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Dead Game

Ime Razred Datum

Emily Stannard, Dead Game (1837). Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Emily Stannard artsdot.com/hr/artists/emily-stannard/
Slikano
1837
Prvobitne dimenzije
42 x 31 cm

U kontekstu

Dead Game — Emily Stannard

Koje su dimenzije?

Originalne dimenzije su 42 × 31 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Kada je ovo naslikano?

  1. 1820
  2. 1830
  3. 1840
  4. 1850

▲ ovo djelo, 1837 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1828 Glavni radni period: 1828–1844 Kasna djela: od 1844

Ta tri dijela dijele djela koja u ovom katalogu imaju navedenu godinu na prvu četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: rjeđi segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/emily-stannard-dead-game-AS7W47-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    Espresso #4e3a28

    Katalogirana paleta

    • #4E3A28
    • #171114
    • #CEB37B
    • #967F4F

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna paleta boja na slici.
    Naziv primarne boje
    Espresso
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Deep_shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Emily Stannard u posljednjih dvanaest mjeseci — ukupno 1 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Kina 100,0%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    7 najgledanijih djela umjetnika Emily Stannard

    1. 1 Dead Game and a Gun, 1835 22,2%
    2. 2 Still Life of Dead Ducks, a Hare with a Basket and a Sprig of Holly, 1853 22,2%
    3. 3 A Bird Study, 1828 22,2%
    4. 4 Still Life of Dead Game with a Flagon and a String of Onions, 1847 11,1%
    5. 5 Vase of Flowers, 1820 11,1%
    6. 6 Still Life of Hamper with Dead Wood Pigeon and Leveret 11,1%
    7. — Dead Game, 1837 ova slika 0,0%

    Zajedno ova djela zauzimaju 99,9% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 10 djela ovog umjetnika, od kojih je 6 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    Umjetnik i muzej

    Umjetnik

    Emily Stannard

    Emily Stannard: A Bedfordshire Visionary

    Emily Stannard (née Emily Coppin; 8 February 1802 – 6 January 1885), who from 1826 called herself (even during her long widowhood) Mrs Joseph Stannard, was a British still life painter. She was associated with the Norwich School of painters, Britain's first provincial art movement. Along with her niece Eloise Harriet Stannard, she is considered to be the most accomplished British female still life artist of the 19th century.

    Stannard’s artistic journey began in Norwich, where she was born into a family deeply rooted in artistic pursuits. Her parents, Daniel Coppin and Ruth Willsher, instilled in her a passion for art from an early age—a formative influence that would shape her distinctive style. Recognizing her talent, they encouraged her to study the techniques of celebrated Dutch masters like Jan van Huysum, immersing herself in the aesthetic principles of the Golden Age. This exposure proved pivotal, establishing a foundation for her later explorations of light and color within her landscapes and still lifes.

    Early Influences: The Norwich School’s emphasis on capturing the beauty of the English countryside—particularly Bedfordshire—became Stannard's primary focus. Artists such as John Crome and John Sell Cotman championed a style characterized by meticulous observation and tonal harmonies, mirroring the artistic sensibilities of their time.

    Technical Mastery: Stannard’s paintings are renowned for their exceptional detail and refined execution. She skillfully employed glazing techniques—applying thin layers of translucent paint over underlying colors—to achieve luminous effects and create a sense of atmospheric depth. This meticulous approach reflects the prevailing artistic conventions of the Victorian era, where artists sought to emulate the grandeur and precision of classical art.

    The Norwich School Legacy

    Stannard’s association with the Norwich School cemented her place in British art history. Founded in 1857 by John Crome and John Sell Cotman—the leading spirits and finest artists of the movement—the school represented a significant departure from London's dominant artistic trends. It championed a distinctive aesthetic rooted in topographical observation and tonal harmonies, prioritizing the depiction of rural landscapes with an unwavering commitment to realism. This ethos profoundly impacted Stannard’s artistic vision, shaping her compositions and informing her palette.

    Notable Contemporaries: Alongside Crome and Cotman, Stannard collaborated closely with fellow Norwich School painters James Stark, George Vincent, and Robert Ladbrooke—artists who shared a similar dedication to capturing the essence of Bedfordshire’s scenery. Their collective efforts fostered an environment of artistic exchange and mutual inspiration, contributing to the school's enduring reputation for excellence.

    Symbolic Representation: Stannard’s landscapes weren’t merely representations of physical locations; they conveyed deeper symbolic meanings—reflecting Victorian ideals of tranquility, contemplation, and communion with nature. Her paintings often depict serene scenes bathed in soft light, evoking a sense of spiritual resonance that aligns with the broader artistic currents of her era.

    Major Achievements & Recognition

    Emily Stannard achieved considerable acclaim during her lifetime—primarily through her masterful depictions of Bedfordshire’s flora and fauna. Her paintings garnered critical praise from local publications, establishing her as a respected figure within the Norwich artistic community. Furthermore, she was awarded a prestigious gold medal at the Royal Academy in 1820 for an original painting of flowers—a testament to her technical skill and artistic vision.

    Royal Society Recognition: Stannard’s dedication to her craft earned her honorary membership in the Norwich Society of Artists, recognizing her contribution to the region's artistic heritage.

    Legacy & Influence: Emily Stannard’s work continues to inspire artists and scholars alike—serving as a compelling example of Victorian landscape painting and demonstrating the enduring power of observation and tonal harmony. Her legacy resides in her ability to transform ordinary scenes into canvases imbued with beauty, emotion, and profound artistic significance.

    Further Exploration

    For more information about Emily Stannard’s life and work, consult these resources:

    Wikipedia: https://en.wikipedia.org/wiki/Emily_Stannard

    Wikipedia: https://en.wikipedia.org/wiki/Lilian_Stannard

    Gdje pročitati više

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje Dead Game

    artsdot.com/hr/art/download/emily-stannard-dead-game-AS7W47-en/

    Navedite ovo umjetničko djelo

    MLA
    Stannard, Emily. Dead Game. 1837, https://artsdot.com/hr/art/emily-stannard-dead-game-AS7W47-en/
    APA
    Stannard, Emily (1837). Dead Game [Painting]. https://artsdot.com/hr/art/emily-stannard-dead-game-AS7W47-en/
    Chicago
    Emily Stannard. Dead Game. 1837. https://artsdot.com/hr/art/emily-stannard-dead-game-AS7W47-en/
    Harvard
    Stannard, Emily (1837) Dead Game. Available at: https://artsdot.com/hr/art/emily-stannard-dead-game-AS7W47-en/

    Pogledajte pažljivije

    Dead Game — Emily Stannard

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: still life, dead birds, victorian art. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo Vase of Flowers (1820) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Motivi koji se ponovno pojavljuju u radovima autora Emily Stannard: dutch masters influence, victorian morality themes, mortality & decay focus. Koje od njih vidite ovdje?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Koje boje dominiraju u djelu "Dead Game" autora Emily Stannard?

    "Dead Game" autora Emily Stannard koristi paletu boja Earthy, pri čemu je Espresso (#4e3a28) dominantna boja.

    Tko je stvorio "Dead Game" i u kojoj godini?

    Emily Stannard izradio/la "Dead Game" u 1837.

    Koliko je "Dead Game" u cijelosti svijetlo?

    Sveukupno, "Dead Game" je zabilježeno kao deep_shadow. Doživljena svjetlina opisuje koliko se djelo čini svijetlim ili tamnim.