Portret Cornelia Scheffer

Vaš vodič kroz 4 najpoznatijih djela umjetnika Cornelia Scheffer

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Najpoznatije djelo umjetnika Cornelia Scheffer je Self-portrait (1795). Možete ga pronaći u muzeju Dordrechts Museum u gradu Dordrecht. Sljedeći na listi su Woman with Two Children on a Country Road (1811) i The Women of Souli (1833). U našem katalogu nalazi se 4 djela umjetnika Cornelia Scheffer; ovaj vodič izdvaja 4 najpoznatijih, uz godinu nastanka, muzej i priču o svakom platnu.

1769 – 1839, Dordrecht Najviše djela: Dordrechts Museum

10 najpoznatijih djela umjetnika Cornelia Scheffer koja trebate znati

Gdje možete vidjeti djela umjetnika Cornelia Scheffer

1 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Cornelia Scheffer Slike iz ovog popisa
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 4 Self-portrait, Woman with Two Children on a Country Road, The Women of Souli

Od desetljeća do desetljeća: najpoznatije djelo umjetnika Cornelia Scheffer iz svakog razdoblja

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli njegovo najistaknutije djelo.

Cornelia Scheffer: brzi odgovori o slikama

Koje je najpoznatije djelo umjetnika Cornelia Scheffer?Pogledajte odgovor

Na vrhu liste je Self-portrait (1795), Dordrechts Museum, Dordrecht. Odmah iza njega su: Woman with Two Children on a Country Road (1811) i The Women of Souli (1833).

Koliko je godina Cornelia Scheffer imao/la kada je stvarala Self-portrait?Pogledajte odgovor

26 godina. Cornelia Scheffer je rođen/a 1769, a djelo Self-portrait datira iz 1795.

Koliko je djela umjetnika Cornelia Scheffer u vašem katalogu?Pogledajte odgovor

U našem katalogu imamo 4 djela umjetnika Cornelia Scheffer, datiranih od 1795 do 1833.

U kojim muzejima možete vidjeti poznata djela umjetnika Cornelia Scheffer?Pogledajte odgovor

Većinu njih možete pronaći u Dordrechts Museum (Dordrecht). Na gornjoj listi muzeja nalazi se detaljan pregled.

Koja su prva i posljednja poznata djela umjetnika Cornelia Scheffer?Pogledajte odgovor

Najstarije djelo ovdje je Self-portrait (1795), a najnovije je The Women of Souli (1833).

Koji se poznati slikarski radovi umjetnika Cornelia Scheffer nalaze u muzeju Dordrechts Museum?Pogledajte odgovor

Na ovoj stranici možete vidjeti 4 djela u muzeju Dordrechts Museum, Dordrecht, uključujući Self-portrait, Woman with Two Children on a Country Road i The Women of Souli.

Gdje mogu naručiti reprodukciju Cornelia Scheffer?Pogledajte odgovor

Da. Svaka slika na ovoj stranici dostupna je kao ručno oslikana uljana reprodukcija ili kao tisak, u veličini koja vam odgovara. Jednostavno otvorite stranicu slike kako biste je naručili.

Priča umjetnika Cornelia Scheffer

A Life of Miniature Precision

Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.

In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.

The Move to Paris

The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.

Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.

Legacy in Miniature

Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.

Her technical output remains rooted in the intimate scale of her training:

She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.