periodo

1. Beatris Hastings — Amedeo Modigliani
2. Due pezzi di scultura n.7; Tubo — Henry Moore
3. Testa di Donna 4 — Amedeo Modigliani

movimento

1. Testa — Amedeo Modigliani, 1913
2. Cariatide — Amedeo Modigliani
3. (Untitled Seated Nude with Prominent Bones) — Morris Kantor, 1918

atmosfera

1. Disc with Strings (Moon) — Barbara Hepworth, 1969
2. Due pezzi di scultura n.7; Tubo — Henry Moore
3. Costruzione (Crucifixione) — Barbara Hepworth, 1966
4. Sculpture with Colour (Deep Blue and Red) — Barbara Hepworth, 1940

temi

1. Costruzione (Crucifixione) — Barbara Hepworth, 1966
2. Sculpture with Colour (Deep Blue and Red) — Barbara Hepworth, 1940
3. Scultura ovale — Barbara Hepworth, 1943

parole chiave

tono

1. Beatris Hastings — Amedeo Modigliani
2. Female figure — Eugène Anatole Carrière, 1901
3. Due Nudi, la Destra con Braccia Sollevate — Gustav Klimt, 1916
4. Testa di Donna 4 — Amedeo Modigliani
5. Cariatide — Amedeo Modigliani

colore principale

1. Nude lying down — Hryhorii Havrylenko, 1975
2. Female Nude — Henri Gaudier-Brzeska
3. Due pezzi di scultura n.7; Tubo — Henry Moore
4. Male Nude, Walking With Palms Raised — Henri Gaudier-Brzeska
5. Cariatide — Amedeo Modigliani
6. Standing Female Nude with Raised Right Leg (Study for — Gustav Klimt, 1901
7. Nude with her Leg Folded — Andrej Barčík
8. Nude sitting — Hryhorii Havrylenko, 1975
9. Sculpture with Colour (Deep Blue and Red) — Barbara Hepworth, 1940
10. Testa — Amedeo Modigliani, 1913
11. Scultura ovale — Barbara Hepworth, 1943
12. Disc with Strings (Moon) — Barbara Hepworth, 1969
13. Due Nudi, la Destra con Braccia Sollevate — Gustav Klimt, 1916
14. Costruzione (Crucifixione) — Barbara Hepworth, 1966
15. Sitting Nude from the Back — Andrej Barčík
16. Space Sculpture No.1 — Battling Key
17. Female figure — Eugène Anatole Carrière, 1901
18. (Untitled Seated Nude with Prominent Bones) — Morris Kantor, 1918
19. Nude Woman II. — Milan Laluha
20. Forma Singola (Antifona) — Barbara Hepworth, 1969

altro

1. Mother And Child 4 — Henry Moore
2. Notch View — Herbert Ferber, 1978