Portrait of Carl Rottmann

Your Guide to the 69 Most Famous Carl Rottmann Paintings

Updated október 2026 · ranked by our popularity score (searches, visits and orders for each work) · 69 works by Carl Rottmann in our catalogue

In short

Carl Rottmann's best-known piece is Marathon (1848). You'll find it at the Neue Pinakothek in Munich. Next on the list are Cefalu (1830) and River Landscape with Castle Ruins (1820). We have 69 works by Carl Rottmann in our catalogue; this guide picks out the 69 best known, with the year, the museum and the story of each piece.

1797 – 1850, Heidelberg Romanticism Most works: Bavári Állami Festırménygyűjtemények

The 10 Carl Rottmann paintings to know first

1
Marathon (1848) by Carl Rottmann

Marathon

1848 · Oil On Canvas · Neue Pinakothek, Munich

To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848, transcends mere landscape depiction; it is a profound meditation on power, transition, and the sublime indifference of the natural world. The scene unfolds with an almost overwhelming sense of depth, drawing the viewer's eye across rugged terrain where massive boulders litter the…

2
Cefalu (1830) by Carl Rottmann

Cefalu

1830 · Olajfestmény vászonon · Wallraf-Richartz Múzeum, Köln

Carl Anton Joseph Rottmann és Cefalu – Egy Szicíliai Érzelmek Tája A német romantikus festő Carl Anton Joseph Rottmann 1830-ban alkotott Cefalu című tájképe egy igazán lenyűgöző művért mutat be, amely Szicília jellegzetes szépségeit és építészeti vonzását tökéletesíti. Rottmann kétségtelenül az európai művészet egyik legnagyobb alakja volt, aki különösen a tájképek megfestésében új irányokat mutatott fel, és ezt a festményét bizonyítja meg. Az alkotó látleányvai szellemét pedig nem csak a…

4
Eibsee tájképe (1825) by Carl Rottmann

Eibsee tájképe

1825 · Akril festmény vászonon · Neue Pinakothek, Munich

Carl Anton Joseph Rottmann neve egy név, amely Görögország romantikus művészetében mély üzenetet rejteget. Ez nem csak egy tájkép festmény volt; hanem egy időszak megőrzött nyoma, egy ősi erő és szépség érzése tükröződött vissza egy egyszerű vízpartra és hóborította hegyekre.

5
The Cemetery at Pronoia near Nauplia (1841) by Carl Rottmann

The Cemetery at Pronoia near Nauplia

1841 · Oil On Canvas · Metropolitan Művészeti Múzeum, New York

Carl Anton Joseph Rottmann’s “The Cemetery at Pronoia near Nauplia” isn't merely a landscape painting; it’s a carefully constructed meditation on mortality, memory, and the weight of history. Completed around 1846-47 as part of a larger series commissioned by King Ludwig I of Bavaria, this evocative work transports us to a windswept hillside overlooking the ancient burial ground at Pronoia, nestled near the historic fortress town of Nauplia in Greece.…

6
The Battlefield at Marathon (1849) by Carl Rottmann

The Battlefield at Marathon

1849 · Acrylic On Canvas · Nationalgalerie, Berlin

“The Battlefield at Marathon,” painted in 1849 by Carl Anton Joseph Rottmann, stands as a monumental testament to the Romantic movement’s fascination with dramatic landscapes and emotive storytelling. More than just a depiction of an historical event—the decisive Battle of Marathon against invading Persian forces—it embodies a profound meditation on human vulnerability confronted by the overwhelming power of nature.

7
View of Monte Serone from Civitella (1829) by Carl Rottmann

View of Monte Serone from Civitella

1829 · Watercolor · Staatliche Kunsthalle Karlsruhe, Karlsruhe

In the delicate, translucent layers of View of Monte Serone from Civitella, we are invited to step into a world where the earth meets the heavens in a quiet, dramatic dialogue. Created in 1829 by the German Romantic master Carl Anton Joseph Rottmann, this watercolor landscape transcends mere topographical recording to capture the very soul of the rugged terrain. The composition draws the eye along a winding, meandering road that…

8
Korinth és Akrokorinth (1847) by Carl Rottmann

Korinth és Akrokorinth

1847 · Akril festmény vászonon · Neue Pinakothek, Munich

Carl Anton Joseph Rottmann és Corinth az Akrokorinthtal A német romantikus Carl Anton Joseph Rottmann alkotása, Corinth az Akrokorinthtal egy lenyűgöző tájképet mutat be Görögországban, melyet 1847 körül festett meg. Az épület és a táj közötti kontraszt jellegzetes vonása ennek a műalkotásnak, amely különösen nagy figyelmet kapott az európai művészet története során. Rottmann egy olyan családba született Heidelbergben, ahol már fiatal korában kapcsolatba került más heidelbergi festőkkel és művészi hagyományokkal.…

Numbers 11 to 69: more Carl Rottmann paintings

11Deer Hunt at Hintersee near Berchtesgaden (1823) by Carl RottmannDeer Hunt at Hintersee near Berchtesgaden1823 · Lenbachhaus 12Mountain Landscape with Fleeing Stag (1823) by Carl RottmannMountain Landscape with Fleeing Stag1823 · Bavári Állami Festırménygyűjtemények 13Taormina mit dem Ätna (1829) by Carl RottmannTaormina mit dem Ätna1829 · Bavári Állami Festırménygyűjtemények 14landscape with horse frightened by lightening (1823) by Carl Rottmannlandscape with horse frightened by lightening1823 15landscape river-valley in the mountains (1823) by Carl Rottmannlandscape river-valley in the mountains1823 16Italian landscape with ruins and travellers (1831) by Carl RottmannItalian landscape with ruins and travellers1831 17Sicyon with Parnass (1839) by Carl RottmannSicyon with Parnass1839 · Bavári Állami Festırménygyűjtemények 18Sicyon with Corinth (1838) by Carl RottmannSicyon with Corinth1838 · Bavári Állami Festırménygyűjtemények 19Sicyon with Corinth (1836) by Carl RottmannSicyon with Corinth1836 · Bavári Állami Festırménygyűjtemények 20Corfu (1835) by Carl RottmannCorfu1835 · Bavári Állami Festırménygyűjtemények 21Kopaissee (1839) by Carl RottmannKopaissee1839 · Bavári Állami Festırménygyűjtemények 22The Lion Gate of Mykene (1839) by Carl RottmannThe Lion Gate of Mykene1839 · Bavári Állami Festırménygyűjtemények 23Olympia (1837) by Carl RottmannOlympia1837 24Landscape (1835) by Carl RottmannLandscape1835 25Poros (1845) by Carl RottmannPoros1845 · Bavári Állami Festırménygyűjtemények 26Sparta - Plain (1841) by Carl RottmannSparta - Plain1841 · Bavári Állami Festırménygyűjtemények 27The Hohe Göll with the Hintersee (1846) by Carl RottmannThe Hohe Göll with the Hintersee1846 · Bavári Állami Festırménygyűjtemények 28Delos (1840) by Carl RottmannDelos1840 · Bavári Állami Festırménygyűjtemények 29Eleusis (1843) by Carl RottmannEleusis1843 · Bavári Állami Festırménygyűjtemények 30The Spring Kallirrhoe near Athens (1848) by Carl RottmannThe Spring Kallirrhoe near Athens1848 · Bavári Állami Festırménygyűjtemények 31Tiryns (1843) by Carl RottmannTiryns1843 · Bavári Állami Festırménygyűjtemények 32Salamis (1840) by Carl RottmannSalamis1840 · Bavári Állami Festırménygyűjtemények 33Epidauros (1843) by Carl RottmannEpidauros1843 · Bavári Állami Festırménygyűjtemények 34The Hohe Göll with the Hintersee (1846) by Carl RottmannThe Hohe Göll with the Hintersee1846 · Bavári Állami Festırménygyűjtemények 35Marathon (Oil Sketch) (1848) by Carl RottmannMarathon (Oil Sketch)1848 · Bavári Állami Festırménygyűjtemények 36Epidaurus (1843) by Carl RottmannEpidaurus1843 · Bavári Állami Festırménygyűjtemények 37The High Göll in Alpenglühen (1845) by Carl RottmannThe High Göll in Alpenglühen1845 · Bavári Állami Festırménygyűjtemények 38Thebes (1842) by Carl RottmannThebes1842 · Bavári Állami Festırménygyűjtemények 39Naxos (1845) by Carl RottmannNaxos1845 · Bavári Állami Festırménygyűjtemények 40Sparta with the Taygetos (1841) by Carl RottmannSparta with the Taygetos1841 · Bavári Állami Festırménygyűjtemények 41Athens (1844) by Carl RottmannAthens1844 · Bavári Állami Festırménygyűjtemények 42Cliff in the Aegean Sea (1847) by Carl RottmannCliff in the Aegean Sea1847 · Bavári Állami Festırménygyűjtemények 43Pronia (1847) by Carl RottmannPronia1847 · Bavári Állami Festırménygyűjtemények 44Chalkis (1840) by Carl RottmannChalkis1840 · Bavári Állami Festırménygyűjtemények 45Dachstein Landscape (1840) by Carl RottmannDachstein Landscape1840 · Bavári Állami Festırménygyűjtemények 46Aigina with the Temple of Aphaiia (1841) by Carl RottmannAigina with the Temple of Aphaiia1841 · Bavári Állami Festırménygyűjtemények 47The Island of Delos (1847) by Carl RottmannThe Island of Delos1847 · Staatliche Kunsthalle Karlsruhe 48The Kopaisee (1847) by Carl RottmannThe Kopaisee1847 · Staatliche Kunsthalle Karlsruhe 49Aulis (1847) by Carl RottmannAulis1847 · Bavári Állami Festırménygyűjtemények 50Hoher Goll in the Alpine Glow (1846) by Carl RottmannHoher Goll in the Alpine Glow1846 · Germanisches Nationalmuseum 51The Hofe Göll at sunset (1848) by Carl RottmannThe Hofe Göll at sunset1848 52Epidaurus (1849) by Carl RottmannEpidaurus1849 · Lenbachhaus 53Delos (1849) by Carl RottmannDelos1849 · Lenbachhaus 54Nemea (1850) by Carl RottmannNemea1850 · Bavári Állami Festırménygyűjtemények 55Greek Coast in a Storm (1849) by Carl RottmannGreek Coast in a Storm1849 · Bavári Állami Festırménygyűjtemények 56Olympia (1839) by Carl RottmannOlympia1839 · Neue Pinakothek 57Foothill Landscape near Murnau by Carl RottmannFoothill Landscape near MurnauLenbachhaus 58Foothill Landscape near Murnau by Carl RottmannFoothill Landscape near MurnauLenbachhaus 59Palermo with Monte Pellegrino by Carl RottmannPalermo with Monte PellegrinoBavári Állami Festırménygyűjtemények 60View of Monte Pellegrino with Palermo by Carl RottmannView of Monte Pellegrino with PalermoBavári Állami Festırménygyűjtemények 61Evening Landscape with Castle Ruin by Carl RottmannEvening Landscape with Castle RuinBavári Állami Festırménygyűjtemények 62Landscape of Bavaria by Carl RottmannLandscape of BavariaMusée Des Beaux 63Vorgebirgs - Landschaft by Carl RottmannVorgebirgs - Landschaft 64Vorgebirgslandschaft by Carl RottmannVorgebirgslandschaft 65Südl. Landschaft by Carl RottmannSüdl. Landschaft 66Epidaurus by Carl RottmannEpidaurus 67Creek landscape by Carl RottmannCreek landscape 68landscape bei Brannenburg by Carl Rottmannlandscape bei Brannenburg 69The Kochel Lake (1825) by Carl RottmannThe Kochel Lake1825 · Bavári Állami Festırménygyűjtemények

What Carl Rottmann painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Carl Rottmann's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Carl Rottmann Paintings from this list
Bavári Állami Festırménygyűjtemények, MunchenBavári Állami Festırménygyűjtemények Munchen 37 Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna, Sicyon with Parnass
Lenbachhaus, MünchenLenbachhaus München 6 River Landscape with Church Ruin, Deer Hunt at Hintersee near Berchtesgaden, Epidaurus
Neue Pinakothek, MunichNeue Pinakothek Munich 4 Marathon, Eibsee tájképe, Korinth és Akrokorinth
Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 3 View of Monte Serone from Civitella, The Island of Delos, The Kopaisee
Wallraf-Richartz Múzeum, KölnWallraf-Richartz Múzeum Köln 1 Cefalu
Metropolitan Művészeti Múzeum, New YorkMetropolitan Művészeti Múzeum New York 1 The Cemetery at Pronoia near Nauplia
Nationalgalerie, BerlinNationalgalerie Berlin 1 The Battlefield at Marathon
Germanisches Nationalmuseum, NürnbergGermanisches Nationalmuseum Nürnberg 1 Hoher Goll in the Alpine Glow

Decade by decade: the best-known Carl Rottmann piece of each

Works per decade

Pick a decade to see its standout piece.

Carl Rottmann: quick answers about the paintings

What is Carl Rottmann's best-known painting?See the answer

Top of the list is Marathon (1848), Neue Pinakothek, Munich. Right behind it: Cefalu (1830) and River Landscape with Castle Ruins (1820).

What age was Carl Rottmann when creating Marathon?See the answer

51 years old. Carl Rottmann was born in 1797, and Marathon dates from 1848.

What are Carl Rottmann's top 10 paintings?See the answer

Marathon, Cefalu, River Landscape with Castle Ruins, Eibsee tájképe, The Cemetery at Pronoia near Nauplia, The Battlefield at Marathon, View of Monte Serone from Civitella, Korinth és Akrokorinth, Ruin of a Chapel near a River with Rising Moon and River Landscape with Church Ruin. You'll find the year and the museum of each in the list above.

How many works by Carl Rottmann are in your catalogue?See the answer

We have 69 works by Carl Rottmann in our catalogue, dated 1820 to 1850.

In which museums can you see Carl Rottmann's famous works?See the answer

You'll find most of them in Bavári Állami Festırménygyűjtemények (Munchen), Lenbachhaus (München) and Neue Pinakothek (Munich). The museum list above has the full breakdown.

When did Carl Rottmann make the most famous pieces?See the answer

In 1840s, more than any other time: 34 of the 69 pieces on this page date from then, Marathon among them.

What are Carl Rottmann's first and last famous pieces?See the answer

The earliest piece here is River Landscape with Castle Ruins (1820); the most recent is Nemea (1850).

Which subjects did Carl Rottmann paint most often?See the answer

Landscape (4), Stormy sky (2) and Dramatic scene (2), out of the 69 pieces on this page.

Which medium shows up most in Carl Rottmann's paintings?See the answer

Oil On Canvas, used in 2 of the 69 pieces on this page.

What style or movement is Carl Rottmann known for?See the answer

Romanticism, as you can see in the pieces on this page.

Which famous Carl Rottmann paintings are at the Bavári Állami Festırménygyűjtemények?See the answer

You can see 37 of the pieces on this page at the Bavári Állami Festırménygyűjtemények, Munchen, including Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna and Sicyon with Parnass.

Where can I order a Carl Rottmann reproduction?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

Carl Rottmann's story

The Visionary Landscapes of Carl Rottmann

Born in the tranquil setting of Handschuhsheim, Germany, in 1797, Carl Anton Joseph Rottmann emerged as a profound voice within the movement of German Romanticism. His life and artistry were deeply intertwined with the shifting landscapes of 19th-century Europe, reflecting a period where the sublime beauty of nature met the burgeoning spirit of national identity. Unlike many of his contemporaries who focused on the intimate or the domestic, Rottmann possessed an expansive vision, seeking to capture the monumental scale of the world through sweeping vistas and mythic atmospheres. His journey was one of constant movement, traveling through the rugged terrains of Greece, Italy, and the Bavarian Alps, each location leaving an indelible mark on his palette and his perception of the divine within the natural world.

The development of Rottmann’s style was a masterful evolution from classical precision to a more emotive, atmospheric approach. Influenced by the grand traditions of landscape painting, he moved beyond mere topographical accuracy to embrace the sublime—that specific Romantic quality of awe and terror inspired by the vastness of nature. His technique involved a sophisticated understanding of light and shadow, using them not just to define form, and shape, but to evoke a sense of historical weight and mythic presence. In his hands, a mountain range was never just stone and ice; it was a silent witness to antiquity, a stage for the legends of old. This ability to infuse physical geography with spiritual and historical narrative became the hallmark of his mature period.

A Legacy of Light and Myth

Rottmann’s achievements are most notably seen in his ability to bridge the gap between the tangible world and the realm of imagination. His works often serve as windows into a lost era, where the ruins of ancient civilizations seem to breathe under the soft glow of a Mediterranean sun or the misty shroud of a northern forest. Through his meticulous attention to the interplay of light upon textures—the roughness of weathered stone, the translucency of water, and the softness of clouds—he achieved a level of luminosity that captivated the art world of his time.

The historical significance of his oeuvre lies in its role as a cornerstone of Romantic landscape art. His contributions can be summarized through several key artistic pillars:

  • The Synthesis of History and Nature: He pioneered a method of painting where the landscape itself acts as a vessel for historical memory, blending archaeological interest with poetic expression.
  • Mastery of Atmospheric Perspective: His use of color temperature and clarity to create depth allowed viewers to feel immersed in the vastness of his depicted scenes.
  • Cultural Documentation: Through his travels, he provided a visual record of the European landscapes that were central to the Romantic identity, particularly the Greek and Bavarian vistas.

Ultimately, the work of Carl Rottmann remains a testament to the power of the gaze to transform the ordinary into the extraordinary. He did not merely paint what he saw; he painted what he felt in the presence of greatness. His legacy continues to resonate with those who find beauty in the monumental and meaning in the silent, enduring features of our earth, ensuring his place as a vital figure in the tapestry of 19th-century European art.

All 69 works by Carl Rottmann →