The 11 artworks by テオドール・デラショー our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.
Edition 2026 · 11 artworks
Each artwork painted to order
リネンキャンバス · 真贋証明書付き · 世界中へ配送
テオドール・デラショー · 1879 – 1949
A poignant 1933 black and white ethnographic photograph by Théodore Delachaux capturing three young Kwamatwi women in traditional attire, offering a rare window into historical African life for your collection.
A poignant black and white photograph by Théodore Delachaux capturing Reverend Fathers Thiébaud and Monard in 1933, offering a rare historical glimpse into Kuando that you can bring to your private collection.
An intense black and white photograph by Théodore Delachaux capturing a 1933 rhino hunt with men on horseback, offering a rare historical glimpse into wildlife interaction that you can bring to your collection.
A poignant black and white photograph capturing a communal moment around a wagon by Théodore Delachaux from 1933, offering a rare glimpse into historical life that you can bring to your private collection.
A striking black and white 1933 photograph by Théodore Delachaux capturing a woman with braided hair and a bandana, offering a soulful glimpse into ethnographic history that you can bring to your collection.
See this striking 1933 photo of a young man showing off his filed teeth by Théodore Delachaux; discover this captivating piece of early 20th-century portraiture today.
Vintage black and white portrait of a woman by Théodore Delachaux, capturing a timeless, evocative mood from the early 20th century; discover this striking piece today.
Discover 'Femme humbe confectionnant un grand panier à grain' by Théodore Delachaux – a captivating 1933 black & white photo. Explore Kamba culture, traditional craftsmanship & documentary photography.
Explore Théodore Delachaux’s ‘Jeune fille kwanyama pendant l’. A striking 1933 black & white photo capturing Kwanyama women's traditions in Angola. Documented ethnographic art.
