Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 233 djela George Dawe u našem katalogu
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Najpoznatije djelo umjetnika George Dawe je Portrait of Emperor Alexander I (1824). Možete ga pronaći u muzeju Ermitaž u gradu Sankt Peterburg. Sljedeći na listi su Portrait of Admiral Alexander S. Shishkov (1754-1841) (1826) i Portrait of Nikolai Sipyagin (1785-1828) (1827). U našem katalogu nalazi se 233 djela umjetnika George Dawe; ovaj vodič izdvaja 100 najpoznatijih, uz godinu nastanka, muzej i priču o svakom platnu.
The Portrait of Emperor Alexander I is a significant work by the English portraitist George Dawe. Created about 1824, this full-length portrait captures the Russian Emperor, Alexander I, in a moment of formal repose. The painting offers a direct encounter with the sovereign, presented in his capacity as a military leader.
A heavy silence settles in the room where the Admiral sits. He is an old man now, his face a map of weathered authority, etched with the fine lines of a life spent navigating both salt spray and political currents. His gaze is direct, meeting the observer with a steady, unblinking clarity that demands respect. The navy blue of his uniform is deep and somber, a stark contrast to the…
Nikolai Sipyagin sits in a moment of quiet dignity, his body angled in a three-quarter view that suggests a man caught between duty and contemplation. He looks upward and toward the left, his eyes fixed on a point beyond the frame, as if scanning a distant battlefield or a future yet to unfold. The light catches the pale contours of his face, carving out the structure of his features against…
A single, steady gaze meets the viewer from a three-quarter view. The Grand Duke Nikolai Pavlovich is rendered in a dark military uniform, the fabric a deep navy or black that absorbs the light. Against this somberness, gold epaulettes and a crimson sash cut through the darkness. He holds a helmet in his left hand, the metal catching a glint of light. The silhouette is sharp, defined by the precision…
A single man occupies the center of this oil on canvas, his presence defined by a quiet, aristocratic composure. He sits in a bust-length pose, turned slightly toward the left, yet his eyes remain fixed upon the observer. The light enters from the upper left, carving the contours of his face with a soft, directional glow. This illumination casts gentle shadows across his features, lending a three-dimensional depth to his…
A single figure dominates the canvas, anchored by the rigid geometry of a military tunic. Count Alexey Arakcheyev meets the viewer's gaze with a steady, unyielding presence. The navy blue fabric of his uniform absorbs the light, while the gold of his epaulettes catches it, casting a sharp, metallic glint against the muted landscape. He is a man of structure. His posture is a vertical line of discipline, cutting through…
A single figure occupies the space, leaning with a heavy, practiced grace against the cold cylinder of a bronze cannon. Edward, Duke of Kent, is rendered in the sharp clarity of the Neoclassical tradition, his silhouette defined by the stark contrast of a scarlet military jacket against the dim, atmospheric air. The light falls from the upper left, carving the planes of his face and catching the fine, white feathers…
The gaze of history settles upon the Portrait of Grand Duchess Alexandra Fiodorovna with Children, a work by the English portraitist George Dawe. Within this frame, the Empress Alexandra Feodorovna of Russia, born Princess Charlotte of Prussia, sits in a moment of quiet, regal presence. She is not alone in this assembly; her two eldest children, Alexander and Maria Nikolaevna, are gathered by her side, anchoring the scene in a…
George Dawe painted Portrait of Empress Maria Feodorovna in Mourning about 1825. The subject is Empress Maria Feodorovna, originally born Duchess Sophie Dorothea of Württemberg. She held the position of Empress of Russia as the second wife of Emperor Paul I, following his assassination in 1801.
In this 1821 oil on canvas, we encounter Piotr Konovnitsyn, a man whose presence fills the space with a quiet, heavy authority. He is depicted in a three-quarter view, his body angled slightly away while his gaze maintains a direct, steady connection with us. There is a profound sense of stillness in his expression, a calm that suggests a life spent navigating the complexities of high-stakes military leadership. The lighting…
Portrait of Fabian Gottlieb von der Osten-Sacken (1752-1837)1822 · Ermitaž
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Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis1803 · Museum of New Zealand Te Papa Tongarewa
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Portrait of Princess Charlotte of Wales1817 · Museum of New Zealand Te Papa Tongarewa
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Charlotte (Alexandra Feodorovna), Empress of Russia, with her eldest children, Alexander and Maria1821 · Royal Collection
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Leopold, Prince of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865)1816 · Royal Collection
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Ernst I (1784-1844), Duke of Saxe-Coburg-Gotah1818 · Buckingham Palace
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Alexander I, Emperor of Russia (1777-1825)1821 · Royal Collection
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Group portrait including the artist George Dawe and a self portrait
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Portrait of Ivan F. Paskevich (1782-1856) (replica of the 1823 portrait)1824 · Ermitaž
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Portrait of Fyodor V. (Dietrich Jacob) Tijl van Seraskerken (1771-1826)1824 · Ermitaž
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Portrait of Fyodor F. (Friedrich Otto) Rosen (1767-1851) (3rd)1822 · Ermitaž
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Portrait of Matvey I. Platov (1753-1818) (copy after the 1814 original made in Britain ?)1822 · Ermitaž
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Portrait of Konstantin Kh. von Benckendorf (1785-1828) (2nd)1823 · Ermitaž
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Četiri teme koje se najčešće pojavljuju u ovim djelima, svaka s svojim najpoznatijim primjerom.
4 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora George Dawe | Slike iz ovog popisa |
|---|---|---|---|
 Ermitaž |
Sankt Peterburg | 212 | Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841), Portrait of Nikolai Sipyagin (1785-1828) |
 Royal Collection |
London | 9 | Charlotte (Alexandra Feodorovna), Empress of Russia, with her eldest children, Alexander and Maria, Leopold, Prince of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865), Alexander I, Emperor of Russia (1777-1825) |
 Buckingham Palace |
London | 2 | Edward, Duke of Kent (1767-1820), Ernst I (1784-1844), Duke of Saxe-Coburg-Gotah |
 Museum of New Zealand Te Papa Tongarewa |
Wellington | 2 | Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis, Portrait of Princess Charlotte of Wales |
Odaberite desetljeće kako biste vidjeli njegovo najistaknutije djelo.
A single figure occupies the space, leaning with a heavy, practiced grace against the cold cylinder of a bronze cannon. Edward, Duke of Kent, is rendered in the sharp clarity of the Neoclassical tradition, his silhouette defined by the stark contrast of a scarlet military jacket against the dim, atmospheric air. The light falls from the upper left, carving the planes of his face and catching the fine, white feathers…
The Portrait of Emperor Alexander I is a significant work by the English portraitist George Dawe. Created about 1824, this full-length portrait captures the Russian Emperor, Alexander I, in a moment of formal repose. The painting offers a direct encounter with the sovereign, presented in his capacity as a military leader.
Na vrhu liste je Portrait of Emperor Alexander I (1824), Ermitaž, Sankt Peterburg. Odmah iza njega su: Portrait of Admiral Alexander S. Shishkov (1754-1841) (1826) i Portrait of Nikolai Sipyagin (1785-1828) (1827).
43 godina. George Dawe je rođen/a 1781, a djelo Portrait of Emperor Alexander I datira iz 1824.
Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841), Portrait of Nikolai Sipyagin (1785-1828), Portrait of Grand Duke Nikolai Pavlovich, Portrait of Kirill A. Naryshkin (1786-1838), Portrait of Count Alexey Arakcheyev, Edward, Duke of Kent (1767-1820), Portrait of Grand Duchess Alexandra Fiodorovna with Children, Portrait of Empress Maria Feodorovna in Mourning i Portrait of Piotr Konovnitsyn (1764-1822). Godinu i muzej svakog od njih pronaći ćete u gornjem popisu.
U našem katalogu imamo 233 djela umjetnika George Dawe, datiranih od 1803 do 1829.
Većinu njih možete pronaći u Ermitaž (Sankt Peterburg), Royal Collection (London) i Buckingham Palace (London). Na gornjoj listi muzeja nalazi se detaljan pregled.
U 1820s, više nego ikada prije: 81 od 100 djela na ovoj stranici potječe iz tog vremena, od čega je Portrait of Emperor Alexander I među njima.
Najstarije djelo ovdje je Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis (1803), a najnovije je Portrait of Anton S. Chalikov (1754-1821) (1829).
Man (78), Military uniform (78) i Medals (58) od ukupno 100 djela na ovoj stranici.
Oil On Canvas, korišteno u 78 od 100 djela na ovoj stranici.
Neoclassicism, kao što možete vidjeti u djelima na ovoj stranici.
Na ovoj stranici možete vidjeti 83 djela u muzeju Ermitaž, Sankt Peterburg, uključujući Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841) i Portrait of Nikolai Sipyagin (1785-1828).
Da. Svaka slika na ovoj stranici dostupna je kao ručno oslikana uljana reprodukcija ili kao tisak, u veličini koja vam odgovara. Jednostavno otvorite stranicu slike kako biste je naručili.
George Dawe stoji kao jedan od najznačajnijih engleskih portretista devetnaestog stoljeća, čovjek čiji je kist uspio uhvatiti samu bit ere definirane Napoleonovim sukobima i imperijalnim veličanstvenom. Rođen u St James'u, u Ujedinjenom Kraljevstvu, Dawe je od najranijih godina bio uronjen u svijet umjetnosti. Bio je sin Philipa Dawea, slavnog mezzotint gravira, te je odrastao u obitelji u kojoj je umjetnički talent bio zajedničko nasljeđe. Njegovo rano školovanje započelo je pod pažljivim okom oca, usavršavajući vještine gravira prije nego što su njegove ambicije prerasle u mnogo veći i svjetliji medij slikarstva uljem. Temelj postavljen u preciznom radu s linijama i tonalnoj dubini kasnije je oblikovao pedantne detalje pronađene na njegovim najslavnijim platnima.
Njegovo putovanje kroz akademski svijet obilježeno je iznimnošću. Nakon studija na Kraljevskoj akademiji umjetnosti, gdje je osvojio prestižnu zlatnu medalju Royal Academy Schools, Daweova reputacija počela je rasti. Naposljetku je postao suradnik Kraljevske akademije, a kasnije i punopravni akademik, što je označilo njegov dolazak među elitu britanske umjetničke ustanove. Ipak, nije u londonskim salonima Dawe ostvario svoj najtrajniji povijesni utjecaj, već u samom srcu Rusije.
Godine 1819. Dawe se preselio u Sankt Peterburg, što je potez koji će temeljito promijeniti smjer njegove karijere i povijesti umjetnosti. U ovom živopisnom imperijalnom glavnom gradu našao se u središtu monumentalnog poduhvata: stvaranja Vojne galerije Zimske palače. Ovaj ambiciozni projekt donio je Daweju slikanje izvanredne serije od 3acije 329 portreta ruskih generala koji su bili aktivni tijekom Napoleonove invazije na Rusiju. Kroz ova djela, Dawe nije samo zabilježio lica; on je dokumentirao heroizam i psihološku težinu obrane jedne nacije.
Njegovo vrijeme u Rusiji dočekano je s dubokim priznanjem. Postao je slavna figura unutar ruskog umjetničkog establishmenta, stiježući pohvale koje su doprele čak i do legendarnog pjesnika Pushkina. Njegova sposobnost spajanja formalnih zahtjeva portretistike s dubokim, emotivnim rezonancijom omogućila mu je da uhvati složene likove vojne elite. Bilo da je prikazivao zapovjedničko prisustvo Dmitryja V. Golitsyna ili introspektivan, gotovo jeziv pogled Mikhail Kutuzova, Daweovo djelo služilo je kao vitalni povijesni zapis najutjecajnijih figura tog doba.
Daweov umjetnički stil bio je sofisticirani tapiserija utkana od raznih utjecaja. Njegovo rano majstorstvo u graviranju pružilo mu je neusporedivo razumijevanje svjetla, sjene i forme, što je s iznimnom vještinom prenio u svoje slike uljem. U mnogo čemu njegova djela mogu se promatrati kroz prizmu i neoklasicizma i romantizma:
U konačnici, značaj Georgea Dawea leži u njegovoj sposobnosti da prevaziđe puko sličavanje. Bio je umjetnik koji je mogao uhvatiti težinu odgovornosti na ramenima generala i prolaznu prirodu slave kroz jedan, pedantno izvedeni pogled. Njegov život i rad ostaju most između disciplinirane tradicije engleske akademije i epske, turbulentne povijesti Carske Rusije.
