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Figures standing (The Supper cycle)

Nome Classe Data

Alberto Sughi, Figures standing (The Supper cycle) (1976). Riproduzione a scopo illustrativo; tutti i diritti sono riservati dal titolare dei diritti.

Dettagli dell'opera

Artista
Alberto Sughi artsdot.com/it/artists/alberto-sughi_it/
Date dell'artista
1928 – 2012
Pittura
1976
Dimensioni originali
180 x 210 cm
Movimento
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

Nel contesto

Figures standing (The Supper cycle) — Alberto Sughi

Quali sono le dimensioni?

Le dimensioni originali sono 180 × 210 cm (altezza × larghezza), qui rappresentate accanto a un adulto di statura media. È troppo grande per essere rappresentata in scala su questa pagina.

Data di realizzazione

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Shaded: la vita di Alberto Sughi (1928–2012) ▲ quest'opera, 1976

Opere simili

Scegli un'opera tra quelle sopra elencate: indica due elementi in comune con quest'ultima e una differenza.

Altre opere da affiancare a questa: artsdot.com/it/art/similar/alberto-sughi-figures-standing-the-supper-cycle-D2DSJQ-en/

Palette colori

Rilevato dall'immagine

    Colore principale

    Gray #696964

    Tavolozza salvata

    • #696964
    • #D5C5A9
    • #8B8986
    • #4B4E44
    Colore principale
    Gray
    Intensità
    Monochromatic La saturazione e la varietà dei colori, da una singola tonalità tenue a molteplici sfumature vivaci.
    Contrasto
    Serene Quanto i colori differiscano in luminosità e saturazione nell'intera opera.
    Armonia
    Softly Mixed Palette L'armonia cromatica, dall'accostamento contrastante all'unione completa.
    Luminosità
    Balanced Il grado di luminosità o di oscurità complessiva dell'immagine, dalle ombre profonde ai punti di massima luce.
    Saturazione
    Muted Quanto siano puri e intensi i colori, dal quasi grigio al pienamente vivido.

    Artista e museo

    Artista

    Alberto Sughi

    Nato a Cesena, Italia

    Alberto Sughi: The Quiet Observer of Everyday Life

    Alberto Sughi (October 5, 1928 – March 31, 2012) stands as a singular figure in Italian painting of the mid-century era—a painter who eschewed grand narratives and heroic gestures for an unflinching portrayal of human experience rooted in the mundane. Born in Cesena, Italy, Sughi’s artistic journey began in the formative years following World War II, aligning himself firmly with realism amidst the burgeoning debates surrounding abstraction and figurative art. This deliberate choice established him as a champion of “existential realism,” a term coined by Enrico Crispolti in 1956 to encapsulate Sughi's distinctive approach—one that sought to capture not idealized visions but rather the palpable realities of daily life, imbued with profound emotional resonance.“His work proceeds almost always in thematic cycles,” Crispolti noted, “in the manner of film sequences.”

    Early Influences and Artistic Formation

    Sughi’s formative years were marked by exposure to influential artistic currents—particularly Surrealism and Expressionism—which instilled in him a sensitivity to psychological depth and visual experimentation. These movements encouraged him to explore subconscious imagery and emotional intensity, shaping his initial stylistic inclinations. However, it was his engagement with the realist tradition that ultimately solidified his artistic vision. He recognized the power of meticulous observation and detailed depiction to convey truthfulness and authenticity—a cornerstone of his future oeuvre.

    The Emergence of Existential Realism

    Sughi’s stylistic hallmark was undeniably existential realism. Rejecting romantic idealism or symbolic abstraction, he meticulously documented scenes from ordinary life—domestic interiors bathed in soft light, landscapes rendered with subtle gradations of color, portraits capturing the quiet contemplation of individuals wrestling with inner complexities—presenting them with uncompromising honesty and dramatic lighting. This technique wasn’t merely descriptive; it aimed to convey a deeper understanding of human condition—a desire to illuminate the unspoken anxieties and joys inherent in everyday existence. He believed that art should resonate emotionally, prompting viewers to confront fundamental questions about life and consciousness.

    Notable Paintings and Series

    Sughi's artistic output is characterized by recurring thematic cycles reminiscent of cinematic sequences, reflecting his conviction that art should engage viewers on an emotional level. Among his most celebrated works are ‘Figures Standing’, a haunting depiction of a solitary figure bathed in twilight—a testament to Sughi’s masterful use of light and shadow—and ‘Guests Entry’, portraying a serene interior scene imbued with understated elegance. His series ‘Supper Cycle’ (1975-16), featuring a single seated man at a table, exemplifies his exploration of solitude and contemplation; ‘Imagination and Memory of the Family’ delves into themes of familial bonds and personal recollections; ‘Evening or Reflection’ captures moments of quiet introspection against tranquil backgrounds; and ‘Nocturnal’, created in 2000, presents evocative landscapes illuminated by moonlight—a masterful demonstration of Sughi's ability to convey emotion through visual imagery.

    Recognition and Exhibitions

    Sughi achieved international acclaim through his participation in prominent art exhibitions—the Venice Biennale, the Quadriennale di Roma, and numerous solo shows across Europe and America. Museums honored him with retrospectives showcasing the breadth of his artistic legacy, cementing his position as a pivotal figure within contemporary Italian art. His works were presented at institutions such as the Galleria Nazionale d'Arte Moderna e Contemporanea in Rome, the Museo delle Belle Arti di Budapest, and the Museo Civico di Sansepolcro—each exhibition offering viewers a profound insight into Sughi’s artistic vision and enduring influence. He was awarded the Premio Vittorio De Sica for Culture by Carlo Azeglio Ciampi in 2005, recognizing his contribution to Italian culture.

    Legacy

    Alberto Sughi died peacefully in Bologna on March 31, 2012, at the age of 83. His unwavering commitment to existential realism—his dedication to portraying human experience with honesty and sensitivity—continues to inspire artists today. He remains a beacon of quiet contemplation and profound observation—a painter who transformed the commonplace into artful expressions of emotion and intellect.

    Dove approfondire

    Scoprilo online

    Codice QR che rimanda alla pagina di download per Figures standing (The Supper cycle)

    artsdot.com/it/art/download/alberto-sughi-figures-standing-the-supper-cycle-D2DSJQ-en/

    Citazione dell'opera

    MLA
    Sughi, Alberto. Figures standing (The Supper cycle). 1976, https://artsdot.com/it/art/alberto-sughi-figures-standing-the-supper-cycle-D2DSJQ-en/
    APA
    Sughi, Alberto (1976). Figures standing (The Supper cycle) [Painting]. https://artsdot.com/it/art/alberto-sughi-figures-standing-the-supper-cycle-D2DSJQ-en/
    Chicago
    Alberto Sughi. Figures standing (The Supper cycle). 1976. https://artsdot.com/it/art/alberto-sughi-figures-standing-the-supper-cycle-D2DSJQ-en/
    Harvard
    Sughi, Alberto (1976) Figures standing (The Supper cycle). Available at: https://artsdot.com/it/art/alberto-sughi-figures-standing-the-supper-cycle-D2DSJQ-en/

    Guarda da vicino

    Figures standing (The Supper cycle) — Alberto Sughi

    Guarda da vicino

    Rispondi con parole tue. Non esistono risposte errate — solo risposte che puoi spiegare.

    1. Cosa ti colpisce per primo, e perché?
    2. Quali colori o forme creano l'atmosfera — e di che atmosfera si tratta?
    3. Quanti volti riesci a trovare? ____ (il nostro catalogo ne conta 3 — sei d'accordo?)
    4. Il nostro catalogo classifica quest'opera sotto: suffering, poverty, social justice. Sei d'accordo? Cosa aggiungeresti o toglieresti?
    5. Rivedi Balcony by the sea (1995), precedentemente citato in questa guida. Indica due elementi che condivide con quest'opera e uno che la differenzia.

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