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Katalog i dosije

Katalog i dosije: Self-Portrait

Naručite Self-Portrait kao ručno oslikano ulje na platnu

Ime Razred Datum

Richard Bergh, Self-Portrait (1874), Nationalmuseum. Javno dobro. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Richard Bergh artsdot.com/hr/artists/richard-bergh_hr/
Datumi umjetnika
1858 – 1919
Slikano
1874
Prvobitne dimenzije
35.0 x 29.0cm
Održano na lokaciji
Nationalmuseum artsdot.com/hr/museums/nationalmuseum-stockholm_hr/

U kontekstu

Self-Portrait — Richard Bergh

Koje su dimenzije?

Originalne dimenzije su 35 × 29 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Kada je ovo naslikano?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 61 u smrti.

Naslikano u 16 godini života umjetnika. Umjetnik je doživio 61. 0 od ukupno 29 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Richard Bergh (1858–1919) ▲ ovo djelo, 1874 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1884 Glavni radni period: 1884–1904 Kasna djela: od 1904

Ta tri dijela dijele djela koja u ovom katalogu imaju navedenu godinu na prvu četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: rjeđi segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/self-portrait-by-richard-bergh/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    White #f6f1e8

    Katalogirana paleta

    • #F6F1E8
    • #312B27
    • #A2917A
    • #766452

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv primarne boje
    White
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Balanced Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Umjetnik i muzej

    Umjetnik

    Richard Bergh

    Rođeni u Stockholm, Švedska

    Život i umjetnička evolucija Richarda Bergha

    Rođen u Stokholmu, u Švedskoj, Richard Bergh bio je čovjek širokih umjetničkih obuhvata – slikar, art kritičar i muzejski čuvar. Njegov formalni put započeo je pod mentorstvom Edvarda Perséusa, prije nego što je od 1878. do 1881. godine pohađao Kraljevsku švedsku akademiju likovnih umjetnosti. U potrazi za daljnjim usavršavanjem, otputovao je u Pariz kako bi studirao pod vodstvom Jean-Paul Laurensa u Académie Colarossi, što je kulminiralo izlaganjem na prestižnom Salonu 1883. godine. Dok su mnogi njegovi suvremenici u to vrijeme prihvaćali impresionizam, Bergh je radije birao naturalizam umjetnika poput Julesa Bastien-Lepagea, odbijajući praksu stvaranja pejzaža en plein aire.

    Bergh je bio ključna figura pokreta Opponenterna, grupe švedskih umjetnika koji su se buntili protiv zastarjelih metoda poduke na Akademiji. Taj pokret doveo je do osnivanja Udruženja umjetnika, u kojem je Bergh služio kao tajnik. Godine 1896. osmislio je termin stämningsmåleri, ili "slikarstvo raspoloženja", opisujući subjektivni stil koji se udaljavao od realizma. Njegine su kasnije godine obilježile okretanje prema romantičkom nacionalizmu, preferenciji koju je dodatno učvrstio boravak u Italiji između 1897. i 1898. godine.

    Naslijeđe i značajna djela

    Godine 1904. Bergh se nastanio u Storängenu, u općini Nacka, u domu koji je projektirao arhitekt Albin Brag. Unatoč povlačenju u Villu Bergh, vratio se javnom službi 1915. godine kada je imenovan kustosom i direktorom Nacionalnog muzeja. Tijekom tog razdoblja radio je na projektima modernizacije i pisao razne eseje o umjetnosti te svom angažmanu u pokretu Opponenterna.

    Njegov umjetnički opus obuhvaća nekoliko značajnih djela, kao što su:

    Muzej

    Nationalmuseum

    Izloženo u Stockholm, Švedska

    A Chronicle of Swedish Identity: Unveiling the Nationalmuseum

    Nestled on the serene Blasieholmen peninsula in Stockholm’s heart, the Nationalmuseum is more than simply a repository for art; it's a vibrant chronicle of Sweden’s cultural evolution. Founded in 1792 as Kungliga Museet – the Royal Museum – its story is inextricably linked to the nation’s journey, from medieval artistry and aristocratic patronage to a bold embrace of contemporary expression. Stepping through its doors is akin to embarking on an immersive exploration of Swedish identity, interwoven with the rich tapestry of European artistic traditions. The building itself, a magnificent testament to Northern Italian Renaissance architecture conceived by German architect Friedrich August Stüler, stands as a powerful symbol – a deliberate restraint in façade design concealing a breathtakingly spacious interior, while the dramatic flight of stairs ascending towards the uppermost galleries serves not just as functional access but as an ascent into the realm of artistic contemplation. This architectural choice, reflecting the museum’s origins rooted in royal collections, speaks to a fascinating transformation: from a space initially conceived for showcasing regal treasures acquired through patronage to a democratized public institution dedicated to all Swedes.

    The Nationalmuseum's collection is an astonishing panorama of artistic voices spanning centuries. The painting galleries offer a sweeping journey, beginning with the delicate religious scenes of the Renaissance – masterpieces that evoke a profound sense of faith and devotion – and culminating in the masterful chiaroscuro of Rembrandt and the emotionally charged canvases of Goya. These works, juxtaposed against Swedish national treasures, highlight the museum’s commitment to showcasing both international luminaries and pivotal works defining Swedish artistic heritage. Beyond these European giants, the museum champions Swedish artists, presenting their contributions across various periods and movements – from the dramatic landscapes of Albert Rydberg to the poignant portraits of Carl Larsson. The sculpture section is equally impressive, featuring classical pieces alongside more experimental forms reflecting evolving artistic sensibilities; a testament to Sweden’s engagement with both established traditions and innovative approaches. But perhaps it's in its applied arts and design collection that Nationalmuseum truly distinguishes itself. Visitors can trace the evolution of Swedish aesthetic ideals through meticulously crafted furniture – embodying functional beauty and understated elegance – ceramics imbued with symbolic meaning, and textiles woven with intricate patterns, revealing how artistry seamlessly blended with practicality throughout history.

    The Architectural Heartbeat

    The building’s significance extends far beyond its artistic holdings. Inaugurated in 1866, the Nationalmuseum's structure draws inspiration from Northern Italian Renaissance architecture, a deliberate choice reflecting the museum’s origins and its connection to the Swedish monarchy. The façade, deliberately restrained, conceals within it a breathtakingly spacious interior – a testament to the ambition of its architects and builders. The dramatic flight of stairs ascending towards the uppermost galleries is not merely a means of access; it's a powerful symbol, representing an ascent into the realm of artistic contemplation. This architectural choice speaks volumes about the museum’s evolution from a royal repository to a public institution dedicated to all Swedes. The building’s construction was a monumental undertaking, involving skilled artisans and craftsmen from across Europe, and its completion marked a pivotal moment in Stockholm's cultural landscape.

    Exhibitions and Engagement: A Dialogue with Contemporary Thought

    The Nationalmuseum isn’t merely a static display of masterpieces; it’s a dynamic cultural hub actively engaging with contemporary issues through thoughtfully curated exhibitions. Recent highlights include “Hanna Hirsch Pauli – The Art of Being Free,” an exploration of artistic expression as a tool for confronting societal challenges—demonstrating the museum's dedication to fostering dialogue and inspiring reflection. The museum consistently seeks to broaden access to art education, offering engaging programs for visitors of all ages, from family workshops to lectures and tours. Furthermore, ongoing initiatives aim to connect diverse communities with cultural heritage, ensuring that the Nationalmuseum remains a vital force in shaping Sweden’s cultural landscape. The commitment to accessibility is evident in its free admission on Thursdays and for visitors under 20 – a gesture reflecting a deep-seated belief in the importance of art for all.

    A Legacy Preserved, A Future Embraced: Innovation Rooted in Tradition

    Ultimately, the Nationalmuseum distinguishes itself through its unwavering commitment to preserving Sweden’s artistic heritage while simultaneously embracing innovation. The architectural grandeur serves as a tangible connection to history, inviting visitors to contemplate the enduring power of art and design – a space for contemplation, discovery, and inspiration. The museum's ongoing renovation project, completed in 2018, has not only modernized its facilities but also reaffirmed its commitment to serving future generations of art lovers. With its rich collection, stunning architecture, and dynamic programming, the Nationalmuseum stands as a beacon of Swedish culture – a place where history comes alive and artistic expression continues to inspire.

    Address: Södra Blasieholmshamnen 2, Stockholm.

    Website: https://www.nationalmuseum.se/

    Gdje pročitati više

    Pogledajte kako izgleda na vašem zidu: Self-Portrait by Richard Bergh kao ručno oslikano ulje na platnu, izrađeno prema vašim dimenzijama

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje Self-Portrait

    artsdot.com/hr/art/download/self-portrait-by-richard-bergh/

    Navedite ovo umjetničko djelo

    MLA
    Bergh, Richard. Self-Portrait. 1874, Nationalmuseum. https://artsdot.com/hr/art/self-portrait-by-richard-bergh/
    APA
    Bergh, Richard (1874). Self-Portrait [Painting]. Nationalmuseum. https://artsdot.com/hr/art/self-portrait-by-richard-bergh/
    Chicago
    Richard Bergh. Self-Portrait. 1874. Nationalmuseum. https://artsdot.com/hr/art/self-portrait-by-richard-bergh/
    Harvard
    Bergh, Richard (1874) Self-Portrait. Nationalmuseum. Available at: https://artsdot.com/hr/art/self-portrait-by-richard-bergh/

    Pogledajte pažljivije

    Self-Portrait — Richard Bergh

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (naš katalog ih broji 1 — slažete li se?)
    4. Vratite se na djelo The artist Eva Bonnier (1889) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Richard Bergh je imao oko 16 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Koja je dominantna boja djela "Self-Portrait" autora Richard Bergh?

    Dominantna boja djela "Self-Portrait" autora Richard Bergh je White (#f6f1e8).

    Tko je stvorio "Self-Portrait"?

    Autorstvo djela "Self-Portrait" pripisuje se Richard Bergh.

    Kako se kontrast i harmonija prepliću u djelu "Self-Portrait"?

    Koloristička kompozicija djela "Self-Portrait" autora Richard Bergh spaja Statement kontrast s Strong Color Unity harmonijom.