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Untitled

Nome Classe Data

Alessandro Calabrese, Untitled (2017), THAT’S CONTEMPORARY. Riproduzione a scopo illustrativo; tutti i diritti sono riservati dal titolare dei diritti.

Dettagli dell'opera

Artista
Alessandro Calabrese artsdot.com/it/artists/alessandro-calabrese_it/
Date dell'artista
1983 – ?
Pittura
2017
Dimensioni originali
40 x 30 cm
Sede della mostra
THAT’S CONTEMPORARY artsdot.com/it/museums/thats-contemporary-milano_it/

Nel contesto

Untitled — Alessandro Calabrese

Quali sono le dimensioni?

Le dimensioni originali sono 40 × 30 cm (altezza × larghezza), qui rappresentate accanto a un adulto di statura media.

Data di realizzazione

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Shaded: la vita di Alessandro Calabrese (1983–?) ▲ quest'opera, 2017

Opere simili

Scegli un'opera tra quelle sopra elencate: indica due elementi in comune con quest'ultima e una differenza.

Altre opere da affiancare a questa: artsdot.com/it/art/similar/alessandro-calabrese-untitled-D73UF3-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    White #f8f8f8

    Tavolozza salvata

    • #F8F8F8
    • #010101
    • #A0A0A0
    • #484848
    Palette
    Pastels La gamma cromatica dominante nell'immagine.
    Colore principale
    White
    Intensità
    Monochromatic La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Statement Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Strong Color Unity L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Brilliant Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Muted Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Artista e museo

    Artista

    Alessandro Calabrese

    Nato a Trento, Italia

    Alessandro Calabrese: Exploring Urban Echoes Through Photographic Vision

    Alessandro Calabrese, born in Trento, Italy, in 1983, is an Italian artist whose artistic practice centers on photographic explorations of urban landscapes and architectural spaces—a pursuit that reflects a profound understanding of both form and narrative. Currently residing and working in Milan, his creative journey began with a solid grounding in architecture at IUAV University Venice, followed by postgraduate studies in photography and visual design at NABA Milan—a dual academic foundation that shapes his artistic sensibility and informs his distinctive approach to image-making. This multidisciplinary perspective allows him to synthesize structural analysis with artistic intuition, resulting in photographs that transcend mere representation and become conduits for conveying deeper meanings about the human experience within built environments.

    His formative years instilled a meticulous attention to detail—a characteristic that manifests itself prominently in his work—where he painstakingly reconstructs visual narratives that invite contemplation on architectural forms and their relationship to the surrounding context. Calabrese’s artistic vision isn't merely concerned with capturing surfaces; it delves into the hidden layers of history and memory embedded within urban spaces, mirroring a fascination with how structures communicate stories across time. This sensitivity to context is further bolstered by his experience as assistant lecturer at Accademia Carrara di Belle Arti Bergamo, where he continues to cultivate his passion for visual arts and transmit knowledge to aspiring artists—a role that underscores his commitment to fostering artistic dialogue and promoting critical engagement with the visual realm.

    Calabrese’s artistic trajectory has been marked by a series of exhibitions showcasing his distinctive style—solo presentations like ‘Till Now’ at Viasaterna booth, arte fiera Bologna (2020), ‘Eighteen Streets in Rome That Don’t Exist on Google Street View’ at MAXXI (Graziadei Prize), Rome (2019), and ‘The Long Thing (Reassembling Images)’ at unseen photo fair Amsterdam (2018)—demonstrating a dedication to presenting his work internationally. These exhibitions highlight his ability to distill complex ideas into visually compelling images—a hallmark of his artistic practice. Furthermore, he participated in group exhibitions such as ‘2016 – On New Italian Photography’ at Fantomprojects and ‘Alessandro Calabrese’ at Google Arts & Culture, solidifying his position within the contemporary art landscape and establishing him as a voice among emerging photographic artists.

    His work is represented by Galleria Indice, reflecting his belief in collaborative artistic endeavors and furthering the dissemination of visual culture. Calabrese's photographic explorations are characterized by an unwavering commitment to capturing the essence of urban environments—spaces that bear witness to countless human interactions and transformations throughout history. He employs techniques that combine meticulous observation with conceptual consideration, resulting in images that resonate with both precision and emotional depth. The artist’s stylistic influences include masters of architectural photography who prioritize compositional balance and tonal subtlety—artists whose legacy continues to inspire Calabrese's own creative endeavors.

    Solo Exhibitions: ‘Till Now’ at Viasaterna booth, arte fiera Bologna (2020); ‘Eighteen Streets in Rome That Don’t Exist on Google Street View’ at MAXXI (Graziadei Prize), Rome (2019); ‘The Long Thing (Reassembling Images)’ at unseen photo fair Amsterdam (2018).

    Group Exhibitions: ‘2016 – On New Italian Photography’ at Fantomprojects; ‘Alessandro Calabrese’ at Google Arts & Culture.

    Notable Achievements: Graziadei Prize at MAXXI Rome (2019)—recognizing his artistic merit and furthering his recognition within the art community. He oversees Condominio, a Milan-based space dedicated to showcasing contemporary photographic talent—a testament to his belief in nurturing creativity and promoting visual culture.

    Museo

    THAT’S CONTEMPORARY

    In mostra presso Milano, Italia

    THAT'S CONTEMPORARY: Un Hub Milanese per l’Arte Contemporanea

    Milan, Italy – THAT’S CONTEMPORARY emerges as a singular testament to the evolving landscape of Italian art, born from a deliberate challenge to established museum conventions. Founded in 2011, this innovative cultural platform isn't merely documenting contemporary artistic endeavors; it actively cultivates an independent network connecting artists, galleries, and audiences—a conscious departure from traditional institutions focused on preservation. Its core mission is simple yet profound: to illuminate Milan’s dynamic creative spirit and foster a deeper appreciation for modern art forms.

    Mapping the Scene:

    Recognizing the need for centralized artistic mapping, THAT’S CONTEMPORARY swiftly established itself as the definitive resource for discovering exhibitions and emerging talent within Milan. The platform meticulously catalogs events across diverse venues—from Viafarini Gallery Complex to smaller independent spaces—providing visitors with invaluable insight into the city's vibrant art ecosystem.

    Bridging Connections:

    Unlike conventional museums prioritizing static displays, THIS platform champions engagement—facilitating dialogues between artists and collectors alike. Collaborations are central to THAT’S CONTEMPORARY’s ethos, fostering synergies between creative professionals and broadening public access to artistic experiences.

    Collection Highlights & Artistic Explorations

    THAT’S CONTEMPORARY distinguishes itself through its curated selection of artworks reflecting Milanese artistic heritage and pushing boundaries into the realm of experimental expression. Among the showcased pieces is Gerhard Richter’s ‘Domplatz, Mailand,’ a masterful black & white photograph capturing Milanese grandeur—a testament to realism infused with aged aesthetic qualities. This piece exemplifies THAT’S CONTEMPORARY's commitment to presenting works that resonate deeply with viewers and stimulate contemplation on urban landscapes. Furthermore, Águeda Isabel Ruiz de la Prada’s ‘Dress with Synthetic-Suede Squares,’ presented during Milan Fashion Week, embodies the platform’s dedication to showcasing artistic collaborations and pushing creative boundaries—a celebration of intersection between art and fashion.

    Viafarini: An Architectural Canvas

    The Viafarini gallery complex serves as an integral part of THAT’S CONTEMPORARY's narrative. Designed by architect Marco Zanuso Jr., this building embodies Milanese architectural modernity—a space deliberately conceived to stimulate artistic dialogue and showcase experimental exhibitions. Its expansive layout encourages exploration and contemplation, mirroring the platform’s ethos of fostering engagement with cutting-edge art. The gallery’s soaring ceilings and natural light contribute to an immersive environment that elevates the viewing experience and underscores THAT’S CONTEMPORARY's commitment to presenting art in its most inspiring form.

    A Unique Perspective on Contemporary Art

    THAT'S CONTEMPORARY distinguishes itself from conventional museums by prioritizing active participation and disseminating knowledge beyond physical walls. It operates as a dynamic online resource—a vibrant hub for artistic discovery—solidifying its position as an indispensable guide for anyone wishing to experience Milan’s flourishing contemporary art scene. The platform actively promotes artist residencies, fostering creative exchange and nurturing the next generation of Italian artists. Moreover, THAT’S CONTEMPORARY's website serves as a gateway to engaging stories about exhibitions and artistic projects—connecting visitors directly with the pulse of Milanese culture.

    Note: This description aims to capture the essence of THAT’S CONTEMPORARY’s mission and highlights its distinctive approach within the broader context of Italian art institutions.

    Dove approfondire

    Scoprilo online

    Codice QR che rimanda alla pagina di download per Untitled

    artsdot.com/it/art/download/alessandro-calabrese-untitled-D73UF3-en/

    Citazione dell'opera

    MLA
    Calabrese, Alessandro. Untitled. 2017, THAT’S CONTEMPORARY. https://artsdot.com/it/art/alessandro-calabrese-untitled-D73UF3-en/
    APA
    Calabrese, Alessandro (2017). Untitled [Painting]. THAT’S CONTEMPORARY. https://artsdot.com/it/art/alessandro-calabrese-untitled-D73UF3-en/
    Chicago
    Alessandro Calabrese. Untitled. 2017. THAT’S CONTEMPORARY. https://artsdot.com/it/art/alessandro-calabrese-untitled-D73UF3-en/
    Harvard
    Calabrese, Alessandro (2017) Untitled. THAT’S CONTEMPORARY. Available at: https://artsdot.com/it/art/alessandro-calabrese-untitled-D73UF3-en/

    Guarda da vicino

    Untitled — Alessandro Calabrese

    Guarda da vicino

    Rispondi con parole tue. Non esistono risposte errate — solo risposte che puoi spiegare.

    1. Cosa ti colpisce per primo, e perché?
    2. Quali colori o forme creano l'atmosfera — e di che atmosfera si tratta?
    3. Quanti volti riesci a trovare? ____ (il nostro catalogo ne conta 1 — sei d'accordo?)
    4. Rivedi Chapel of Saint Francis of Paola in the Basilica of Santa Croce - detail (1833), precedentemente citato in questa guida. Indica due elementi che condivide con quest'opera e uno che la differenzia.
    5. Alessandro Calabrese aveva circa 34 anni quando quest'opera è stata realizzata. Quali elementi ne rivelano la mano di un artista in quella fase della sua carriera?

    La tua risposta

    Scrivi un breve paragrafo su quest'opera. Utilizza i fatti riportati nelle parti precedenti di questa guida e le tue risposte fornite sopra.