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Baroque on Red

Nome Classe Data

Edward Millman, Baroque on Red (1961). Riproduzione a scopo illustrativo; tutti i diritti sono riservati dal titolare dei diritti.

Dettagli dell'opera

Artista
Edward Millman artsdot.com/it/artists/edward-millman_it/
Pittura
1961
Dimensioni originali
185 x 122 cm
Movimento
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

Nel contesto

Baroque on Red — Edward Millman

Quali sono le dimensioni?

Le dimensioni originali sono 185 × 122 cm (altezza × larghezza), qui rappresentate accanto a un adulto di statura media. È troppo grande per essere rappresentata in scala su questa pagina.

Data di realizzazione

  1. 1960

▲ quest'opera, 1961

Opere simili

Scegli un'opera tra quelle sopra elencate: indica due elementi in comune con quest'ultima e una differenza.

Altre opere da affiancare a questa: artsdot.com/it/art/similar/edward-millman-baroque-on-red-AR2HU2-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    Cobalt Violet #79889c

    Tavolozza salvata

    • #79889C
    • #D5D2E2
    • #BB3E44
    • #454F8C
    Colore principale
    Cobalt Violet
    Intensità
    Vivid La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Bold Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Discordant Palette L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Brilliant Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Clear Color Presence Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Artista e museo

    Artista

    Edward Millman

    Nato a Illinois

    Edward Millman: A Painter of Quiet Intensity

    Edward Millman (January 1, 1907 – February 11, 1964) was an American painter whose distinctive style blended realism and impressionism to capture the beauty and melancholy of landscapes and portraits alike. Born in Illinois, Millman pursued his artistic passions with unwavering dedication, establishing himself as a respected muralist and contributing significantly to the visual culture of mid-century America. While biographical details remain somewhat sparse—primarily gleaned from scholarly research—his legacy resides in a handful of remarkable paintings that continue to resonate with viewers today.

    Millman’s formative years instilled within him an early appreciation for both art and literature, nurtured by parents who championed intellectual curiosity. He honed his artistic skills at King Edward VI College in Stoke-on-the-Wold, absorbing the traditions of English landscape painting—a formative experience that would profoundly shape his future endeavors. His meticulous observation of nature—particularly the subtle shifts in light and color—became a cornerstone of his artistic practice.

    His oeuvre comprises approximately 150 paintings, predominantly landscapes executed with painstaking detail and infused with atmospheric subtlety. Among his most celebrated pieces are “Deserted Well” (1939), depicting a desolate expanse bathed in muted hues—a testament to his ability to convey profound emotion through understated visual language—and “Baroque on Red,” an ambitious abstract expressionist canvas showcasing bold brushstrokes and vibrant color palettes. These works stand apart for their contemplative mood and masterful manipulation of light, mirroring the stylistic innovations championed by Turner and Constable.

    Millman’s artistic vision drew inspiration from the Impressionists, notably Claude Monet and Pierre-Auguste Renoir. He meticulously studied their techniques of capturing fleeting moments of luminescence—a deliberate effort to emulate their ability to convey emotion through color and texture. Furthermore, Millman admired the Romantic landscape painters of Turner and Constable, recognizing their mastery in conveying grandeur and sublimity – a pursuit that underscored his commitment to artistic exploration and innovation.

    Millman achieved considerable acclaim as a muralist, undertaking commissions for prominent institutions across Illinois and beyond. His murals adorned public spaces—including churches and civic buildings—demonstrating his dedication to artistic engagement with the community. He was recognized as an important figure in the American art scene of his time, leaving behind a legacy that continues to inspire artists and scholars alike. His paintings reside within private collections and are featured prominently in the New Hall Art Collection, showcasing Millman’s enduring influence on American art history.

    Millman's distinctive style—characterized by a harmonious blend of realism and impressionism—allowed him to transcend mere representation, striving instead for an emotional resonance that captivated viewers. He meticulously studied the interplay of light and shadow, mirroring Turner’s pioneering explorations into atmospheric perspective. This dedication to technique resulted in canvases imbued with palpable atmosphere, capturing not just what was seen but also how it felt.

    Technique: Millman favored oil paints on canvas, applying them with deliberate brushstrokes that conveyed texture and movement—a hallmark of Impressionism. He employed glazing techniques to build up layers of color gradually, achieving luminous effects reminiscent of Monet’s iconic landscapes.

    Subject Matter: Landscapes dominated Millman's artistic output, reflecting his deep connection to the natural world. However, he also produced portraits that captured the inner lives of his subjects with remarkable empathy and psychological insight—a skill honed through extensive observation and meticulous rendering.

    ## Notable Paintings & Collections

    Deserted Well” exemplifies Millman’s ability to distill profound emotion into a deceptively simple composition. The muted palette—dominated by earthy tones—creates an atmosphere of solitude and decay, prompting viewers to contemplate themes of time and impermanence. Similarly, “Baroque on Red”—a bold experiment in abstract expressionism—demonstrates Millman's willingness to push boundaries and embrace innovative artistic approaches. These paintings reside within private collections and are featured prominently in the New Hall Art Collection, showcasing Millman’s enduring influence on American art history.

    Dove approfondire

    Scoprilo online

    Codice QR che rimanda alla pagina di download per Baroque on Red

    artsdot.com/it/art/download/edward-millman-baroque-on-red-AR2HU2-en/

    Citazione dell'opera

    MLA
    Millman, Edward. Baroque on Red. 1961, https://artsdot.com/it/art/edward-millman-baroque-on-red-AR2HU2-en/
    APA
    Millman, Edward (1961). Baroque on Red [Painting]. https://artsdot.com/it/art/edward-millman-baroque-on-red-AR2HU2-en/
    Chicago
    Edward Millman. Baroque on Red. 1961. https://artsdot.com/it/art/edward-millman-baroque-on-red-AR2HU2-en/
    Harvard
    Millman, Edward (1961) Baroque on Red. Available at: https://artsdot.com/it/art/edward-millman-baroque-on-red-AR2HU2-en/

    Guarda da vicino

    Baroque on Red — Edward Millman

    Guarda da vicino

    Rispondi con parole tue. Non esistono risposte errate — solo risposte che puoi spiegare.

    1. Cosa ti colpisce per primo, e perché?
    2. Quali colori o forme creano l'atmosfera — e di che atmosfera si tratta?
    3. Il nostro catalogo classifica quest'opera sotto: abstract, color field, dynamic. Sei d'accordo? Cosa aggiungeresti o toglieresti?
    4. Rivedi Flop House (1937), precedentemente citato in questa guida. Indica due elementi che condivide con quest'opera e uno che la differenzia.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Dove si può osservare questo elemento in quest'opera?

    La tua risposta

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