Format papira

Vodič za studentska djela

Two Eagle Dancers

Ime Razred Datum

Stephen Mopope, Two Eagle Dancers (1936), Smithsonian's National Postal Museum. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Osnovne informacije

Umjetnik
Stephen Mopope artsdot.com/hr/artists/stephen-mopope/
Životopis umjetnika
1898 – 1974
Slikano
1936
Tehnika
Painting
Pokret
Flat style
Razdoblje
Modern
Lokacija izložbe
Smithsonian's National Postal Museum artsdot.com/hr/museums/smithsonian-s-national-postal-museum-washington-d-c_hr/
Artistic style
Native American Flat style
Notable elements or techniques
Flat style, lack of depth
Subject or theme
Native American dancers and ceremony

U kontekstu

Two Eagle Dancers — Stephen Mopope

Godina nastanka

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 76 u smrti.

Naslikano kada je umjetnik imao 38 godina. Umjetnik je doživio 76. 1 od ukupno 2 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Stephen Mopope (1898–1974) ▲ ovo djelo, 1936 svaka datirana slika, desetljeće po desetljeće

Slična djela

  • Apache Ben artsdot.com/hr/art/stephen-mopope-apache-ben-D7LSFF-en/
  • Love-Call, 1931 artsdot.com/hr/art/stephen-mopope-love-call-D7WVL7-en/

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/stephen-mopope-two-eagle-dancers-D5DDNZ-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Gray #707f84

    Spremljena paleta

    • #707F84
    • #DC9E40
    • #7D3E2E
    • #EDE3DC

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv glavne boje
    Gray
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Unified Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Brilliant Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Vivid Color Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se gleda ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Stephen Mopope u posljednjih dvanaest mjeseci — ukupno 1 zemalja. Odakle ovi podaci dolaze

    Deset vodećih zemalja

    1. 1 Kina 100,0%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    2 najgledanijih djela umjetnika Stephen Mopope

    1. 1 Apache Ben 100,0%
    2. — Two Eagle Dancers, 1936 ova slika 0,0%

    Zajedno ova djela zauzimaju 100,0% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 3 djela ovog umjetnika, od kojih je 1 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.

    O ovom umjetničkom djelu

    Two Eagle Dancers — Stephen Mopope

    Stephen Mopope, was born August 27, 1898 on the Kiowa Reservation located within Indian Territory. He was given the Kiowa name “Qued Koi,” translated into “Painted Robe,” and was born from a mixed ancestry of Kiowa of his mother’s bloodline and Spanish from his grandfather, who was a captive adopted into the tribe. As a young boy, Mopope, was observed to be a natural artist drawing pictures in the sand, so family members taught him the tradition of painting on animal hides and tipis. Painting on hides was the foremost method used by tribal communities to record historically significant events known as “Winter counts” for the time of year they were created. The Kiowa differed in creating two per year versus one, which would give a more detailed account of their history. During the early reservation period of the 20th Century, education for Indian children was mandated through Federal boarding and mission schools where the children learned basic skills in English, math, and in this case, art. Stephen Mopope was one of the young Kiowa artists who showed promise and enthusiasm in developing new skills after receiving a limited education in art at the mission schools. Mopope and five other developing Kiowa artists, including a female, Lois Smoky, who later left the program, were brought to the attention of Oscar Jacobson, Director of the Art program at the University of Oklahoma from 1915-1954. Through their training and guidance under Jacobson, the artists progressed and became known as the “Kiowa Five,” adhering to traditional motifs using their limited early training to pioneer the “Flat style.” The “Flat style,” was named for its lack of lack of depth, which held the historical integrity of hide and tipi paintings used to record tribal events and became the most recognizable and defined style of Native American artists until the 1960s when they began to redefine art as individuals, breaking away from the traditional style.In June 1936, Oscar Jacobson, who was in charge of WPA projects for Oklahoma, commissioned Mopope, assisted by “Kiowa Five” associates James Auchiah and Spencer Asah, to undertake the task of painting 16 murals in the newly constructed post office in Anadarko, Oklahoma. Mopope was also chosen because he was considered by Jacobson to be the best and most outgoing artist of the “Kiowa Five,” a trait which necessary to becoming the lead for the project. His cultural ties to Anadarko, home to the Kiowa, would provide an accurate depiction of the culture from his personal experiences. Mopope was also chosen as one of the few Native artists to paint murals in the new Department of Interior building in Washington, DC, home office the Bureau of Indian Affairs, after it was constructed in 1936. Having come from a line of tipi artists, Mopope had experience in creating large mural like paintings coming from a line of artists who produced hide and tipi paintings. Mopope’s artistic lineage included two of the most influential and visible Kiowa artists of the time within his family which included his great uncles Silver Horn or “Haungooah,” and Oheltoint. Silver Horn was one of the most recognizable Kiowa artists from 1850-1900 when their nomadic way of life came to an end and the reservation era began. Oheltoint was a prisoner of war at Ft Marion in St. Augustine, Florida at the end of the Red River Wars in 1875 and one of the artists who helped pioneer the Indian “Ledger style” of art popular from the 1860’s until the 1920s which was also influential within the ‘Flat Style.”The origins of Native American art are not known, but the subjects have continuously been symbolic in nature recording aspects of everyday life, important events, and religious beliefs. As a young boy, Mopope learned the significance of recording those memories and the role they play within Native culture through the guidance of his great uncles Silver Horn and Oheltoint. Art was not originally created for its aesthetic qualities, but as a way to capture all the separate elements of life together representing the holistic view of Native people. Mopope was influenced through his experiences as not only an artist, but as an accomplished dancer and flute player providing another way of expressing himself through his culture.Historically, Native cultures have adapted and been influenced by each other through food ways, religion, and trade out of necessity for survival. The mural The Two Eagle Dancers is an example of an aspect of Kiowa culture adopted from the Pueblo Indians of New Mexico. The creation stories and history of the Kiowa originate in “the cold north land” according to Kiowa oratory and is now thought to be Southern Canada. Through the 16th and 17th Century the Kiowa migrated south. The Kiowa adopted aspects of culture from other tribes, such as the sacred sun dance and the horse as they migrated through what are now the states of Montana, Wyoming, South Dakota, Nebraska, Colorado, Kansas and eventually the Southern Plains../..

    Umjetnik i muzej

    Umjetnik

    Stephen Mopope

    Mjesto rođenja Redstone, United States of America

    **early life and training**

    stephen mopope, also known as qued koi, was a kiowa painter, dancer, and native american flute player from oklahoma. born on august 27, 1898, near the redstone baptist mission on the kiowa reservation in indian territory, mopope's artistic journey began at a young age. family influence: taught by his relatives to paint on hides in the traditional manner. *formal education:* attended st. patrick's indian mission school in anadarko, oklahoma, and later studied at the university of oklahoma's school of art.

    **artistic contributions and style**

    mopope was the most prolific member of the group known as the kiowa six. his work is characterized by: vibrant colors: reflecting his heritage and the landscapes of oklahoma. *dynamic themes:* often depicting scenes from native american life, ceremonies, and the beauty of nature.

    two eagle dancers (smithsonian's national postal museum, washington, united states), a mural showcasing mopope's skill in capturing the essence of kiowa culture.

    apache ben (national cowboy & western heritage museum, oklahoma city, united states), a watercolor piece highlighting his versatility and range.

    **legacy and impact**

    prolific artist: mopope's extensive body of work has made him a pivotal figure in native american art history. *influence on future generations: his unique style and technique have inspired many artists, ensuring his legacy endures. *view more works by stephen mopope at [https://AllPaintingsStore.com/@/stephen-mopope](https://AllPaintingsStore.com/@/stephen-mopope)**

    explore the skagen painters movement and its influence on native american art.

    discover more about antoine wiertz, a belgian painter and sculptor, at [https://AllPaintingsStore.com/@@/a@d3apat-discover-the-musee-wiertz-museum-brussels](https://AllPaintingsStore.com/@@/a@d3apat-discover-the-musee-wiertz-museum-brussels)

    **conclusion**

    stephen mopope's life and work are a testament to the richness of native american culture and art. through his paintings, he has left an indelible mark on the world of fine art, ensuring his legacy as one of the most prolific kiowa painters of his generation. *learn more about art history and movements at [https://AllPaintingsStore.com](https://AllPaintingsStore.com)*

    Muzej

    Smithsonian's National Postal Museum

    Prikazano u Washington, D.C., Sjedinjene Američke Države

    Kronika povezanosti: Duša Nacionalnog poštanskog muzeja

    Smešten unutar povijesne veličanstvenosti

    Washington, D.C.-a

    , Nacionalni poštanski muzej Smithsonian smješten je u veličanstvenoj zgradi Postal Square Building, strukturi koja služi kao mnogo više od običnog spremnika za artefakte. Dizajnirana od strane renomiranih arhitekata Grahama i Burnhama 1914. godine, sama zgrada remek-djelo je građevinske arhitekture ranog dvadesetog stoljeća. Dok posjetitelj zakorači kroz njezinu impresivnu fasadu, visoki stropovi i svečani stepenice prizivaju eru postojanosti i svrhe, podsjećajući svakog posjetnika na vrijeme kada je komunikacija bila fizički, taktilni poduhvat. Same kosti ove institucije—nekada bučno srce centralne gradske pošte—šapuću priče o svijetu prije digitalnog doba, gdje je dolazak pisma bio značajan događaj, noseći težinu vijesti, čežnje i ljudske povezanomosti.

    Hoditi ovim hodnicima znači otpočeti putovanje koje nadilazi jednostavno proučavanje filatelije. Iako muzej čuva jednu od najobuhvatnijih kolekcija poštanskih maraka na svijetu, tretiranje ovih šarenih, ljepljivih minijatura kao običnih predmeta značilo bi propuštanje njihove duboke umjetničke i povijesne težine. Svaka marka služi kao mali, pedantno dizajnirani prozor u

    prošlo doba

    , bilježeći estetska osjećaja, političke promjene i kulturna trijumfa prošlih naroda. Za ljubitelje umjetnosti, ovi komadi predstavljaju jedinstvenu sjenu grafičkog dizajna i povijesnog narativa, gdje je svaka linija i nijansa odabrana kako bi prenijela identitet i prestiž.

    Mehanička čuda i umjetna naslijeđa

    Kolekcija živi kroz svoje veličanstvene izložbe transporta, prikazujući mehanička čuda koja su nekada premošćivala ogromne udaljenosti. Posjetitelji ostaju očarani impresivnim nizom vintage poštanskih kamiona, pedantno obnovljenim željezničkim vagonima i pionirskim zrakoplovima koji su rodili eru zračne pošte. Ovi strojevi predstavljeni su ne samo kao relikvije industrije, već kao simboli ljudske izumljivosti i neumorne težnje za bliskošću preko kontinenata. Izložbe koje detaljno prikazuju evoluciju željezničkog i zračnog transporta ilustriraju sve manji svijet, u kojem je inovacija djelovala kao katalizator nacionalnog i međunarodnog jedinstva.

    Nadilazeći mehaničko, muzej nudi dubok pogled na umjetnost utkanu u samu tkaninu američke vizualne kulture kroz naslijeđe Službe za poštanske usluge Sjedinjenih Država. To uključuje:

    Rane gravure:

    Temeljnu eru iz 1847. godine, koja sadrži skromne, ali precizne crne gravure na bijelom papiru, poput portreta Benjamina Franklina i Georgea Washingtona.

    Pikturalna evolucija:

    Transformativni pomak u 1860-ima i 70-ima prema markama koje su krasile koverte američkim krajolikom, povijesnim događajima i živopisnim simbolima.

    Grafička preciznost:

    Pedantni rad vještih gravira kao što su Rawdon, Wright, Hatch & Edson, čija je posvećenost detaljima uspostavila trajan standard proizvodnje.

    Ljudski element u arhivu

    Ono što istinski izdvaja Nacionalni poštanski muzej je njegova duboka sposobnost humaniziranja velikih poteza povijesti kroz intimne, osobne narative. Muzej majstorski balansira između monumentalnog i sitnog, poput dirljivog stjecanja

    kolekcije poštanskih maraka iz djetinjstva Johna Lennona

    . Ovaj jedinstveni, osjetljivi arhiv nudi rijedak uvid u formativne strasti globalne ikone, podsjećajući nas da su čak i najlegendarnije figure nekada bile povezane sa svijetom kroz jednostavnu magiju dostavljenog pisma.

    Kroz periodične izložbe koje istražuju teme migracija, komunikacije i poštanske umjetnosti, muzej poziva sve koji uđu da razmisle o tome kako su alati dostave oblikovali naš sam koncept zajednice. To je utočište sjećanja, gdje svaki artefakt služi kao svjedočanstvo neprestane ljudske želje da se pružimo, podijelimo i ostanemo povezani preko prostranstava vremena i prostora. Za kolekcionara ili dizajnera koji traži inspiraciju na presjeku korisnosti i elegancije, ova institucicija nudi masterklas o tome kako funkcionalni objekti mogu postati ikone kulturne baštine.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Two Eagle Dancers

    artsdot.com/hr/art/download/stephen-mopope-two-eagle-dancers-D5DDNZ-en/

    Izvor za ovo umjetničko djelo

    MLA
    Mopope, Stephen. Two Eagle Dancers. 1936, Smithsonian's National Postal Museum. https://artsdot.com/hr/art/stephen-mopope-two-eagle-dancers-D5DDNZ-en/
    APA
    Mopope, Stephen (1936). Two Eagle Dancers [Painting]. Smithsonian's National Postal Museum. https://artsdot.com/hr/art/stephen-mopope-two-eagle-dancers-D5DDNZ-en/
    Chicago
    Stephen Mopope. Two Eagle Dancers. 1936. Smithsonian's National Postal Museum. https://artsdot.com/hr/art/stephen-mopope-two-eagle-dancers-D5DDNZ-en/
    Harvard
    Mopope, Stephen (1936) Two Eagle Dancers. Smithsonian's National Postal Museum. Available at: https://artsdot.com/hr/art/stephen-mopope-two-eagle-dancers-D5DDNZ-en/

    Pogledajte pažljivije

    Two Eagle Dancers — Stephen Mopope

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: native american, eagle dancers, kiowa art. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na Apache Ben, ranije u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja se razlikuje.
    5. Stephen Mopope je imao oko 38 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Koji emocionalni ton prati stil Flat style u djelu "Two Eagle Dancers"?

    Energetic emocija djela "Two Eagle Dancers" prati njegov Flat style stil.

    Gdje mogu kupiti print djela "Two Eagle Dancers" autora Stephen Mopope?

    "Two Eagle Dancers" je dostupan kao umjetnički otisak na pamučnom platnu ili arhivskom kanvas papiru. Narudžbe se izvršavaju na stranici Umjetnička litografija, u dimenziji po vašem izboru.

    Gdje mogu pronaći statistiku o djelu "Two Eagle Dancers" autora Stephen Mopope?

    Postoji Statistika stranica za "Two Eagle Dancers". Ona prikazuje mjesečne posjete umjetničkom djelu i drugim djelima umjetnika, uz podelu prema zemljama i jezicima.