In short
If you know one Werner Peiner painting, it's probably Throned Jesus over Congregation at the Altar (1930). Lionhunt (1947) and Nubian round out the three pieces people recognise right away. Our catalogue has 9 works by Werner Peiner. Below are the 9 people know best, each with its year, where to find it and what makes it special.
Start here: the top 10 Werner Peiner paintings
Where you can see Werner Peiner's paintings
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Werner Peiner | Paintings from this list |
|---|---|---|---|
| Munchen | 1 | Europa and the Bull |
Werner Peiner decade by decade: one standout piece each
Your questions about Werner Peiner's paintings
Which Werner Peiner painting is the most famous?See the answer
Top of the list is Throned Jesus over Congregation at the Altar (1930). Right behind it: Lionhunt (1947) and Nubian.
How old was Werner Peiner when Throned Jesus over Congregation at the Altar was made?See the answer
33 years old. Werner Peiner was born in 1897, and Throned Jesus over Congregation at the Altar dates from 1930.
How many paintings did Werner Peiner create?See the answer
We have 9 works by Werner Peiner in our catalogue, dated 1929 to 1947.
Where can you see Werner Peiner's famous paintings?See the answer
You'll find most of them in Bavári Állami Festırménygyűjtemények (Munchen). The museum list above has the full breakdown.
When did Werner Peiner paint the best-known pieces?See the answer
In 1930s, more than any other time: 4 of the 9 pieces on this page date from then, Throned Jesus over Congregation at the Altar among them.
Which famous Werner Peiner paintings came first and last?See the answer
The earliest piece here is Portrait of Frau K. (Frau Krupsig) (1929); the most recent is Lionhunt (1947).
What art movement was Werner Peiner part of?See the answer
Expressionism and New medievialism, as you can see in the pieces on this page.
Getting to know Werner Peiner
Werner Peiner: A Painter Caught Between Realism and Nazi Ideology
Werner Peiner (20 July 1897 – 19 August 1984) was a German painter whose artistic journey spanned from the expressive currents of early Expressionism to the increasingly formalized aesthetic dictated by the Third Reich, ultimately cementing his position as one of its most prominent official artists. Born in Düsseldorf, Peiner’s formative years were steeped in the intellectual ferment of Weimar Germany, where he absorbed influences from figures like Wilhelm Döringer and embraced a style characterized by nuanced observation and emotional depth—a departure from purely representational art that would foreshadow his later allegiance to Nazi ideology.- Early Influences & Artistic Formation:
- The Expressionist Spirit: Peiner’s initial artistic explorations found resonance in the expressive fervor of Expressionism, particularly evident in landscapes imbued with melancholic beauty and portraits capturing psychological complexity. His early works demonstrated a sensitivity to tonal modulation and textural variation—techniques honed during his studies at Düsseldorf Art Academy under Döringer.
- New Objectivity & The Bauhaus Connection:
- As the decade progressed, Peiner’s artistic sensibilities shifted toward New Objectivity, mirroring the broader intellectual currents of the time. This movement championed a detached yet precise depiction of reality, prioritizing clarity and geometric forms—a stylistic choice that reflected Peiner's engagement with the principles espoused by Bauhaus.
The Rise of Official Art & Patronage Under Göring
Peiner’s career took a decisive turn in 1933 with his appointment as professor at Düsseldorf Art Academy, coinciding with Hitler's ascent to power. This position afforded him access to influential figures like Hermann Göring, who recognized Peiner’s talent and championed his artistic vision. Göring actively supported Peiner’s endeavors, notably commissioning monumental tapestries for the New Reich Chancellery—a project that served as a powerful visual embodiment of Nazi propaganda's narrative of Germanic grandeur and spiritual renewal. The patronage extended beyond mere financial backing; it represented an endorsement of Peiner’s artistic sensibilities within the framework of the regime’s ideological ambitions.- Kronenburg Master Classes & Artistic Experimentation:
- Peiner established Kronenburg Master School for Painting in 1936, attracting a cohort of aspiring artists who embraced his distinctive approach to landscape painting and portraiture. The school’s ethos—characterized by meticulous observation and stylistic innovation—reflected Peiner's commitment to upholding artistic standards while simultaneously aligning with the aesthetic imperatives of Nazi Germany.
- The Gottbegnadeten List & Artistic Recognition:
- In 1944, Peiner was included on Hitler’s “Gottbegnadeten Liste”—the list of twelve most important visual artists deemed worthy of protection by the Führer—a testament to his artistic reputation and Göring's unwavering support. This inclusion underscored the regime’s conviction that Peiner’s work represented the pinnacle of German artistic achievement.







