periodo

movimento

1. Astatic — Josef Albers, 1944
2. Multiplex D — Josef Albers, 1948

atmosfera

1. Black-White-Yellow — Anni Albers, 1926
2. Astatic — Josef Albers, 1944
3. Light Grey Wall — Josef Albers, 1958
4. Study for Homage to the Square. Departing in Yellow — Josef Albers, 1964

argomenti

1. Multiplex D — Josef Albers, 1948
2. Abstract 7 — Victor Vasarely
3. Homage to the Square — Josef Albers, 1967
4. Abstract Composition 19 — Victor Vasarely

parole chiave

1. Astatic — Josef Albers, 1944
2. Multiplex D — Josef Albers, 1948

tonalità

1. Astrattazione con riferimento ad un albero fiorito — Paul Klee, 1925
2. Astatic — Josef Albers, 1944
3. Multiplex D — Josef Albers, 1948
4. Bauhaus Dessau preliminary course 1926/27. Wassily Kandinsky. Dividual (grid) and inividual (black) design of the square — Friedrich Konrad Püschel, 1926
5. Light Grey Wall — Josef Albers, 1958
6. Study for Homage to the Square. Departing in Yellow — Josef Albers, 1964

colore principale

1. Oeta II — Victor Vasarely
2. Astatic — Josef Albers, 1944
3. Bauhaus Dessau preliminary course 1926/27. Wassily Kandinsky. Dividual (grid) and inividual (black) design of the square — Friedrich Konrad Püschel, 1926
4. Astrattazione con riferimento ad un albero fiorito — Paul Klee, 1925
5. Abstract 7 — Victor Vasarely
6. Multiplex D — Josef Albers, 1948
7. Abstract 4 — Victor Vasarely
8. Brackish Water Biarritz VIII — Josef Albers, 1929
9. Fotoforma, São Paulo — Geraldo De Barros, 1950
10. Final Study for Steps — Josef Albers, 1931
11. Taïmyr — Victor Vasarely
12. Omaggio al Bagliore del Quadrato — Josef Albers, 1966
13. Homage to the Square — Josef Albers, 1967
14. Car Racks — Andrew Spence, 1988

altro

1. Untitled — Margaret Alexandra Luke, 1958
2. Untitled (Abstract Sketch 1) — Blanche Lazzell, 1924
3. Etudes Bauhaus C — Victor Vasarely, 1929
4. Four Abstract Compositions (Sketches) — Hryhorii Havrylenko, 1964
5. Abstract Composition [triptych] — Vaclav Vytlacil, 1937
6. Drawing n°4 — Eugenia Crenovich, 1949