Included with every order

  • 世界中へ無料エクスプレス配送
  • 高品質なリネンキャンバス
  • 配送時完全保険付
  • 関税・輸入税の払い戻し保証
  • 忠実な色彩再現の保証
  • 100日間返品保証(製造上の欠陥がある場合のみ)
  • 100% 全額返金保証
  • まとめ買い割引のご案内

A Glimpse into the Divine: The Sacred Presence of Saint Anthony Abbot

In the quiet, hallowed atmosphere of the mid-14th century, Puccio di Simone crafted a vision that transcends the mere boundaries of wood and pigment. His 1354 masterpiece, Saint Anthony Abbot [left panel], serves as a profound window into the spiritual psyche of the Early Renaissance. This particular panel, part of a larger, magnificent triptych, presents us with a figure of immense gravity and ascetic devotion. The composition is anchored by a balding, bearded man, whose presence is felt through a heavy, somber realism that was strikingly ahead of its time. Clad in a dark, monastic robe beneath a rugged brown cloak, he stands in a state of quiet contemplation, his weathered features etched with the weight of spiritual struggle. The subtle, ash-gray cast to his skin suggests a life lived in seclusion and prayer, a testament to the artist's ability to imbue a single figure with an entire biography of faith.

The technical mastery of Puccio di Simone is revealed in the meticulous application of tempera on wood. The artist utilizes a sophisticated layering technique to achieve a luminosity that seems to emanate from within the panel itself. While the background retains the characteristic gold leaf of the period—creating a celestial, timeless void—the textures of the clothing and the physical presence of the saint are rendered with an almost tactile quality. The use of light is not merely decorative but symbolic; highlights dance across the folds of the heavy fabric and the curved top of his wooden crutch, guiding the viewer's eye through the solemn narrative. For the discerning collector or interior designer, this piece offers a profound sense of historical depth, bringing the rich, textured heritage of Florentine devotion into a contemporary space.

Symbolism and the Language of Devotion

Every element within this panel is steeped in a complex language of Christian iconography. The wooden crutch held by Saint Anthony is not merely a tool of physical support but a potent symbol of the saint's endurance and his role as a protector of the infirm. The interplay between the dark, somber tones of his attire and the shimmering gold elements creates a visual tension between the earthly suffering of the hermit and the eternal glory of the divine. This duality is central to the emotional impact of the work; it invites the viewer to contemplate the intersection of human frailty and spiritual strength.

The architectural framing, with its rounded, pointed arches and spiraling columns, suggests a sacred space that exists outside of linear time. The intricate, scalloped patterns within the arches add a layer of decorative elegance that balances the starkness of the saint's asceticism. For those seeking to incorporate art into a curated environment, this panel provides an exquisite focal point that commands attention through its structural complexity and its ability to evoke a sense of reverence and peace. It is more than a reproduction; it is an invitation to experience the enduring power of sacred storytelling.

よくあるご質問

Puccio di Simone作「Saint Anthony Abbot [left panel]」は、どの芸術運動に属していますか?

「Saint Anthony Abbot [left panel]」は、Early Renaissanceの作品です。この様式は、その作品が属する芸術的伝統を示しています。

Puccio di Simone作「Saint Anthony Abbot [left panel]」は、明るい印象の作品ですか、それとも暗い印象の作品ですか?

Puccio di Simone作「Saint Anthony Abbot [left panel]」の明るさはbrilliant、輝度はBright Balanceと記録されています。

Puccio di Simone作「Saint Anthony Abbot [left panel]」に関する統計情報はどこで確認できますか?

Puccio di Simone作「Saint Anthony Abbot [left panel]」に関する統計情報は、作品の統計情報ページでご確認いただけます。こちらでは、作品の月間訪問数、アーティストの作品への訪問数、および最近の訪問者の国別・言語別の内訳をご覧いただけます。

Puccio di Simone

Puccio di Simone

1320 - 1362

アーティストについて

The Shadowed Realism of Puccio di Simone

Puccio di Simone, a name whispered among connoisseurs of early Renaissance art, remains an elusive figure despite the potent emotional resonance of his work. Born in Florence around 1320, and passing away circa 1362, his life is shrouded in the mists of medieval record, known more through surviving paintings than documented biography. He wasn’t a master celebrated with extensive workshop records or patron commissions like Giotto; instead, Puccio carved out a unique space for himself, painting primarily altarpieces and devotional panels that betray a profound understanding of human psychology and a strikingly modern sensibility. His art isn't about grand narratives but intimate moments of faith, grief, and contemplation – rendered with an almost unsettling realism that foreshadows the artistic currents of centuries to come. He operated within the Florentine tradition, yet his style diverges from the prevailing sweetness and decorative elegance, opting instead for a more somber, introspective approach.

Early Influences and Artistic Development

Puccio’s formative years were undoubtedly shaped by the artistic landscape of Florence in the early 14th century. The influence of Giotto is palpable – not in direct imitation, but in Puccio's adoption of naturalism and spatial awareness. However, while Giotto sought to monumentalize his figures and imbue them with a sense of classical dignity, Puccio’s characters are often smaller in scale, more vulnerable, and deeply embedded within their emotional states.
  • Giotto's Naturalism: Puccio absorbed the lessons of Giotto regarding realistic depiction of form and volume.
  • Byzantine Tradition: The lingering influence of Byzantine art is evident in his use of gold leaf, elongated figures, and symbolic color palettes, though he moved away from its rigid formality.
  • Local Florentine Styles: He was also influenced by other contemporary artists working in Florence, absorbing elements of their techniques and compositional approaches.
His early works demonstrate a gradual shift away from the stylized conventions of Byzantine painting towards a more observed reality. This is particularly noticeable in his treatment of drapery – less about elegant folds and more about how cloth conforms to the body, revealing underlying anatomy. He wasn’t interested in idealizing beauty; he was interested in portraying *truth*, even if that truth was often melancholic or unsettling.

Major Works and Characteristic Style

While a definitive catalogue raisonné of Puccio di Simone's work remains elusive due to attribution challenges, several paintings are consistently recognized as his hand. The Maestà (Virgin Enthroned) panels, scattered across various collections, showcase his signature style: figures with elongated faces and expressive eyes, often set against a gold background that emphasizes their isolation. His use of color is restrained yet powerful – deep blues, rich reds, and somber browns creating an atmosphere of quiet contemplation. The Crucifixion, for example, isn’t a scene of dramatic spectacle but a poignant depiction of human suffering, with Christ portrayed as vulnerable and deeply affected by his ordeal. His figures aren't heroic; they are profoundly *human*. Another defining characteristic is the psychological depth he imbues in his portraits. Even within religious contexts, his subjects seem to possess inner lives, their gazes conveying a sense of weariness, faith, or quiet desperation. This focus on emotional realism sets him apart from many of his contemporaries and anticipates the humanist concerns of the later Renaissance.

Historical Significance and Legacy

Puccio di Simone’s historical significance lies not in widespread fame but in his pioneering approach to psychological portraiture and realistic depiction of emotion. He operated at a crucial transitional moment in art history, bridging the gap between the Byzantine tradition and the emerging Renaissance naturalism. While he didn't found a school or attract numerous followers, his work exerted a subtle yet profound influence on subsequent generations of artists. His emphasis on individual expression, even within religious iconography, paved the way for the more individualized portraits that would become characteristic of the 15th and 16th centuries. He represents a quiet revolution in art – a shift from idealized representation to an exploration of the complexities of the human condition. His paintings are not merely devotional objects; they are windows into the souls of his subjects, offering a glimpse of their inner lives and inviting viewers to contemplate their own mortality and faith. The rediscovery and re-evaluation of Puccio di Simone’s work in recent decades have cemented his place as a significant, if often overlooked, figure in the history of Italian art – a master of shadowed realism whose haunting images continue to resonate with contemporary audiences.