Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 18 djela Lo Spagna u našem katalogu
Ukratko
Ako znate jedno djelo Lo Spagna, to je vjerojatno Saint Catherine of Siena (1512) koje se nalazi u muzeju Art Institute of Chicago, Chicago. The Agony in the Garden (1502) i The Dead Christ Supported by Two Angels (1487) upotpunjuju trojicu djela koja ljudi odmah prepoznaju. Naš katalog sadrži 18 djela umjetnika Lo Spagna. U nastavku je 18 najpoznatijih djela, s navedenom godinom nastanka, mjestom gdje se mogu pronaći i onim što ih čini posebnima.
In this portrait, Lo Spagna presents us with Saint Catherine of Siena. The figure before us is Catherine Benincasa of Siena, a woman whose spiritual life was defined by her affiliation with the Dominican order. She moves through the scene as a mystic, a person whose existence was marked by profound visions. History remembers her as one of only two female Doctors of the Church, a distinction that lends her…
The Agony in the Garden is a painting by Lo Spagna. This work is an oil on wood, measuring 60.3 × 67.3 cm. The subject matter of the piece is based on the Gospel of Mark (14: 32–43). The composition depicts a specific biblical scene through the medium of oil on a wooden support.
In this quiet religious art piece, titled Christ Crowned with Thorns, we encounter a profound depiction of Jesus Christ. The work is attributed to the hand of Lo Spagna, an artist who moved through the landscapes of Umbria and the Marches. His presence in Perugia and his subsequent connection to the workshop of Perugino helped shape the subtle, sculptural quality seen in this portrait. It is a work that demands…
Altarpiece of the Virgin with Saints Agatha, Stephen, Francis and a Martyr SaintMuseu Nacional d'Art de Catalunya
Naručite ručno oslikano from $500 →
The Virgin and Child with Saints Nicholas of Tolentino and Catherine of SienaNational Gallery of Ireland
Naručite ovo djelo from $250 →
Sienese Government Officials Receiving an EmbassyBarnes Foundation
Naručite ručno oslikano from $500 →
Četiri teme koje se najčešće pojavljuju u ovim djelima, svaka s svojim najpoznatijim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Lo Spagna | Slike iz ovog popisa |
|---|---|---|---|
 National Gallery |
London | 3 | The Agony in the Garden, Christ at Gethsemane, Christ Crowned with Thorns |
 Art Institute of Chicago |
Chicago | 1 | Saint Catherine of Siena |
 Wallace Collection |
London | 1 | The Ecstasy of Saint Mary Magdalene |
 Museu Nacional d'Art de Catalunya |
Barcelona | 1 | Altarpiece of the Virgin with Saints Agatha, Stephen, Francis and a Martyr Saint |
 National Gallery of Ireland |
Dublin | 1 | The Virgin and Child with Saints Nicholas of Tolentino and Catherine of Siena |
 Barnes Foundation |
Philadelphia | 1 | Sienese Government Officials Receiving an Embassy |
 Indianapolis Museum of Art |
Indianapolis | 1 | The Agony in the Garden |
 Metropolitan Museum of Art |
New York | 1 | Saint Francis Receiving the Stigmata |
Odaberite desetljeće kako biste vidjeli njegovo najistaknutije djelo.
The Agony in the Garden is a painting by Lo Spagna. This work is an oil on wood, measuring 60.3 × 67.3 cm. The subject matter of the piece is based on the Gospel of Mark (14: 32–43). The composition depicts a specific biblical scene through the medium of oil on a wooden support.
In this portrait, Lo Spagna presents us with Saint Catherine of Siena. The figure before us is Catherine Benincasa of Siena, a woman whose spiritual life was defined by her affiliation with the Dominican order. She moves through the scene as a mystic, a person whose existence was marked by profound visions. History remembers her as one of only two female Doctors of the Church, a distinction that lends her…
Na vrhu liste je Saint Catherine of Siena (1512), Art Institute of Chicago, Chicago. Odmah iza njega su: The Agony in the Garden (1502) i The Dead Christ Supported by Two Angels (1487).
62 godina. Lo Spagna je rođen/a 1450, a djelo Saint Catherine of Siena datira iz 1512.
Saint Catherine of Siena, The Agony in the Garden, The Dead Christ Supported by Two Angels, The Virgin and Child, The Nativity, Saint Francis Receiving the Stigmata, The Dead Christ Supported by the Virgin and Saint John, Saint Jerome dans le desert, Christ at Gethsemane i Christ Crowned with Thorns. Godinu i muzej svakog od njih pronaći ćete u gornjem popisu.
U našem katalogu imamo 18 djela umjetnika Lo Spagna, datiranih od 1487 do 1520.
Većinu njih možete pronaći u National Gallery (London), Art Institute of Chicago (Chicago) i Wallace Collection (London). Na gornjoj listi muzeja nalazi se detaljan pregled.
U 1510s, više nego ikada prije: 6 od 18 djela na ovoj stranici potječe iz tog vremena, od čega je Saint Catherine of Siena među njima.
Najstarije djelo ovdje je The Dead Christ Supported by Two Angels (1487), a najnovije je The Ecstasy of Saint Mary Magdalene (1520).
Sky (3), Woman (2) i Landscape (2) od ukupno 18 djela na ovoj stranici.
Tempera On Panel, korišteno u 2 od 18 djela na ovoj stranici.
High renaissance, kao što možete vidjeti u djelima na ovoj stranici.
Na ovoj stranici možete vidjeti 3 djela u muzeju National Gallery, London, uključujući The Agony in the Garden, Christ at Gethsemane i Christ Crowned with Thorns.
Da. Svaka slika na ovoj stranici dostupna je kao ručno oslikana uljana reprodukcija ili kao tisak, u veličini koja vam odgovara. Jednostavno otvorite stranicu slike kako biste je naručili.
The name Lo Spagna carries the weight of a traveler's identity, a nod to Spanish origins etched into his Italian life. Born Giovanni di Pietro, he moved through the landscapes of Umbria and the Marches, leaving traces of his brush in places like Perugia, Todi, Trevi, and Spoleto. His presence in Perugia is noted as early as 1470, though by 1492, he was a recognized member of Perugino's workshop. This connection shaped much of what he produced. He worked with the same quiet precision found in the studios of his contemporaries, absorbing the soft lines and balanced compositions that defined the era.
His life followed the rhythms of the local guilds and civic duties. In 1516, he was granted citizenship in Spoleto, a city where he would eventually settle and find professional standing. He even rose to the position of Capitano delle Arti dei Pittori e degli Orefici in 1517. His personal life was tied to the local fabric through his marriage into the Martorelli family. The end of his work came abruptly; while working on a fresco cycle for San Giacomo di Spoleto, the plague took him in 1528, leaving his assistants, Dono Doni and Cecco di Bernardino d'Assisi, to finish the task he had begun.
To look closely at his panels is to see a specific way of handling cloth and flesh. While the influence of Perugino is visible in his early works, certain habits belong only to him. He used a calligraphic flare in his drapery, creating folds that sometimes seem to follow their own logic rather than the shape of the body beneath. There is a sculptural quality to the faces he painted, particularly the way he modeled an oval face or rendered bee-stung lips and slender, arched eyebrows. Even the small articulations of fingers and toes carry a distinct, careful touch.
His compositions often placed figures against quiet, mountainous landscapes. In these settings, the trees and horizons bear his specific hand, differing from the more standard approaches of his mentors. He also drew subtle inspiration from Raphael, though he remained rooted in the traditions of the Perugino workshop. His work remains a study in these fine, deliberate marks:
