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Self-Portrait

Ime Razred Datum

Edward Hopper, Self-Portrait (1930). Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Edward Hopper artsdot.com/hr/artists/edward-hopper_hr/
Datumi umjetnika
1931 – 1967
Slikano
1930
Pokret
New Realism
Razdoblje
Modern
Artistic style
Solitude
Influences
Chase, Henri
Notable elements or techniques
Window illumination
Subject or theme
Portraiture

U kontekstu

Self-Portrait — Edward Hopper

Kada je ovo naslikano?

  1. 1930
  2. 1940
  3. 1950
  4. 1960

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 36 u smrti.

Shaded: životni opus Edward Hopper (1931–1967) ▲ ovo djelo, 1930 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1947 Glavni radni period: 1947–1960 Kasna djela: od 1960

Ta tri dijela dijele djela koja u ovom katalogu imaju navedenu godinu na prvu četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: rjeđi segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/edward-hopper-self-portrait-8XXUBP-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    Phthalo Green #1d2e36

    Katalogirana paleta

    • #1D2E36
    • #CFDCC0
    • #61534D
    • #9C9375

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Neutrals Dominantna paleta boja na slici.
    Naziv primarne boje
    Phthalo Green
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Discordant Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Bright Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Edward Hopper u posljednjih dvanaest mjeseci — ukupno 51 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Kina 22,6%
    2. 2 Italija 22,1%
    3. 3 Njemačka 6,4%
    4. 4 Sjedinjene Američke Države 6,4%
    5. 5 Francuska 5,8%
    6. 6 Češka 4,9%
    7. 7 Španjolska 3,5%
    8. 8 Rumunjska 3,3%
    9. 9 Ujedinjeno Kraljevstvo 1,8%
    10. 10 Poljska 1,6%
    11. · 41 ostalih država 21,6%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    20 najgledanijih djela umjetnika Edward Hopper

    1. 1 Nighthawks, The Art Institute of Chicago, Chica, 1942 13,7%
    2. 2 Automat, 1927 7,8%
    3. 3 Nedjelja, 1926 5,7%
    4. 4 Gas, 1940 5,4%
    5. 5 Ljudi na suncu, 1960 4,9%
    6. 6 Chop Suey, 1929 4,6%
    7. 7 Sunce u kafeteriji, 1958 3,4%
    8. 8 Ured noću, 1940 3,0%
    9. 9 Summertime, 1943 2,9%
    10. 10 Rooms by the Sea, 1951 2,4%
    11. 11 Eleven AM 2,2%
    12. 12 Rooms By The Sea, 1951 1,8%
    13. 13 Rooms for Tourists, 1945 1,6%
    14. 14 Room in Brooklyn, 1932 1,4%
    15. 15 Jutro na Cape Codu, 1950 1,4%
    16. 16 Morning Sun, 1952 1,2%
    17. 17 Circle Theatre 1,0%
    18. 18 Lighthouse HIll, 1927 1,0%
    19. 19 Rocks and Sea, 1919 1,0%
    20. 160 Self-Portrait, 1930 ova slika 0,1%

    Zajedno ova djela zauzimaju 66,5% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 366 djela ovog umjetnika, od kojih je 222 pregledano barem jednom. Ova je slika na 160 mjestu među njima, s 0,1% te pažnje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    O ovom umjetničkom djelu

    Self-Portrait — Edward Hopper

    The Visual Composition

    This oil on canvas painting depicts a man wearing a brown hat and a blue shirt. He is shown with a serious expression, looking directly at the viewer. The subject's attire includes a tie visible in the lower portion of the work.

    The background features a window, which provides depth to the scene. The painting is rendered with muted tones, including browns and blues.

    Technical Details

    The artwork is an oil on canvas attributed to Edward Hopper. It was created between 1925 and 1930.

    Umjetnik i muzej

    Umjetnik

    Edward Hopper

    Rođeni u Nyack, Sjedinjene Američke Države

    Edward Hopper: A Master of American Realism

    Edward Hopper, a name inextricably linked to the quietude and subtle melancholy that permeated 20th-century American life, wasn’t simply a painter of scenes; he was a poet of light and shadow, a chronicler of modern isolation. Born in Nyack, New York, in 1882, to middle-class parents of Dutch ancestry, Hopper's early years provided a stable upbringing that nurtured his artistic inclinations. From childhood sketches meticulously dated and signed, it became evident that keen observation and an innate talent for drawing were central to his being. Though initially encouraged towards commercial illustration – a pragmatic suggestion from his parents – Hopper’s ambitions leaned toward fine art, leading him to the New York School of Art where he studied under William Merritt Chase and Robert Henri. These formative years instilled not only technical skill but also an appreciation for realism and a commitment to depicting the world as he saw it—unvarnished and honest. The writings of Ralph Waldo Emerson resonated deeply with Hopper, reinforcing his sense of individualism and acute observation – qualities that would become hallmarks of his artistic vision. Early travels to Paris exposed him to Impressionism, yet Hopper quickly diverged from its fleeting brushstrokes, forging a path uniquely his own.

    Early Life and Artistic Beginnings

    Hopper’s fascination with art began in childhood, fueled by a family tradition of sketching and drawing. He displayed remarkable talent from an early age, diligently documenting the world around him with meticulous detail—a habit that would continue throughout his life. Despite initial reservations about pursuing artistic endeavors due to familial pressure for a more conventional career path, Hopper remained steadfast in his desire to express himself creatively. His formal training at the New York School of Art solidified his foundational skills and exposed him to influential teachers who championed realism as an artistic ideal. William Merritt Chase instilled in him a disciplined approach to technique, emphasizing anatomical accuracy and tonal gradation—skills that would prove invaluable in his subsequent work. Robert Henri encouraged Hopper’s experimentation with expressive brushwork while simultaneously upholding the importance of capturing psychological truthfulness. These formative influences shaped Hopper's artistic sensibilities and established him on a trajectory toward producing art that transcended mere visual representation.

    Realism as Artistic Expression

    Hopper distinguished himself from many of his contemporaries by rejecting Impressionistic techniques in favor of a rigorously realistic style—a stylistic choice driven by a profound conviction that art should faithfully reflect the world as it is perceived. He eschewed idealized forms and decorative embellishments, prioritizing clarity and precision to convey emotional resonance. Hopper’s canvases often depict solitary figures inhabiting unremarkable spaces—houses, diners, offices—yet these scenes radiate an atmosphere of palpable tension and unspoken longing. His masterful manipulation of light and shadow became a defining characteristic of his oeuvre, transforming ordinary environments into evocative landscapes imbued with psychological depth. He achieved this effect through careful tonal planning and meticulous blending techniques—skills honed during his years studying under Chase and Henri—resulting in paintings that captivate viewers not only aesthetically but also emotionally.

    Iconic Visions: Nighthawks and Beyond

    While Hopper’s career unfolded gradually, certain works catapulted him to widespread recognition. Nighthawks (1942), arguably his most famous painting, became an instant icon of American culture. The late-night diner scene, bathed in stark fluorescent light, perfectly encapsulates the alienation and anonymity of modern urban life. The figures within are lost in their own thoughts, disconnected from one another despite their proximity—a poignant commentary on the human condition. Hopper’s printmaking, often overlooked, ran parallel to his painting, sharing similar themes and stylistic qualities, demonstrating his mastery across mediums. He wasn't interested in grand historical narratives or allegorical symbolism; he focused on the mundane, elevating it through careful observation and emotional resonance. House by the Railroad (1925), an early masterpiece, exemplifies this approach—a seemingly simple composition radiating a profound sense of isolation and mystery. Hopper’s printmaking, often overlooked, ran parallel to his painting, sharing similar themes and stylistic qualities, demonstrating his mastery across mediums. He wasn't interested in grand historical narratives or allegorical symbolism; he focused on the mundane, elevating it through careful observation and emotional resonance. Other notable works like Gas, *Automat, and Office in a Small City* each offer unique insights into the complexities of 20th-century American society. These paintings weren't merely depictions of places; they were explorations of mood, psychology, and the subtle dramas unfolding within ordinary settings.

    Legacy and Influence

    Edward Hopper’s enduring legacy rests on his profound contribution to American art history—his unwavering commitment to realism as an artistic ideal and his ability to capture the psychological nuances of everyday life with unparalleled sensitivity. His paintings continue to resonate with audiences today because they speak to universal themes of loneliness, isolation, and the search for meaning in a rapidly changing world. Hopper’s influence extends far beyond the realm of painting, inspiring filmmakers (like Alfred Hitchcock) and writers who explore similar themes of alienation and psychological tension. He established himself as one of the most important artists of the 20th century—a visual poet whose work transcends time and continues to captivate viewers with its haunting beauty and intellectual depth. Hopper’s distinctive style has influenced countless painters, cementing his place as a pivotal figure in American art history. His ability to capture the essence of modern American life with honesty, sensitivity, and a stylistic vision that distinguishes him from many of his contemporaries ensures his enduring relevance—a testament to the power of art to illuminate the human condition.

    Gdje pročitati više

    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje Self-Portrait

    artsdot.com/hr/art/download/edward-hopper-self-portrait-8XXUBP-en/

    Navedite ovo umjetničko djelo

    MLA
    Hopper, Edward. Self-Portrait. 1930, https://artsdot.com/hr/art/edward-hopper-self-portrait-8XXUBP-en/
    APA
    Hopper, Edward (1930). Self-Portrait [Painting]. https://artsdot.com/hr/art/edward-hopper-self-portrait-8XXUBP-en/
    Chicago
    Edward Hopper. Self-Portrait. 1930. https://artsdot.com/hr/art/edward-hopper-self-portrait-8XXUBP-en/
    Harvard
    Hopper, Edward (1930) Self-Portrait. Available at: https://artsdot.com/hr/art/edward-hopper-self-portrait-8XXUBP-en/

    Pogledajte pažljivije

    Self-Portrait — Edward Hopper

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog ovo djelo klasificira pod: portraiture, isolation, urban landscape. Slažete li se? Što biste dodali ili uklonili?
    4. Vratite se na djelo Nighthawks, The Art Institute of Chicago, Chica (1942) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.
    5. Motivi koji se ponovno pojavljuju u radovima autora Edward Hopper: realism, observation, american identity. Koje od njih vidite ovdje?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Kviz o umjetnosti

    Self-Portrait — Edward Hopper

    Koliko dobro poznajete ovo umjetničko djelo?

    Označite jedan odgovor za svako od 5 pitanja u nastavku. Svako pitanje ima točno jedan točan odgovor.

    1. 1. What is the medium used for this painting?

      • A Oil on canvas
      • B Charcoal on paper
      • C Watercolor on canvas
    2. 2. Who is the artist of this 'Self-Portrait'?

      • A Robert Henri
      • B Edward Hopper
      • C William Merritt Chase
    3. 3. What color is the shirt worn by the man in the painting?

      • A Brown
      • B Blue
      • C Black
    4. 4. Which feature is mentioned as being part of the background?

      • A A doorway
      • B A window
      • C A bookshelf
    5. 5. In what year was this painting created?

      • A 1903
      • B 1942
      • C 1930

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora — za nastavnike

    Ovo započinje novu ispisanu stranicu, pa se može jednostavno izostaviti iz kopija.

    1A · 2B · 3B · 4B · 5C

    Provjerite točnost svakog odgovora uspoređujući ga s katalogskim zapisom za ovu sliku

    Pitanja i odgovori

    Koja je preporučena veličina reprodukcije za "Self-Portrait" autora Edward Hopper?

    Preporučena veličina tiska za "Self-Portrait" je Medium. Dostupne su i druge veličine istih proporcija.

    Za koju je prostoriju preporučeno djelo "Self-Portrait" autora Edward Hopper?

    Preporučeni prostor za "Self-Portrait" autora Edward Hopper je Living Room. Ovaj prijedlog se, naravno, može prilagoditi vašem interijeru.

    Gdje bi se trebala visiti reprodukcija djela "Self-Portrait" autora Edward Hopper?

    Svojim Portrait oblikom, reprodukcija djela "Self-Portrait" idealna je za Living Room.