Format papira

Vodič za studentska djela

Cape

Ime Razred Datum

Emilio Pucci, Cape (1964), The Kyoto Costume Institute. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Osnovne informacije

Umjetnik
Emilio Pucci artsdot.com/hr/artists/emilio-pucci/
Životopis umjetnika
1914 – 1992
Slikano
1964
Lokacija izložbe
The Kyoto Costume Institute artsdot.com/hr/museums/the-kyoto-costume-institute-kyoto/

U kontekstu

Cape — Emilio Pucci

Godina nastanka

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 78 u smrti.

Naslikano kada je umjetnik imao 50 godina. Umjetnik je doživio 78. 0 od ukupno 7 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Emilio Pucci (1914–1992) ▲ ovo djelo, 1964 svaka datirana slika, desetljeće po desetljeće

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/emilio-pucci-cape-D4PLSE-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Cobalt Violet #796596

    Spremljena paleta

    • #796596
    • #291F25
    • #4E4170
    • #C3A1A9

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Dark Dominantna paleta boja na slici.
    Naziv glavne boje
    Cobalt Violet
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Gentle Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Strong Color Unity Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Shadow Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se gleda ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Emilio Pucci u posljednjih dvanaest mjeseci — ukupno 1 zemalja. Odakle ovi podaci dolaze

    Deset vodećih zemalja

    1. 1 Kina 100,0%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    2 najgledanijih djela umjetnika Emilio Pucci

    1. 1 Cape, 1964 ova slika 50,0%
    2. 2 Dress of black cashmere jersey printed with patterns in green, blue, purple and white, 1967 50,0%

    Zajedno ova djela zauzimaju 100,0% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 7 djela ovog umjetnika, od kojih je 2 pregledano barem jednom. Ova je slika na 1 mjestu među njima, s 50,0% te pažnje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.

    O ovom umjetničkom djelu

    Cape — Emilio Pucci

    This vivid silk-screen print shows motifs of African masks. The textile of this cape is a typical example of Pucci prints. This cape was worn over a swimsuit or jumpsuit at resort resorts.Emilio Pucci, a Florentine aristocrat, began his fashion career in 1947. He started his business at his family home parazzo, and opened his boutique in Capri in 1950. With brilliant prints making use of the advanced Italian techniques, he swept the world, starting from the U.S. market. His dresses or

    Umjetnik i muzej

    Umjetnik

    Emilio Pucci

    Mjesto rođenja Florence, Italy

    Early Life and Education

    Born: November 20, 1914, Naples, Italy

    Died: November 29, 1992, Florence, Italy

    Emilio Pucci came from a wealthy aristocratic Florentine family.

    He demonstrated an early interest in sports and education.

    Pucci studied agriculture, political science, and social science at various universities including the University of Milan, the University of Georgia (USA), and Reed College (Oregon).

    While at Reed College, he earned a skiing scholarship and received an MA in social science.

    World War II Service and Early Fashion Beginnings

    During World War II, Pucci served as a bomber pilot in the Italian Air Force, rising to the rank of captain.

    He was involved in a plan to save Count Galeazzo Ciano's life, demonstrating courage and resourcefulness.

    After the war, he leveraged his experience designing uniforms for the Reed College ski team into creating sportswear.

    His designs gained recognition when Toni Frissell photographed one of his outfits for Harper’s Bazaar in 1947.

    This led to Pucci being commissioned to design women's ski clothes, marking the beginning of his fashion career.

    The Rise of Emilio Pucci Fashion

    In 1949, Pucci established a couture house in Capri and began producing swimwear and silk scarves.

    His designs were characterized by vibrant colors, bold geometric patterns, and innovative use of stretch fabrics.

    Stanley Marcus of Neiman Marcus played a key role in promoting his work, leading to the creation of blouses and printed silk dresses.

    Pucci's fashion house quickly gained popularity among the international jet set.

    Notable clients included Marilyn Monroe, Sophia Loren, and Jackie Kennedy, solidifying his status as a prominent designer.

    Artistic Style and Legacy

    Distinctive Prints: Pucci is best known for his kaleidoscopic prints featuring geometric shapes, swirling patterns, and vibrant colors.

    Innovative Fabrics: He pioneered the use of stretch fabrics in clothing, creating comfortable and flattering designs.

    Influence on Fashion: His bold aesthetic significantly influenced 1960s fashion and continues to inspire contemporary designers.

    Brand Expansion: Pucci expanded his brand into lingerie, knitwear, accessories, ceramics, and perfume.

    Continued Success: After Emilio's death in 1992, his daughter Laudomia continued to lead the company, maintaining its artistic vision. LVMH acquired a majority stake in Pucci in 2000.

    Political Career and Later Years

    Pucci served as a member of the Italian Parliament from 1963 to 1972 representing the Florence constituency.

    He also held a position as a city counselor in Florence.

    His political career demonstrates his broader engagement with Italian society beyond fashion.

    The Pucci family has a long history of political involvement in Florence, adding another layer to Emilio's legacy.

    Muzej

    The Kyoto Costume Institute

    Prikazano u Kyoto, Japan

    A Journey Through Japan’s Sartorial Soul: Unveiling the Kyoto Costume Institute

    Nestled within the ancient heart of Kyoto, a city steeped in tradition and artistry, lies The Kyoto Costume Institute – a sanctuary dedicated not just to preserving garments, but to illuminating the profound cultural significance woven into every stitch. More than simply a museum, it’s an immersive experience, transporting visitors through centuries of Japanese fashion history, revealing how clothing has mirrored societal shifts, artistic movements, and deeply held values. Founded in 1978 with the support of Japan's Ministry of Education, Science and Culture, the KCI began as a research institute, meticulously assembling a collection that transcends mere aesthetics to become a vibrant tapestry of social and historical narrative. Today, it stands as a testament to Japan’s unique approach to design – one where tradition isn’t merely revered but actively reinterpreted and reimagined.

    The Institute's strength lies in its remarkably comprehensive holdings, spanning from the opulent Heian period (794-1185) through to contemporary designer collections. Early garments, exemplified by exquisite examples of layered silk robes – a hallmark of Heian aesthetics – demonstrate an early mastery of form and color. These pieces, often adorned with intricate embroidery and symbolic motifs, speak volumes about the era’s emphasis on refinement and aristocratic life. The museum's commitment to accuracy is further evidenced by its recreation of costumes inspired by Murasaki Shikibu’s “The Tale of Genji,” offering a tangible connection to the world of the novel’s captivating characters and their elaborate attire. These aren’t simply reproductions; they are scholarly interpretations, meticulously researched and crafted to capture the spirit of the original designs.

    A Fusion of Tradition and Innovation

    What truly distinguishes The Kyoto Costume Institute is its deliberate blurring of boundaries between historical preservation and contemporary design. Rather than presenting fashion as a static relic, the museum actively showcases how traditional techniques and motifs continue to inspire modern Japanese designers. Rotating exhibitions regularly spotlight works from prominent figures like Junya Watanabe and Comme des Garçons, demonstrating the enduring influence of heritage on cutting-edge style. These displays aren’t merely showcasing finished garments; they delve into the design process, revealing the dialogue between past and present. The museum's collection includes over 12,000 items of clothing and 16,000 documents, a testament to its dedication to documenting this ongoing conversation.

    Beyond the visual splendor of the collection itself, the KCI offers a deeper understanding through its focus on textiles. Admire the breathtaking diversity of traditional fabrics – silk brocades shimmering with gold and silver threads, dyed silks in vibrant hues achieved through ancient techniques, and intricate embroidery that tells stories through pattern and design. These textiles aren’t simply materials; they are repositories of cultural knowledge, reflecting regional variations, seasonal changes, and symbolic meanings. The museum's commitment to preserving these techniques ensures their continued relevance in the modern world.

    Architectural Harmony & Historical Context

    While specific architectural details of the Institute remain somewhat understated within publicly available information, its location within Kyoto – a city renowned for its meticulously preserved machiya houses and serene gardens – immediately establishes an atmosphere of harmonious integration. It’s reasonable to assume that the building itself reflects this aesthetic sensibility, blending seamlessly with its surroundings. The KCI's history is inextricably linked to Kyoto’s own, serving as a vital resource for researchers, students, and anyone seeking to understand Japan’s unique sartorial heritage. The city’s rich history of craftsmanship and artistic patronage provides the perfect backdrop for this institution dedicated to preserving and celebrating Japanese fashion.

    A Living Legacy: The Institute's Unique Approach

    The Kyoto Costume Institute isn’t simply a repository of garments; it’s a dynamic center for research, education, and exhibition. Its commitment extends beyond static displays, actively engaging with the wider world through collaborations with international museums and institutions. The museum’s ongoing efforts to make its collection accessible – through digital archives, lectures, and carefully curated exhibitions – ensure that its legacy will continue to inspire and inform generations to come. It stands as a powerful reminder of how fashion can be both a reflection of history and a catalyst for innovation, embodying the enduring spirit of Japanese creativity.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Cape

    artsdot.com/hr/art/download/emilio-pucci-cape-D4PLSE-en/

    Izvor za ovo umjetničko djelo

    MLA
    Pucci, Emilio. Cape. 1964, The Kyoto Costume Institute. https://artsdot.com/hr/art/emilio-pucci-cape-D4PLSE-en/
    APA
    Pucci, Emilio (1964). Cape [Painting]. The Kyoto Costume Institute. https://artsdot.com/hr/art/emilio-pucci-cape-D4PLSE-en/
    Chicago
    Emilio Pucci. Cape. 1964. The Kyoto Costume Institute. https://artsdot.com/hr/art/emilio-pucci-cape-D4PLSE-en/
    Harvard
    Pucci, Emilio (1964) Cape. The Kyoto Costume Institute. Available at: https://artsdot.com/hr/art/emilio-pucci-cape-D4PLSE-en/

    Pogledajte pažljivije

    Cape — Emilio Pucci

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na djelo Beach ensemble in abstract swirl print of white, fuschia, pink, lime green, turquoise and orange, comprising pants, overblouse, tunic jacket and bag (1971) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    4. Emilio Pucci je imao oko 50 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?
    5. Što je umjetnik možda želio da osjetite?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Koja paleta i dominantna boja definiraju "Cape"?

    Koloristički identitet djela "Cape" autora Emilio Pucci: paleta u nijansama Dark, s dominantnom bojom Cobalt Violet (#796596).

    Koliko ljudi gleda "Cape"?

    Postoji Statistika stranica za "Cape". Ona prikazuje mjesečne posjete umjetničkom djelu i drugim djelima umjetnika, uz podelu prema zemljama i jezicima.

    Jesu li boje djela "Cape" autora Emilio Pucci živopisne ili prigušene?

    "Cape" autora Emilio Pucci je zabilježeno s Balanced Soft zasićenosti i Balanced intenzitetom.