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James Clitherow

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George Romney, James Clitherow (1784). Dostupno u javnom vlasništvu. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Osnovne informacije

Umjetnik
George Romney artsdot.com/hr/artists/george-romney_hr/
Životopis umjetnika
1734 – 1802
Slikano
1784

U kontekstu

James Clitherow — George Romney

Godina nastanka

  1. 1730
  2. 1740
  3. 1750
  4. 1760
  5. 1770
  6. 1780
  7. 1790
  8. 1800

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 68 u smrti.

Naslikano kada je umjetnik imao 50 godina. Umjetnik je doživio 68. 133 od ukupno 261 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus George Romney (1734–1802) ▲ ovo djelo, 1784 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1777 Glavni radni år: 1777–1788 Kasna djela: od 1788

Ta tri dijela dijele djela koja u ovom katalogu imaju naveden datum na prvo četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: tanki segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/george-romney-james-clitherow-8XXHRX-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Black #140d08

    Spremljena paleta

    • #140D08
    • #B19D90
    • #2A241E
    • #635248

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv glavne boje
    Black
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Deep_shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se gleda ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora George Romney u posljednjih dvanaest mjeseci — ukupno 21 zemalja. Odakle ovi podaci dolaze

    Deset vodećih zemalja

    1. 1 Kina 70,7%
    2. 2 Sjedinjene Američke Države 11,0%
    3. 3 Singapur 6,0%
    4. 4 Hong Kong 5,0%
    5. 5 Rumunjska 1,7%
    6. 6 Brazil 1,2%
    7. 7 Ujedinjeno Kraljevstvo 0,8%
    8. 8 Francuska 0,6%
    9. 9 Njemačka 0,4%
    10. 10 Luksemburg 0,4%
    11. · 11 ostalih država 2,2%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    20 najgledanijih djela umjetnika George Romney

    1. 1 Jemima Yorke (1763–1804), Mrs Reginald Pole Carew, 1784 1,2%
    2. 2 The Death of General Wolfe at Quebec, 1759 (study), 1763 1,2%
    3. 3 Mrs Siddons, 1784 1,0%
    4. 4 Lydia Henrietta Malortie (1754–1816), Mrs Henry Hoare, 1784 1,0%
    5. 5 Portrait of the Vernon children 1,0%
    6. 6 Anna Maria Hunt (c.1771–1861), the Honourable Mrs Charles Agar Bagenal, 1793 1,0%
    7. 7 Mrs. Alexander Blair, 1789 1,0%
    8. 8 Sketch 62 1,0%
    9. 9 Gospa Hamilton kao Vestala, 1800 0,8%
    10. 10 Gđa Crouch, 1787 0,8%
    11. 11 Portrait of Emma, Lady Hamilton as a Bacchante 0,8%
    12. 12 Hugh Holme, Deputy Recorder of Kendal 0,8%
    13. 13 Double portrait of mrs. russell and her eldest son 0,8%
    14. 14 George Cowper 0,8%
    15. 15 Lady Hamilton u šeširu 0,8%
    16. 16 Sir John Trevelyan (1761–1846), 5th Bt, 1788 0,6%
    17. 17 Miss Constable, 1787 0,6%
    18. 18 Henrietta, Countess of Warwick, and Her Children, 1787 0,6%
    19. 19 Master Richard Meyler, 1795, Aged 3 or 4, 1795 0,6%
    20. 200 James Clitherow, 1784 ova slika 0,2%

    Zajedno ova djela zauzimaju 16,6% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 1111 djela ovog umjetnika, od kojih je 339 pregledano barem jednom. Ova je slika na 200 mjestu među njima, s 0,2% te pažnje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.

    Umjetnik i muzej

    Umjetnik

    George Romney

    Mjesto rođenja Dalton-in-Furness, Velika Britanija

    A Life in Portraiture: The World of George Romney

    Born in the picturesque landscape of Dalton-in-Furness, Lancashire, on December 15th, 1734, George Romney ascended to become one of the most sought-after portrait painters of his era. His journey from a cabinet maker’s son to the favored artist of British high society is a compelling narrative of innate talent and unwavering ambition. Early life offered little indication of the artistic path he would forge; initially apprenticed to his father, it was an inherent inclination towards drawing and craftsmanship that led him to Christopher Steele, a local portraitist who had studied in Paris. This apprenticeship proved pivotal, providing Romney with foundational skills and an introduction to European artistic traditions. He quickly surpassed his master, however, demonstrating a precocious talent demanding further cultivation. A brief, unhappy marriage and subsequent separation propelled him towards London in 1762, a city brimming with opportunity but also fierce competition.

    Establishing a Reputation: Style and Technique

    London proved to be a crucible for Romney’s artistic development. He swiftly established himself as a formidable portraitist, challenging the dominance of artists like Thomas Gainsborough and Sir Joshua Reynolds. While he never sought membership in the Royal Academy – a decision that perhaps limited his access to certain patronage – his success was undeniable. Romney's style evolved over time, initially reflecting the influence of Steele and his Parisian training, but soon blossomed into something distinctly his own. He possessed an exceptional ability to capture not merely the likeness, but also the personality and social standing of his sitters. His portraits are characterized by elegant poses, a refined use of light and shadow, and a subtle psychological insight that set him apart. Romney’s technique was marked by a delicate touch and a preference for flowing lines, often drawing inspiration from classical sculpture. He skillfully employed color to convey texture and depth, creating portraits that were both visually striking and emotionally resonant. His ability to flatter his subjects while maintaining artistic integrity earned him the loyalty of an elite clientele. He understood the power of suggestion, hinting at character rather than explicitly defining it, a quality that appealed to those who valued discretion and refinement. Romney’s meticulous attention to detail—the subtle folds of fabric, the delicate rendering of skin tones—demonstrated his mastery of observation and artistic execution.

    The Muse and Her Influence: Emma Hamilton

    Romney’s life took a dramatic turn with his encounter with Emma Hart, later known as Lady Hamilton, in 1782. She became not only his most celebrated model but also his muse, profoundly influencing his artistic output. Emma's beauty, intelligence, and theatrical flair captivated Romney, inspiring a series of portraits that explored themes of classical mythology, dramatic narrative, and feminine grace. He depicted her in various roles – as a spinner, as the tragic Miranda from Shakespeare’s The Tempest, and in numerous allegorical scenes that showcased her expressive range. These works demonstrate Romney's willingness to experiment with composition and symbolism, moving beyond conventional portraiture into more imaginative territory. The Tempest series, in particular, reveals a Romantic sensibility at play, anticipating the emotional intensity of later artists. The relationship was intense and all-consuming for Romney, though ultimately unfulfilled romantically; Emma eventually became the mistress of Lord Nelson, a union that cemented her place in history. Nevertheless, their artistic collaboration left an indelible mark on both their lives and produced some of Romney’s most enduring masterpieces. He painted over 80 portraits of her, each revealing a different facet of her captivating personality. The dynamism captured in these images—Emma's animated gaze, the movement of her drapery—contrasted sharply with the static formality often found in earlier portraiture.

    Notable Works and Artistic Legacy

    Romney’s oeuvre encompasses a remarkable range of subjects, from family portraits to landscapes and mythological scenes. Among his most celebrated works are Peter and James Romney, capturing the affectionate bond between father and son; Portrait of G. Cowper, showcasing the dignified countenance of a prominent literary figure; The Death of General Wolfe, an ambitious historical painting that exemplifies Romney’s dramatic flair; and Mrs. Carwardine & Son, demonstrating his ability to convey emotion through subtle gestures and expressions. These paintings stand as monuments to Romney's artistic skill and contribute significantly to the broader narrative of British Romanticism. His influence extended beyond his own time, inspiring subsequent generations of artists who admired his stylistic innovations and psychological insight. Romney’s legacy resides not only in the beauty of his artworks but also in their enduring relevance as representations of human experience—a testament to his ability to capture the essence of his subjects and convey profound emotional truths. He remains a significant figure in the history of art, a master portraitist who shaped the aesthetic sensibilities of an era and left behind a body of work that continues to captivate and inspire.

    ## Historical Significance

    George Romney’s contribution to British art is undeniable. He helped establish a distinctive visual language characterized by elegance, psychological depth, and artistic innovation—a style that distinguishes him from his contemporaries and secures his place among the most influential portrait painters of the eighteenth century. His portraits serve as invaluable documents of social life and cultural values during his time, offering glimpses into the aristocratic circles of London and reflecting the prevailing ideals of beauty and refinement. Romney’s enduring fame rests upon his ability to transform mere likeness into compelling narratives—a skill that cemented his reputation as a visionary artist who elevated portraiture beyond its traditional conventions. His work continues to be studied and admired for its technical brilliance and emotional resonance, ensuring that George Romney's artistic legacy will endure for centuries to come.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje James Clitherow

    artsdot.com/hr/art/download/george-romney-james-clitherow-8XXHRX-en/

    Izvor za ovo umjetničko djelo

    MLA
    Romney, George. James Clitherow. 1784, https://artsdot.com/hr/art/george-romney-james-clitherow-8XXHRX-en/
    APA
    Romney, George (1784). James Clitherow [Painting]. https://artsdot.com/hr/art/george-romney-james-clitherow-8XXHRX-en/
    Chicago
    George Romney. James Clitherow. 1784. https://artsdot.com/hr/art/george-romney-james-clitherow-8XXHRX-en/
    Harvard
    Romney, George (1784) James Clitherow. Available at: https://artsdot.com/hr/art/george-romney-james-clitherow-8XXHRX-en/

    Pogledajte pažljivije

    James Clitherow — George Romney

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na djelo Portrait of Mrs. Verelst (1773) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    4. George Romney je imao oko 50 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?
    5. Što je umjetnik možda želio da osjetite?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Je li "James Clitherow" autora George Romney u javnom vlasništvu?

    "James Clitherow" autora George Romney je u u javnom vlasništvu – autorska prava su istekla. Ovaj status određuje način na koji se prikaz djela može reproducirati.

    Gdje mogu kupiti print djela "James Clitherow" autora George Romney?

    Kako biste naručili print djela "James Clitherow" autora George Romney, jednostavno ga možete naručiti na njegovoj stranici Umjetnička litografija: umjetnički otisak na pamučnom platnu ili arhivskom kanvas papiru.

    Postoji li prezentacija u obliku slajdova za "James Clitherow" autora George Romney?

    Diaporama djela "James Clitherow" možete pogledati na stranici Diaporama tog umjetničkog djela.