10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 372点の ゴドフリー・ネラーの作品がカタログにあります
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多くの人が知るゴドフリー・ネラーの代表作はIsaac Newton (1702)です。 その直後にPortrait of Pyotr Potyomkin (1682)、そしてWilliam Russell, 1st Duke of Bedford (1690)が続きます。 ゴドフリー・ネラーの全372作品のうち、特に有名な100作品をご紹介します。各作品には制作年、所蔵美術館、そしてその作品の魅力についての解説が添えられています。
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…
A single, heavy shadow anchors the room. Within this darkness, Richard Lumley, 2nd Earl of Scarbrough, emerges through a sudden collision of light and texture. He is positioned in a three-quarter view, his body turned slightly away while his eyes lock onto the viewer with a steady, direct gaze. A voluminous, light brown periwig frames a face rendered with smooth, pale precision. The light catches the crest of his white…
In this 1690 portrait, Queen Anne is presented with a quiet, commanding dignity that defines the Baroque era. She is captured in a three-quarter length pose, standing with a poised elegance that suggests both her royal status and a certain personal composure. The composition draws the eye through the sweeping curves of her heavy drapery and the fluid folds of her gown, creating a sense of movement within a formal…
The portrait presents Robert Harley, 1st Earl of Oxford, in a vertical three-quarter length composition. He is positioned slightly off-center against a muted, dark ochre background. The subject wears a large powdered wig and an elaborate lace cravat. A heavy blue mantle, lined with white ermine fur, drapes over his shoulders and falls in voluminous, flowing curves. Beneath this, his period clothing features structured silhouettes and textures of silk and…
The room falls away into a deep, impenetrable darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled toward the right while his gaze meets the viewer from the left, creating an immediate sense of encounter. A strong, singular light source strikes his face and the voluminous, snowy curls of his powdered wig, casting the rest of his form into a…
This oil on canvas portrait by Sir Godfrey Kneller, Bt. depicts Charles Townshend, 2nd Viscount Townshend. The subject is presented in a full-length, vertical composition, positioned slightly off-center against a dark, atmospheric background. He is shown wearing voluminous red velvet robes accented by white ermine fur and a lace cravat. A large, white wig frames his face, which is illuminated by a light source from the side, creating a chiaroscuro…
The subject is a young man positioned in a three-quarter length view against a dark, indistinct background. He wears a deep reddish-orange velvet jacket that catches the light, creating highlights on the folds of the fabric. A white, ruffled shirt is visible at the neck, providing a sharp tonal contrast to the darker tones of his attire. On his head, he wears a turban-like cap with voluminous folds. The lighting…
Unknown man, formerly known as Henry Sidney, Earl of Romney1700 · ナショナル・ポートレート・ギャラリー
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Edward Russell, Earl of Orford, Captain John Benbow and Admiral Ralph Delavall1692 · Government Art Collection
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Sir Henry Booth, 1st Earl of Warrington (1651-1694)1674 · Dunham Massey Hall
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Barbara Talbot, Viscountess Longueville (c.1670-1763) as a girl1677 · Lacock Abbey
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Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1680 · Hardwick Hall
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Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons, 1708 - 17101680 · Clandon Park
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Catherine Wheatley, Mrs Thomas Lucy, later Duchess of Northumberland (d.1714)1680 · チャーレコート・パーク
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Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · スコットランド国立肖像画館
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Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · スコットランド国立肖像画館
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Sir Thomas Osborne, 1st Earl of Danby, later 1st Duke of Leeds (1631 - 1712) in Garter Robes1691
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Charles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1638-1706)1694 · Knole House
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Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1695 · Hardwick Hall
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Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717)1690 · Felbrigg Hall
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Admiral Edward Russell, 1652-1727, 1st Earl of Orford1693 · National Maritime Museum
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Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss1697 · イェール英国美術館
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Portrait of canon Frans de Cock, cantor of the cathedral of Antwerp1697 · アントウェルペン王立美術館
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John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite1688 · スコットランド国立肖像画館
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King William III of England Returning from the Peace of Ryswick, Margate, 16971701 · National Gallery of Ireland
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Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons (1708 - 1710)1710 · Clandon Park
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これらの作品に最も頻繁に登場する4つの主題と、それぞれの代表的な例。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ゴドフリー・ネラーの作品 | このリストの絵画 |
|---|---|---|---|
 ナショナル・ポートレート・ギャラリー |
ロンドン | 70 | William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough |
 ハンプトン・コート宮殿 |
ロンドン | 10 | Diana De Vere, Duchess of St. Albans (d.1742), Mary Scrope, later Mrs Pitt (b.1676), Carey Fraser, Countess of Peterborough (d.1709) |
 ロイヤル・コレクション |
ロンドン | 12 | James II (1633-1701) when Duke of York, William, Duke of Gloucester (1689-1700), when a Child, Mary II (1662-1694) |
 National Maritime Museum |
ロンドン | 23 | Admiral Sir Thomas Allin, 1612-85, Samuel Pepys, 1633-1703, Admiral Edward Russell, 1652-1727, 1st Earl of Orford |
 Felbrigg Hall |
ノリッジ | 4 | Possibly Colonel William Windham I, MP (1647-1689), Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717), Ashe Windham, MP (1673-1749) |
 Hardwick Hall |
9 | Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704), Rachel Russell, Duchess of Devonshire (1674 – 1725), Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) | |
 スコットランド国立肖像画館 |
Edinburgh | 6 | Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite |
 イェール英国美術館 |
ニューヘイブン | 6 | Self-Portrait, Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss |
年代を選択して、その時代の代表作をご覧ください。
The Portrait of Johann Philipp Schönborn, elector of Mainz is an oil on canvas work created by the artist Godfrey Kneller. Painted in 1666, this portrait captures Johann Philipp von Schönborn in a moment of formal stillness. The subject sits within a dark, quiet space, his presence defined by the sharp contrast of his white collar against heavy, dark ecclesiastical attire. Light finds the planes of his face and the…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…
リストのトップはIsaac Newton (1702)です。それに続くのはPortrait of Pyotr Potyomkin (1682)、そしてWilliam Russell, 1st Duke of Bedford (1690)です。
56歳。ゴドフリー・ネラーは1646に生まれ、Isaac Newtonは1702年の作品です。
Isaac Newton, Portrait of Pyotr Potyomkin, William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough, Queen Anne, Robert Harley, 1st Earl of Oxford, Sir Samuel Garth, Charles Townshend, 2nd Viscount Townshend と Charles Fitzroy, 2nd Duke of Grafton。制作年および所蔵美術館については、上記のリストをご参照ください。
当カタログにはゴドフリー・ネラーによる作品が372点あり、制作時期は1666から1717にわたります。
その多くはナショナル・ポートレート・ギャラリー (ロンドン), ハンプトン・コート宮殿 (ロンドン) と ロイヤル・コレクション (ロンドン)で見ることができます。上記の美術館リストに詳細が記載されています。
1690sは、他のどの時期よりも多くの作品が集中しています。このページにある全100点のうち38点がその時代の作品であり、そのうちWilliam Russell, 1st Duke of Bedford点が含まれます。
ここにある最も古い作品はPortrait of Johann Philipp Schönborn, elector of Mainz (1666)、最新の作品はRichard Lumley, 2nd Earl of Scarbrough (1717)です。
このページに掲載されている100点のうち、Man (19), Wig (9) と Dark background (8)点
このページに掲載されている全100点のうち、19点にOil On Canvasが使用されています。
このページに掲載されている作品をご覧いただければわかる通り、Baroque manner
ナショナル・ポートレート・ギャラリー, ロンドンにあるWilliam Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton と Richard Lumley, 2nd Earl of Scarbroughを含む23点の作品を、このページでご覧いただけます。
はい。このページに掲載されているすべての絵画は、お手持ちのスペースに合わせたサイズで、手描きの油彩複製画またはプリントとしてご購入いただけます。作品のページを開いてご注文ください。
