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Cubi iv, (1963)

Nome Classe Data

Roland David Smith, Cubi iv, (1963). Riproduzione a scopo illustrativo; tutti i diritti sono riservati dal titolare dei diritti.

Dettagli dell'opera

Artista
Roland David Smith artsdot.com/it/artists/roland-david-smith_it/
Date dell'artista
1906 – 1965

Nel contesto

Cubi iv, (1963) — Roland David Smith

Data presunta di realizzazione

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960

Shaded: la vita di Roland David Smith (1906–1965)

L'anno esatto di questo disco non è disponibile nei nostri archivi: basandoti sulla vita dell'artista e sullo stile dell'opera, a quale decennio penseresti?

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Altre opere da affiancare a questa: artsdot.com/it/art/similar/david-smith-cubi-iv-1963-A26HDV-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    Putty #e3d8c6

    Tavolozza salvata

    • #E3D8C6
    • #7A4E30
    • #B29272
    • #2B1E11
    Palette
    Earthy La gamma cromatica dominante nell'immagine.
    Colore principale
    Putty
    Intensità
    Balanced La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Statement Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Strong Color Unity L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Balanced Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Balanced Soft Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Artista e museo

    Artista

    Roland David Smith

    Nato a Decatur, Indiana

    David Smith: Pioneer of Geometric Sculpture

    Roland David Smith (1906 – 1965) stands as a monumental figure in the history of American abstract sculpture, reshaping perceptions of form and materiality during the mid-century modern era. Born in Decatur, Indiana, his artistic journey began modestly, marked by formative experiences at Ohio University and Notre Dame before he found his true vocation amidst the burgeoning avant-garde movement of New York City. This city became his creative crucible, fostering collaborations with fellow artists like John Graham and nurturing connections to influential figures such as Picasso and Mondrian—artists who profoundly impacted Smith’s artistic vision.

    Early Influences: Smith's initial exposure to modernist art came through Jan Matulka, a Czech sculptor who championed the ideas of Hans Hofmann, introducing him to the groundbreaking explorations of Picasso and Mondrian. These artists served as crucial catalysts for Smith’s intellectual and aesthetic development, shaping his understanding of abstraction and inspiring him to embrace radical simplification of form. The influence of Constructivism is palpable in his early works, reflecting a desire to challenge traditional artistic conventions and explore new expressive possibilities through geometric structures.

    The Depression Years & The WPA Project: During the Great Depression, Smith participated in the Works Progress Administration’s Federal Art Project, honing his skills and gaining invaluable experience working with industrial materials – a crucial step toward developing his signature style. This engagement provided him with access to substantial resources and allowed him to experiment extensively with steel, cementing his commitment to utilizing unconventional materials as vehicles for artistic expression. The project fostered collaboration and broadened Smith’s horizons, exposing him to diverse perspectives on artmaking and contributing significantly to the maturation of his sculptural technique.

    Collaboration & Exploration: His friendship with Stuart Davis, Arshile Gorky, and Willem de Kooning fueled experimentation and broadened his artistic horizons. Notably, Smith’s encounter with Julio González and Pablo Picasso ignited an enduring fascination for welded steel sculpture, pushing him to synthesize painting and construction. González's masterful manipulation of metal—creating delicate yet structurally robust forms—served as a profound inspiration for Smith, encouraging him to reconsider the role of materiality in conveying artistic ideas. The dialogue between Picasso and Smith resulted in groundbreaking sculptures that embodied both geometric precision and expressive dynamism – artworks that continue to captivate audiences today.

    Smith's sculptural output is characterized by a radical simplification of form—primarily geometric shapes like cubes, spheres, and cylinders—constructed from industrial steel. Rejecting traditional representational art, he sought to express fundamental concepts of space and structure through pure abstraction. His method involved meticulously cutting steel plates into precise segments and welding them together, resulting in monumental sculpture that commands attention with its sheer scale and uncompromising aesthetic commitment. The artist’s exploration of materiality was equally significant; Smith deliberately utilized the inherent qualities of steel—its coldness, its strength, its capacity for reflection—to communicate ideas about balance, tension, and transformation. He believed that form alone could convey profound meaning, prioritizing visual clarity and intellectual rigor above decorative considerations.

    Notable Works: Among his most celebrated pieces are ‘Suspended Cube,’ a testament to Constructivist principles and dynamic geometric form; ‘Ancient Household,’ (2) which exemplifies Smith’s masterful manipulation of steel and explores the interplay between solidity and emptiness; and ‘5 ½ (Use Half Sign)’—a striking example of Geometric Abstraction featuring bold colors and linear precision. These sculptures represent pivotal achievements in American abstract sculpture, demonstrating Smith's ability to synthesize artistic vision with technical mastery. His legacy extends beyond individual artworks; he championed the use of industrial materials in sculpture, elevating steel from mere utilitarian substance to expressive medium. He profoundly impacted subsequent generations of sculptors who embraced geometric abstraction and explored the possibilities inherent in manipulating raw materials—a legacy that resonates powerfully within contemporary art discourse.

    Smith’s contribution extends beyond individual artworks; he championed the use of industrial materials in sculpture, elevating steel from mere utilitarian substance to expressive medium. He profoundly impacted subsequent generations of sculptors who embraced geometric abstraction and explored the possibilities inherent in manipulating raw materials—a legacy that resonates powerfully within contemporary art discourse. His unwavering commitment to artistic innovation ensured his enduring significance as a visionary artist who reshaped the landscape of modern sculpture.

    Dove approfondire

    Scoprilo online

    Codice QR che rimanda alla pagina di download per Cubi iv, (1963)

    artsdot.com/it/art/download/david-smith-cubi-iv-1963-A26HDV-en/

    Citazione dell'opera

    MLA
    Smith, Roland David. Cubi iv, (1963). n.d., https://artsdot.com/it/art/david-smith-cubi-iv-1963-A26HDV-en/
    APA
    Smith, Roland David (n.d.). Cubi iv, (1963) [Painting]. https://artsdot.com/it/art/david-smith-cubi-iv-1963-A26HDV-en/
    Chicago
    Roland David Smith. Cubi iv, (1963). n.d. https://artsdot.com/it/art/david-smith-cubi-iv-1963-A26HDV-en/
    Harvard
    Smith, Roland David (n.d.) Cubi iv, (1963). Available at: https://artsdot.com/it/art/david-smith-cubi-iv-1963-A26HDV-en/

    Guarda da vicino

    Cubi iv, (1963) — Roland David Smith

    Guarda da vicino

    Rispondi con parole tue. Non esistono risposte errate — solo risposte che puoi spiegare.

    1. Cosa ti colpisce per primo, e perché?
    2. Quali colori o forme creano l'atmosfera — e di che atmosfera si tratta?
    3. Rivedi The banquet, (1951), poco prima in questa guida. Indica due elementi che condivide con quest'opera e uno che la differenzia.
    4. Cosa potrebbe aver voluto trasmetterti l'artista?
    5. Se potessi porre all'artista una sola domanda su quest'opera, quale sarebbe?

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