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E.44 Making an Attack

Ime Razred Datum

Philip Connard, E.44 Making an Attack (1918). Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Philip Connard artsdot.com/hr/artists/philip-connard/
Datumi umjetnika
1875 – 1958
Slikano
1918
Prvobitne dimenzije
61 x 51 cm

U kontekstu

E.44 Making an Attack — Philip Connard

Koje su dimenzije?

Originalne dimenzije su 61 × 51 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Kada je ovo naslikano?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 83 u smrti.

Naslikano u 43 godini života umjetnika. Umjetnik je doživio 83. 6 od ukupno 69 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Philip Connard (1875–1958) ▲ ovo djelo, 1918 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1918 Glavni radni period: 1918–1919 Kasna djela: od 1919

Ta tri dijela dijele djela koja u ovom katalogu imaju navedenu godinu na prvu četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: rjeđi segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/philip-connard-e-44-making-an-attack-AQUJ89-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    Phthalo Green #2c2b2a

    Katalogirana paleta

    • #2C2B2A
    • #867868
    • #CABCAC
    • #4D4742

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv primarne boje
    Phthalo Green
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Softly Mixed Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Deep_shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Philip Connard u posljednjih dvanaest mjeseci — ukupno 5 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Kina 64,7%
    2. 2 Kanada 20,6%
    3. 3 Sjedinjene Američke Države 8,8%
    4. 4 Španjolska 2,9%
    5. 5 Ujedinjeno Kraljevstvo 2,9%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    20 najgledanijih djela umjetnika Philip Connard

    1. 1 From HMS 'Caesar' HMS 'Superb' at Constantinople, HMS 'Lord Nelson' and the French 'Diderot' in the Distance with Seaforth Highlanders Marching along the Quay, 1919 16,2%
    2. 2 The Bandstand, 1918 5,4%
    3. 3 The Bathers 5,4%
    4. 4 British Warships at Constantinople, 1920 5,4%
    5. 5 A Talk on the Ramparts 5,4%
    6. 6 Sunset 5,4%
    7. 7 St George's Day Bridge of HMS 'Canterbury', on Patrol Work when the Great Naval Raid on Zeebrugge and Ostend Took Place, 1918 2,7%
    8. 8 The Guns of HMS 'Caesar' Off Constantinople, Looking towards the Golden Horn, 1919 2,7%
    9. 9 A Destroyer in a Heavy Sea From HMS 'Melampus', 1918 2,7%
    10. 10 The Harwich Force at Sea, 1918 2,7%
    11. 11 The Destruction of an Airship off the Frisian Coast, 11 August 1918, 1918 2,7%
    12. 12 Lowering the Whaler HMS 'Coventry', 1918 2,7%
    13. 13 Sailor on the Bridge, 1918 2,7%
    14. 14 Trout Stream, 1942 2,7%
    15. 15 Cloud Shadows, 1918 2,7%
    16. 16 HMS 'Danaë', 1918 2,7%
    17. 17 Philip Connard, 1920 2,7%
    18. 18 HMS 'Curlew', 1918 2,7%
    19. 19 Still Life with Crockery, 1920 2,7%
    20. — E.44 Making an Attack, 1918 ova slika 0,0%

    Zajedno ova djela zauzimaju 78,3% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 97 djela ovog umjetnika, od kojih je 27 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    Umjetnik i muzej

    Umjetnik

    Philip Connard

    A Life Painted in Light: The Story of Philip Connard

    Philip Connard (1875-1958) emerged from humble beginnings to become a celebrated British painter, his canvases imbued with a romantic sensibility and a remarkable versatility that spanned decorative landscapes, poignant war art, and grand mural commissions. Born in Southport, Lancashire, Connard’s early life offered little indication of the artistic path he would forge. He initially entered the building trade as a house painter, a practical occupation that nonetheless fostered an appreciation for form, color, and meticulous detail—qualities that would later define his work. However, a burgeoning passion for art led him to evening classes, culminating in a scholarship to the Royal College of Art in London, where he specialized in textile design. A small prize of £100 allowed a brief sojourn to Paris, though financial constraints curtailed his time there, it nonetheless provided an initial taste of the European artistic milieu.

    Upon returning to London, Connard established himself as an illustrator before securing a teaching position at Lambeth School of Art. This period proved pivotal, not only for his professional development but also for nurturing a new generation of artists, including Edmund Blampied. It was during these years that Connard’s distinctive style began to coalesce—romantic landscapes populated with graceful figures, often pierettes or birds, rendered in oils with an airy lightness and individual conception. He submitted works to the New English Art Club, gaining recognition for his evocative compositions.

    From Battlefield Sketches to Royal Commissions

    The outbreak of World War I dramatically altered Connard’s trajectory. Despite being nearly forty years old, he volunteered for service, joining the Royal Field Artillery as a private and rising to the rank of Captain before being invalided out due to severe shell shock. This experience profoundly impacted his artistic vision. Appointed an official war artist to the Royal Navy, Connard documented scenes of naval conflict with a newfound intensity and emotional depth. His sketches and paintings captured the drama of battles, most notably the surrender of the German ship SMS Goeben and the daring Zeebrugge raid—works that now reside in the Imperial War Museum, London, serving as powerful visual records of a tumultuous era. This period marked a shift from idyllic landscapes to scenes imbued with patriotism and sacrifice.

    Connard’s wartime service propelled him into a realm of prestigious commissions. He secured contracts for murals at Windsor Castle, large panels for a ballroom in New Delhi, and perhaps his most significant undertaking: a substantial panel depicting England for the opulent RMS Queen Mary liner. These projects showcased his mastery of decorative painting and his ability to translate grand narratives onto monumental surfaces. His work during this time was characterized by a refined elegance and a meticulous attention to detail, reflecting both classical influences and a distinctly British aesthetic sensibility.

    Recognition and Legacy

    The accolades followed in quick succession. Connard was elected an associate of the Royal Academy in 1918 and became a full Academician in 1925. He further served as Keeper of the Royal Academy school from 1945 to 1949, guiding aspiring artists and shaping the future direction of British art. In 1950, he was appointed a Commander of the Royal Victorian Order, acknowledging his significant contributions to the artistic landscape. Throughout his career, Connard’s work found its way into esteemed collections including the Tate Gallery in London, the Musée d’Orsay in Paris, and the National Museum of Wales.

    Influences: While not explicitly aligned with a single movement, Connard's work demonstrates an affinity for Impressionism, particularly in his use of light and color. He also drew inspiration from classical traditions and the decorative arts.

    Key Characteristics: Romantic landscapes, graceful figures, meticulous detail, atmospheric perspective, patriotic themes (particularly during wartime), and a refined elegance.

    Major Achievements: Official War Artist to the Royal Navy, murals at Windsor Castle, panel for RMS Queen Mary, election to the Royal Academy, Keeper of the Royal Academy school.

    Philip Connard’s story is one of resilience, artistic evolution, and unwavering dedication. He rose from modest origins to achieve prominence through talent, hard work, and a willingness to embrace new challenges. His paintings continue to captivate audiences with their beauty, emotional resonance, and enduring testament to the power of art to reflect both the triumphs and tragedies of human experience. He remains a significant figure in British Impressionism, celebrated for his evocative landscapes and his poignant contributions to wartime artistry.

    Gdje pročitati više

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje E.44 Making an Attack

    artsdot.com/hr/art/download/philip-connard-e-44-making-an-attack-AQUJ89-en/

    Navedite ovo umjetničko djelo

    MLA
    Connard, Philip. E.44 Making an Attack. 1918, https://artsdot.com/hr/art/philip-connard-e-44-making-an-attack-AQUJ89-en/
    APA
    Connard, Philip (1918). E.44 Making an Attack [Painting]. https://artsdot.com/hr/art/philip-connard-e-44-making-an-attack-AQUJ89-en/
    Chicago
    Philip Connard. E.44 Making an Attack. 1918. https://artsdot.com/hr/art/philip-connard-e-44-making-an-attack-AQUJ89-en/
    Harvard
    Connard, Philip (1918) E.44 Making an Attack. Available at: https://artsdot.com/hr/art/philip-connard-e-44-making-an-attack-AQUJ89-en/

    Pogledajte pažljivije

    E.44 Making an Attack — Philip Connard

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (naš katalog ih broji 3 — slažete li se?)
    4. Vratite se na djelo Albert Emil Davies (1875–1950) (1940) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Philip Connard je imao oko 43 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Zašto je status autorskih prava za "E.44 Making an Attack" takav kakav jest?

    Djelo "E.44 Making an Attack" autora Philip Connard nalazi se u i dalje je zaštićeno autorskim pravima. Autorska prava se obračunavaju od godine smrti umjetnika, a Philip Connard je preminuo/la 1958.

    Koliko je godina imao/la Philip Connard u vrijeme stvaranja djela "E.44 Making an Attack"?

    Philip Connard je djelu "E.44 Making an Attack" pristupio u dobi od 43 godina. Umjetnik je rođen 1875, a datum stvaranja djela je 1918.

    Gdje mogu kupiti print djela "E.44 Making an Attack" autora Philip Connard?

    Print djela "E.44 Making an Attack" autora Philip Connard možete jednostavno naručiti na njegovoj stranici Umjetnička litografija: umjetnički otisak na pamučnom platnu ili arhivskom kanvas papiru.