Format papira

Vodič za studentska djela

City-V

Ime Razred Datum

Zarina Hashmi, City-V (2003), Devi Art Foundation. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava.

Osnovne informacije

Umjetnik
Zarina Hashmi artsdot.com/hr/artists/zarina-hashmi_hr/
Životopis umjetnika
1937 – 2020
Slikano
2003
Tehnika
Drawing
Izvorni dimenzije
45 x 39 cm
Pokret
Minimalism Stripping a work back to the fewest possible elements, so nothing is there for decoration.
Razdoblje
Contemporary
Lokacija izložbe
Devi Art Foundation artsdot.com/hr/museums/devi-art-foundation-gurugram/
Artistic style
Minimalist, abstract
Notable elements or techniques
Black and white drawing, geometric forms
Subject or theme
Urban landscape, waterways, and buildings

U kontekstu

City-V — Zarina Hashmi

Dimenzije

Originalne dimenzije su 45 × 39 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Godina nastanka

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010
  10. 2020

Shaded: životni opus Zarina Hashmi (1937–2020) ▲ ovo djelo, 2003

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/zarina-hashmi-city-v-D5DF8Q-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Putty #f6dfc1

    Spremljena paleta

    • #F6DFC1
    • #1A1712
    • #615748
    • #AB9B83
    Paleta
    Neutrals Dominantna paleta boja na slici.
    Naziv glavne boje
    Putty
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Unified Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Brilliant Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    O ovom umjetničkom djelu

    City-V — Zarina Hashmi

    A Cartography of Memory: Exploring Zarina Hashmi’s City-V

    In the quiet, monochromatic depths of City-V, the viewer is invited into a world where architecture and water converge to tell a story of structure and flow. Created in 2003 by the late Indian-American master Zarina Hashmi, this evocative drawing serves as more than just a depiction of an urban landscape; it is a meditative exploration of space and boundary. Through a delicate interplay of light and shadow, Hashmi constructs a cityscape that feels both grounded in physical reality and suspended in the ethereal realm of memory. The river, winding through the heart of the composition, acts as a vital artery, connecting disparate buildings and bridges, much like the threads of history connect the fragmented pieces of a displaced life.

    The technique employed in this piece reflects Hashmi’s profound connection to the minimalist movement. Eschewing unnecessary ornamentation, she utilizes a stark black-and-white palette to emphasize form, line, and texture. The drawing captures a complex network of waterways—a main river flanked by smaller tributaries—that creates an incredible sense of depth and dimension. This mastery of perspective allows the eye to wander through the urban labyrinth, discovering bridges that span the currents and small clusters of greenery that offer a soft contrast to the rigid geometry of the buildings. For the collector or interior designer, this piece offers a sophisticated focal point, bringing a sense of calm, structural elegance, and intellectual depth to any curated space.

    To understand City-V, one must look through the lens of Hashmi’s personal biography. As an artist whose life was shaped by the themes of displacement, borders, and the search for home, her landscapes often function as psychological maps. While the subject matter appears to be a literal cityscape, the way the water carves through the land evokes the concept of boundaries—both physical and emotional. The bridge, a recurring motif in her oeuvre, symbolizes the transition between states of being, the crossing from one territory to another, and the fragile links we build to maintain our sense of identity. There is a profound stillness in this work, a quietude that invites the viewer to contemplate their own relationship with place and permanence.

    For those seeking to adorn a home or gallery with art that resonates on a spiritual level, City-V stands as a testament to the power of minimalist expression. It is a piece that does not shout, but rather whispers, demanding a closer look to uncover its intricate layers of meaning. Whether viewed as an architectural study or a poetic reflection on the fluidity of existence, this reproduction captures the enduring legacy of Zarina Hashmi—an artist who turned the pain of displacement into a universal language of beauty and structural grace.

    Umjetnik i muzej

    Umjetnik

    Zarina Hashmi

    Mjesto rođenja Aligarh, India

    Rano djetinjstvo i karijera

    Zarina Hashmi, indijsko-američka umjetnica i grafičarka, rođena je 16. srpnja 1937. godine. Njezin životni opus obilježen je dubokim temama doma, raseljenosti, granica, putovanja i sjećanja, što izravno odražava njezina vlastita iskustva osobe koja je proživjela gubitak doma.

    Umjetnički stil i teme

    Povezana s pokretom minimalizma, umjetnost Zarine Hashmi koristi apstraktne i geometrijske oblike kako bi izazvala duboku, gotovo duhovnu reakciju kod promatrača. Njezino djelo dirljivo kronika je njezinog života, prožeta ponavljajućim motivima doma, mjesta, granica i memorije.

    Minimalizam: Zarinin rad teži minimalizmu, koji je ublažen bogatom teksturama i materijalnošću.

    Raseljenost i sjećanje: Njezina umjetnost odražava osobna iskustva raseljenosti, istražujući koncepte doma, pripadnosti, granica i prošlosti.

    Urdski natpisi: Upotreba urdskih natpisa u njezinom radu priziva njezin maternji jezik, označavajući cjeloživotno "prevodilaštvo" umjetničkog i lingvističkog izražavanja.

    Značajna djela i izložbe

    Portfolio "Home is a Foreign Place" iz 1999. godine (portfolio od 36 drvoreza tehnike chine collé s urdskim tekstom otisnutim na papiru i montiranim na papir, u vlasništvu The Metropolitan Museum of Art, nabavljeno putem darovine kolekcije Georgea Economoua) predstavlja izuzetan primjer njezina stvaralaštva. Ovo djelo, zajedno s drugim radovima, može se pronaći u odjeljku umjetnička djela Zarine Hashmi na stranici AllPaintingsStore.com.

    Naslijeđe i sjećanje

    Odlazak Zarine Hashmi, 25. travnja 2020., označio je gubitak značajne kulturne figure. Njezina životna priča, utkana u njezinu umjetnost, i dalje nastavlja izazivati duhovnu rezonanciju kod gledatelja, osiguravajući da njezino naslijeđe ostane vječno živo. Pogledajte umjetnička djela Zarine Hashmi na AllPaintingsStore.com Pročitajte više o Zarini Hashmi na Wikipediji

    Muzej

    Devi Art Foundation

    Prikazano u Gurugram, India

    A Sanctuary of South Asian Vision: The Devi Art Foundation

    In the bustling heart of Gurugram, where industrial progress meets the rapid pulse of modern India, lies a profound sanctuary for the soul: the Devi Art Foundation. More than a mere repository for objects, this institution serves as a luminous beacon for the evolving artistic landscape of South Asia. Established through the visionary passion of Anupam and Lekta Poddar, the foundation was born from a deep-seated desire to elevate the visibility of creative expression within the subcontinent. It stands as a testament to the power of private patronage, transforming a personal devotion to art into a public stage where the diverse voices of a region can converge, clash, and coalesce into a shared cultural narrative.

    The collection itself is an expansive, breathing entity, boasting over 7,000 pieces that traverse the delicate boundaries between the ancient and the avant-garde. To wander through its halls is to embark on a temporal journey; one might find themselves captivated by the intricate precision of a Pahari miniature, such as Nainsukh’s

    “Durga Confronts the Buffalo Demon Mahisha,”

    where Mughal and Persian influences dance across the surface to recount the grandeur of Hindu mythology. Yet, this reverence for tradition is seamlessly juxtaposed with the raw energy of contemporary sculpture and tribal art that celebrates India’s rich, multifaceted heritage. The collection thrives on this tension, offering experimental works that push the limits of medium and meaning, challenging every preconceived notion of what South Asian art can be.

    Architectural Harmony and the Spirit of Innovation

    The physical presence of the Devi Art Foundation is as much a work of art as the treasures it houses. Designed by the architect Aniket Bhagwat, the museum’s structure is a masterclass in material dialogue. By blending the rugged, weathered texture of Corten steel with the organic warmth of handmade bricks, the architecture reflects a deliberate reverence for both industrial innovation and artisanal craftsmanship. This intentional marriage of materials mirrors the collection's own duality—the intersection of the modern moment and the enduring weight of history. The expansive, light-filled spaces are thoughtfully curated to prioritize visitor engagement, creating an immersive environment where the boundary between the observer and the observed begins to dissolve.

    What truly distinguishes the Devi Art Foundation is its pioneering spirit as India’s inaugural private museum dedicated specifically to contemporary art. This unique autonomy grants curators the freedom to pursue ambitious, unconstrained programming that transcends commercial limitations. Notable exhibitions, such as the groundbreaking

    “Still Moving Image,”

    have spotlighted the cinematic potential of video and photography through the eyes of twenty-five Indian artists, fostering a vibrant intellectual exchange. Through initiatives like Khoj Studios, the foundation actively bridges the gap between art production and public discourse, ensuring that art is never cloistered within institutional walls but remains an active, debating presence in the lives of the community.

    For the collector seeking depth or the interior designer searching for inspiration, the Devi Art Foundation offers a profound lesson in curation and atmosphere. It is a place where history is not just remembered but reimagined, and where every corner invites a new way of seeing. By fostering a culture of critical engagement and celebrating the shared histories of the Indian Subcontinent, the foundation continues to inspire a new generation of thinkers, ensuring that the pulse of South Asian creativity beats stronger and more vibrantly than ever before.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje City-V

    artsdot.com/hr/art/download/zarina-hashmi-city-v-D5DF8Q-en/

    Izvor za ovo umjetničko djelo

    MLA
    Hashmi, Zarina. City-V. 2003, Devi Art Foundation. https://artsdot.com/hr/art/zarina-hashmi-city-v-D5DF8Q-en/
    APA
    Hashmi, Zarina (2003). City-V [Painting]. Devi Art Foundation. https://artsdot.com/hr/art/zarina-hashmi-city-v-D5DF8Q-en/
    Chicago
    Zarina Hashmi. City-V. 2003. Devi Art Foundation. https://artsdot.com/hr/art/zarina-hashmi-city-v-D5DF8Q-en/
    Harvard
    Hashmi, Zarina (2003) City-V. Devi Art Foundation. Available at: https://artsdot.com/hr/art/zarina-hashmi-city-v-D5DF8Q-en/

    Pogledajte pažljivije

    City-V — Zarina Hashmi

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: cityscape, river, buildings. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo Home Is a Foreign Place (1999) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Minimalism: Stripping a work back to the fewest possible elements, so nothing is there for decoration. Gdje se to može vidjeti u ovom djelu?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.