Format papira

Vodič za studentska djela

Neptune

Ime Razred Datum

pietro bracci, Neptune, Piazza di Trevi. Dostupno u javnom vlasništvu.

Osnovne informacije

Umjetnik
pietro bracci artsdot.com/hr/artists/pietro-bracci/
Životopis umjetnika
1700 – 1773
Tehnika
Marble Carved by removing stone and never adding any, so a single mistake cannot be undone.
Pokret
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Razdoblje
Early Modern
Lokacija izložbe
Piazza di Trevi artsdot.com/hr/museums/piazza-di-trevi-rome_hr/
Artistic style
Classical
Influences
Giovanni Battista Maini
Notable elements or techniques
Chariot sculpture
Subject or theme
Mythology

U kontekstu

Neptune — pietro bracci

Kada bi ovo moglo biti naslikano?

  1. 1700
  2. 1710
  3. 1720
  4. 1730
  5. 1740
  6. 1750
  7. 1760
  8. 1770

Shaded: životni opus pietro bracci (1700–1773)

Za ovu ploču nema točno navedene godine — sudeći prema umjetnikovom životnom dobu i stilu djela, na koje desetljeće biste uputili?

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/pietro-bracci-neptune-8Y344P-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Rosy Brown #9e9288

    Spremljena paleta

    • #9E9288
    • #DDD6CC
    • #30251F
    • #66584F
    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv glavne boje
    Rosy Brown
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Balanced Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    O ovom umjetničkom djelu

    Neptune — pietro bracci

    Introduction

    Pietro Bracci was an Italian sculptor working in the Late Baroque manner. He is best known for carving the marble sculpture of Oceanus at the center of Rome's Trevi Fountain, based on a plaster modello by Giovanni Battista Maini. In this article, we will explore the artist, the title of the work, the medium used, and its location.

    Artist: Pietro Bracci

    Pietro Bracci was born in Rome and became a student of Giuseppe Bartolomeo Chiari and Camillo Rusconi. His most familiar works are the colossal Oceanus or Neptune of the Trevi Fountain, Rome, after a modello by Giovanni Battista Maini, and four prominent tomb monuments in Rome. He sculpted the figures for the tomb of Benedict XIII (1734) in Santa Maria sopra Minerva, Rome, which was designed by the architect Carlo Marchionni, and for the tomb of Benedict XIV (1763–1770) in the Basilica of Saint Peter, completed with the help of his pupil Gaspare Sibilia.

    Title of the Work: Oceanus or Neptune

    The title of the work is Oceanus or Neptune, which is located at the center of Rome's Trevi Fountain. The sculpture was created after a plaster modello by Giovanni Battista Maini, who died before he could execute the marble. Bracci executed the Oceanus and the tritons when he took over work on the fountain.

    Medium Used: Marble

    The medium used for this masterpiece is marble, which was a popular choice for sculptors during the Baroque period due to its durability and ability to capture fine details. The use of marble in this work highlights Bracci's exceptional skills as a sculptor.

    Location: Trevi Fountain, Rome

    The location of this magnificent sculpture is at the center of Rome's Trevi Fountain, which is one of the most famous fountains in the world. The fountain was built in front of Luigi Vanvitelli’s Palazzo Poli and attracts millions of visitors each year.

    Conclusion

    Pietro Bracci's Oceanus or Neptune is a masterpiece that showcases the artist's exceptional skills as a sculptor. The use of marble, the medium used, adds to the beauty and durability of this work. Visitors to Rome can admire this magnificent sculpture at the Trevi Fountain, which is one of the city's most famous landmarks.

    Related Links

    Hand Made Oil Paintings Reproduction of Pietro Bracci's Neptune Marble Statue

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fountain of Trevi (detail)

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi (detail)

    Hand Made Oil Paintings Reproduction of Pietro Bracci's Neptune Marble Statue

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fountain of Trevi (detail)

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi (detail)

    Hand Made Oil Paintings Reproduction of Pietro Bracci's Neptune Marble Statue

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fountain of Trevi (detail)

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi (detail)

    Hand Made Oil Paintings Reproduction of Pietro Bracci's Neptune Marble Statue

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fountain of Trevi (detail)

    Hand Made Oil Paintings Reproduction of Niccolò Salvi's Fontana di Trevi (detail)

    Hand Made Oil Paintings Reproduction of Pietro Bracci's Neptune Marble Statue

    Umjetnik i muzej

    Umjetnik

    pietro bracci

    Rođen/a u Rome, Italy

    The Shadow of Europe: Theodore de Bry and the Genesis of American Art

    Theodore de Bry’s name might not immediately conjure images of a revolutionary artistic movement, yet his contribution to the nascent visual culture of Colonial America was profoundly significant. Born in 1642 in Schaffhausen, Switzerland, de Bry wasn't an artist in the traditional sense – he was a prolific engraver and publisher, a master of disseminating knowledge through meticulously crafted prints. His work, particularly his series of engravings depicting the Americas based on accounts from early explorers and colonists, acted as a crucial bridge between Europe and its newly claimed territories, shaping perceptions and establishing a visual narrative that often reinforced European dominance. De Bry’s influence extends far beyond simple documentation; he essentially invented “America” for a European audience, crafting an idealized and often biased representation of the continent's landscapes, peoples, and customs.

    Early Life and Rise to Prominence

    De Bry’s career began in Basel, Switzerland, where he apprenticed under the renowned printmaker Hans Rottenhammer. This early training instilled in him a deep understanding of engraving techniques and a commitment to accuracy – qualities that would later define his work on the Americas. He quickly gained recognition for his detailed depictions of historical events, portraits, and allegorical scenes. However, it was his commission by Jean de la Fontaine, Governor-General of New France (Canada), in 1678 to produce a series of engravings documenting the French expedition led by Samuel de Champlain that catapulted him to international fame. This monumental project, Les voyages de Champlain, became the cornerstone of his American output and established his reputation as the foremost visual chronicler of colonial exploration.

    The Champlain Series: A Window into Colonial America

    De Bry’s Voyages de Champlain wasn't merely a record of events; it was a carefully constructed narrative designed to legitimize French claims to North America. The engravings, executed with remarkable precision and attention to detail, presented a sanitized version of colonial life, often omitting the brutal realities of conflict with Indigenous populations and the devastating impact of European diseases. The depictions of Native Americans were particularly noteworthy – frequently portraying them as passive observers or even caricatures, reinforcing the European perception of their inferiority. Landscapes were rendered in a manner that emphasized the vastness and wilderness of the continent, subtly suggesting its potential for settlement and resource extraction. The series also included detailed illustrations of flora and fauna, showcasing the natural wealth of the Americas – resources eagerly sought by European colonists. Crucially, de Bry’s engravings served as a powerful tool for propaganda, shaping public opinion in Europe and justifying colonial expansion.

    Influences and Artistic Style

    De Bry's style was deeply rooted in the traditions of Northern Mannerism, characterized by its emphasis on detail, clarity, and a somewhat stylized approach to representation. He drew heavily upon classical motifs and Renaissance artistic conventions, adapting them to depict scenes from colonial America. His engravings were not simply copies of earlier works; he synthesized various influences – including his training under Rottenhammer, contemporary Dutch prints, and the accounts he received from Champlain’s expedition – to create a distinctive visual language. The use of cross-hatching and shading created a sense of depth and realism, while carefully rendered costumes and accessories provided valuable insights into colonial life. Furthermore, de Bry's work demonstrates an early engagement with perspective, though it wasn't always perfectly executed, reflecting the challenges of translating three-dimensional scenes onto a two-dimensional surface.

    Legacy and Historical Significance

    Theodore de Bry’s engravings played a pivotal role in shaping the visual representation of America during its formative years. While undeniably biased and often romanticized, they provided Europeans with their first sustained and detailed images of the continent – images that profoundly influenced perceptions and fueled colonial ambitions. His work stands as a testament to the power of printmaking to shape historical narratives and solidify cultural identities. Today, de Bry’s engravings are studied not only for their artistic merit but also for their historical significance, offering valuable insights into the complex dynamics between Europe and its American colonies. They serve as a crucial reminder that visual representations are rarely objective; they are always shaped by the perspectives and agendas of those who create them. The legacy of de Bry’s work continues to resonate today, prompting us to critically examine how images have been used to construct and perpetuate historical narratives.

    Muzej

    Piazza di Trevi

    Izloženo u Roma, Italia

    Simfonija kamena i vode: Istraživanje Piazza di Trevi

    Piazza di Trevi, pulsirajuće srce Rima, mnogo je više od samo veličanstvenog trga; to je proživljeno iskustvo, svjedočanstvo stoljeća rimske povijesti, umjetničkih ambicija i neprestane privlačnosti vode. Zakoračiti u ovo barokno remek-djelo poput ulaska u živu sliku—plijetivo miješanje klasičnog veličanstva, teatralne drame i razigranog duha posjetitelja. Prvotno osmišljen kao završetak akvedukta Aqua Virgo, koji je opskrbljivao rimska antička kupališta, trg se kroz slojeve povijesti transformirao, odražavajući trijumfe i preobrazaje grada. Danas stoji kao živahni centar u kojem eho legionara spaja se s smijehom turista, a sve ih privlači hipnotizirajući spektakl u njegovom središtu: Fontana Trevi.

    Antički korijeni:

    Podrijetlo trga duboko je ukorijenjeno u antičkoj prošlosti Rima. Početno osmišljen kao terminus Aqua Virgo, vitalnog akvedukta koji je stoljećima opskrbljivao gradska kupališta vodom, s vremenom je evoluirao u živahni javni prostor kakav vidimo danas.

    Salvijeva vizija:

    U srcu Piazza di Trevi nalazi se veličanstvena Fontana Trevi, nevjerojatni primjer barokne umjetnosti. Dizajnirao ju je Nicola Salvi, a dovršena je 1762. godine, predstavljajući dramatični odmak od suzdržane elegancije klasične skulpture.

    Sama fontana je čudo inženjerstva i umjetničke vještine. Oceanus, bog mora, dominira centralnom scenom, dok njegovom kočom upravljaju tritoni i morski konji—od svakoga vjerno izrezan s nevjerojatnim realizmom. Okružuju ga alegorijske figure koje simboliziraju obilje i zdravlje, čime se potvrkuje simboličko značenje fontane kao izvora životodavne vode. Interakcija svjetla i sjene na travertinu stvara očaravajuću igru svjetlosti, pretvarajući fontanu u spektakl koji se neprestano mijenja tijekom dana. Nad svoje estetsko ljepote, Fontana Trevi duboko je isprepletena s rimskom tradicijom—običaj bacanja novčića preko lijevog ramena, kako bi se osiguralo povratno putovanje u Rim, postao je simbol hodočašća za putnike iz cijelog svijeta.

    Palazzo Poli i arhitektonska harmonija trga

    Piazza di Trevi ne definira samo njezina fontana; ona je harmonični spoj klasičnih i baroknih elemenata. Elegantne fasade koje okružuju trg pružaju nevjerojatnu pozadinu drami fontane, stvarajući vizualni dijalog između prošlosti i sadašnjosti. Jednu stranu dominira Palazzo Poli, veličanstveni primjer rimske arhitekture 17. stoljeća, sa svojim impresivnim portikom i zamrštenim detaljima. Ovaj palazzo, nekada dom utjecajne obitelji Poli, dodaje slojeve povijesnog konteksta narativu trga, odražavajući aristokratsko naslijeđe Rima.

    Palazzo Poli:

    Veličanstveni primjer rimske arhitekture 17. stoljeća, s impresivnim portikom i bogatim detaljima.

    Međutim, ono što uistinu izdvaja Piazza di Trevi je stalna inicijacija Fondazione Sorgente Group: rotirajuće izložbe koje prikazuju i etablirane i nove umjetnike transformiraju ovaj povijesni znamenitost u dinamičan kulturni prostor. Ovo suprotstavljanje antičkog veličanstva i suvremene vizije naglašava ulogu Rima kao kolijevke kreativnosti—mjesta gdje umjetnička inspiracija nadilazi vrijeme.

    Kulturno središte kroz stoljeća

    Piazza di Trevi evoluirala je daleko izvan svoje prvobitne funkcije izvora vode. Kroz povijest služila je kao mjesto okupljanja Rimljana svih društvenih slojeva – mjesto trgovine, političkih skupova i javnih proslava. Prisutnost Palazzo Polija na jednoj strani trga doprinosi njegovoj veličanstvenosti, dok okolne trgovine i kafići stvaraju živopisnu atmosferu koja neprestano privlači posjetitelje iz cijelog svijeta. Transformacija trga u kulturni prostor u velikoj je mjeri zahvalna Fondazione Sorgente Group, koja kurira rotirajuće izložbe suvremenih umjetnika, osiguravajući da fontana ostane relevantna i zanimljiva novim generacijama.

    Značajne izložbe i događaji: Tijekom cijele godine, Piazza di Trevi ugošćuje razne događaje i izložbe koji slave i rimsko naslijeđe i suvremenu umjetnost. Pratite privremene instalacije poznatih kiparâ i multimedijskih umjetnika, koji često istražuju teme povezane s vodom, mitologijom i bogatom poviješću grada. Fondazione Sorgente Group redovito organizira radionice i vođene ture, nudeći posjetiteljima dublje razumijevanje dizajna fontane, njezine simbolike i kulturnog značaja.

    Naslijeđe urezano u kamen

    Fontana Trevi nije samo ukrasna značajka; ona je svjedočanstvo rimskog inženjerskog umeća i umjetničke ambicije. Aqua Virgo, prvotno izgrađena 19. godine prije Kr.{e}, bila je jedan od najpouzdanijih izvora vode u Rimu, opskrbljujući grad stoljećima. Njezina neprekidna upotreba tijekom srednjeg vijeka govori mnogo o njezinom strateškom značaju. Salvijev dizajn pametno integrira ovaj drevni vodovod u narativ fontane, vizualno povezujući prošlost s sadašnjosti. Precizni detalji u skulpturama – od mišićavog tijela Oceanusa do delikatnih peraja tritona – odražavaju fascinaciju barokne ere realizmom i dramatičnim pripovijedanjem. Sam travertin, dobiven u obližnjem Tivoliju, značajno doprinosi svjetlucavosti fontane, pojačavajući njezin vizualni dojam pod sunčevom i måječinom svjetlošću.

    Fontana Trevi stoji kao moćni simbol Rima—mjesto gdje se povijest, umjetnost i tradicija spajaju u nevjerojatnom spektaklu koji neprestano očarava posjetitelje iz cijelog svijeta. Ona je podsjetnik na neprolazno naslijeđe grada kao jednog od najvećih kulturnih središta u ljudskoj povijesti.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Neptune

    artsdot.com/hr/art/download/pietro-bracci-neptune-8Y344P-en/

    Izvor za ovo umjetničko djelo

    MLA
    bracci, pietro. Neptune. n.d., Piazza di Trevi. https://artsdot.com/hr/art/pietro-bracci-neptune-8Y344P-en/
    APA
    bracci, pietro (n.d.). Neptune [Painting]. Piazza di Trevi. https://artsdot.com/hr/art/pietro-bracci-neptune-8Y344P-en/
    Chicago
    pietro bracci. Neptune. n.d. Piazza di Trevi. https://artsdot.com/hr/art/pietro-bracci-neptune-8Y344P-en/
    Harvard
    bracci, pietro (n.d.) Neptune. Piazza di Trevi. Available at: https://artsdot.com/hr/art/pietro-bracci-neptune-8Y344P-en/

    Pogledajte pažljivije

    Neptune — pietro bracci

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog klasificira ovo djelo pod: roman mythology, sculpture, neptune. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo Tomb of Benedict XIV (1763), koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Gdje se to može vidjeti u ovom djelu?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu. Koristite činjenice iz ranijih dijelova ovog vodiča te svoje prethodne odgovore.

    Kviz o umjetnosti

    Neptune — pietro bracci

    Koliko dobro poznajete ovo umjetničko djelo?

    Odaberite jedan odgovor za svako od 5 pitanja u nastavku. Svako pitanje ima točno jedan točan odgovor.

    1. 1. What is the title of the artwork depicted?

      • A Oceanus
      • B Neptune
      • C Both Oceanus and Neptune
    2. 2. Which Italian artist is credited with sculpting this masterpiece?

      • A Giuseppe Bartolomeo Chiari
      • B Giovanni Battista Maini
      • C Pietro Bracci
    3. 3. What primary medium was used for the sculpture?

      • A Bronze
      • B Marble
      • C Limestone
    4. 4. In what famous Roman location is this sculpture situated?

      • A The Pantheon
      • B The Colosseum
      • C Trevi Fountain
    5. 5. What mythological figure does the statue represent?

      • A Poseidon
      • B Neptune
      • C Oceanus

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora — za nastavnika

    Ovo započinje novu ispisanu stranicu, pa se iz kopija može jednostavno izostaviti.

    1B · 2B · 3A · 4B · 5A