Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 189 djela George Caleb Bingham u našem katalogu
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Najpoznatija slika koju je George Caleb Bingham naslikao je The Squatters (1850), a možete je vidjeti u muzeju Muzej likovnih umjetnosti, Boston. Odmah nakon toga slijede Country Politician (1849) i Trappers' Return (1851). Od 189 djela umjetnika George Caleb Bingham u našem katalogu, ovih 100 je najpoznatijih. Svako od njih sadrži godinu nastanka, muzej u kojem se nalazi i kratku napomenu o tome što ga izdvaja.
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
In the quietude of George Caleb Bingham’s 1851 masterpiece, Trappers' Return, we are transported to the untamed heart of the nineteenth-century American Midwest. This evocative oil on canvas serves as a profound window into the era of westward expansion, capturing a moment of serene triumph along the winding Missouri River. The scene centers upon two rugged men navigating a canoe through the gentle currents, their journey marked by the presence…
The scene unfolds within the frame of The Mill Boy: The Boonville Juvenile Clay Club Banner. This work, painted by George Caleb Bingham, captures a specific moment of life from about 1844. The artist, George Caleb Bingham, focuses his attention on a single figure, presenting a portrait of a young man that feels immediate and present.
Bingham’s background profoundly shaped his artistic vision. Born in Augusta County, Virginia, he witnessed firsthand the challenges and opportunities presented by westward expansion – a theme that permeates much of his work. This experience instilled within him an understanding of the American spirit: resilience, determination, and a belief in self-governance. Washington himself becomes more than just a military commander; he transforms into an archetype of American virtue, representing the values…
This bust-length oil portrait is organized around a central subject who faces slightly toward the viewer's left. The composition is formal and somber, focusing the viewer's attention on the facial features and the character of the elderly man. A chiaroscuro-like lighting technique is employed, where light falls directly onto the subject's forehead, cheek, and collar. This directional light creates a sense of three-dimensional volume against the surrounding shadows. The background…
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
In this 1835 oil painting, we find ourselves drawn into a nocturnal classroom, a space defined by the heavy presence of shadow and the soft, localized glow of candlelight. The composition relies heavily on a chiaroscuro technique, where the darkness of the room is interrupted by the warm, directional light emanating from a central shaded lamp and small candles. This light directs our attention toward the figures at the heart…
The George Caleb Bingham Self-Portrait is a small-scale portrait painted by George Gillis Haanen. This intimate work, dated 1850, captures a quiet moment of presence. It offers a direct encounter with the subject through its modest dimensions.
A Moment of Quiet Contemplation Old Man in his Study presents us with an intimate glimpse into a private world. The scene is centered on an elderly man, seated and lost in deep thought or perhaps succumbing to the weight of fatigue. He sits within a dimly lit room, where heavy, dark drapery frames the right and top edges of the composition, creating a sense of enclosure that pulls the…
Mrs. Henry Lewis (Elizabeth Morton Woodson)1838 · Saint Louis Art Museum
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The Student (Dr. Oscar Fitzland Potter)1848 · Saint Louis Art Museum
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Fiddler (study for the Jolly Flatboatmen)1846 · The Nelson-Atkins Museum of Art
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The Checker Players (also known as Playing Checkers)1850 · Detroit Institute of Arts
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Landscape with Waterwheel and Boy Fishing1853 · Muzej likovnih umjetnosti
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Captain William Johnston (1776-1850)1850 · Minneapolis Institute of Art
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Portrait of Mrs. George Caleb Bingham (nee. Eliza K. Thomas)1849
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Mrs. George Caleb Bingham (Sarah Elizabeth Hutchinson) and Son Newton1842
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Četiri teme koje se najčešće pojavljuju u ovim djelima, svaka s svojim najpoznatijim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora George Caleb Bingham | Slike iz ovog popisa |
|---|---|---|---|
 Saint Louis Art Museum |
Saint Louis | 15 | Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter), Judge Henry Lewis |
 Detroit Institute of Arts |
Detroit | 4 | Trappers' Return, John Quincy Adams, The Checker Players (also known as Playing Checkers) |
 Rijksmuseum |
Amsterdam | 3 | Old Woman Reading, Night School, Old Man in his Study |
 Amon Carter Museum of American Art |
Fort Worth | 3 | View of Pike's Peak, Wood-Boatmen on a River |
 Nelson-Atkins Museum of Art |
Kansas City | 3 | Self Portrait, Canvassing for a Vote |
 National Gallery of Art |
Washington | 3 | Cottage Scene, Mississippi Boatman |
 Muzej likovnih umjetnosti |
Boston | 2 | The Squatters, Landscape with Waterwheel and Boy Fishing |
 The Nelson-Atkins Museum of Art |
Kansas City | 2 | Fiddler (study for the Jolly Flatboatmen), Mary Frances Ward |
Odaberite desetljeće kako biste vidjeli njegovo najistaknutije djelo.
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
A frontier home stands as the silent witness to a sudden upheaval. Under a heavy sky, a group of men, women, and children gather in the dust, their faces etched with the quiet weight of uncertainty. The domestic peace of the house is broken by the presence of horses and a carriage, signaling a departure that feels both sudden and inevitable. There is a rhythmic balance to the figures, a…
Na vrhu liste je The Squatters (1850), Muzej likovnih umjetnosti, Boston. Odmah iza njega su: Country Politician (1849) i Trappers' Return (1851).
39 godina. George Caleb Bingham je rođen/a 1811, a djelo The Squatters datira iz 1850.
The Squatters, Country Politician, Trappers' Return, The Mill Boy: The Boonville Juvenile Clay Club Banner, Washington Crossing the Delaware, John Quincy Adams, Old Woman Reading, Night School, George Caleb Bingham Self-Portrait i Old Man in his Study. Godinu i muzej svakog od njih pronaći ćete u gornjem popisu.
U našem katalogu imamo 189 djela umjetnika George Caleb Bingham, datiranih od 1833 do 1877.
Većinu njih možete pronaći u Saint Louis Art Museum (Saint Louis), Detroit Institute of Arts (Detroit) i Rijksmuseum (Amsterdam). Na gornjoj listi muzeja nalazi se detaljan pregled.
U 1850s, više nego ikada prije: 27 od 100 djela na ovoj stranici potječe iz tog vremena, od čega je The Squatters među njima.
Najstarije djelo ovdje je Old Man in his Study (1833), a najnovije je Self Portrait (1877).
Portrait (13), 19th century (11) i Man (8) od ukupno 100 djela na ovoj stranici.
Oil On Canvas, korišteno u 19 od 100 djela na ovoj stranici.
American realism, kao što možete vidjeti u djelima na ovoj stranici.
Na ovoj stranici možete vidjeti 11 djela u muzeju Saint Louis Art Museum, Saint Louis, uključujući Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter) i Judge Henry Lewis.
Da. Svaka slika na ovoj stranici dostupna je kao ručno oslikana uljana reprodukcija ili kao tisak, u veličini koja vam odgovara. Jednostavno otvorite stranicu slike kako biste je naručili.
