Format papira

Vodič za studentska djela

Multiple Segregated Faces

Ime Razred Datum

charles sekano, Multiple Segregated Faces (2003), University of Pretoria Museums. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava.

Osnovne informacije

Umjetnik
charles sekano artsdot.com/hr/artists/charles-sekano/
Životopis umjetnika
1953 – ?
Slikano
2003
Tehnika
Pastel Sticks of almost pure pigment drawn straight onto paper; the colour is bright but rubs off easily.
Izvorni dimenzije
59 x 84 cm
Pokret
Contemporary Art
Razdoblje
Contemporary
Lokacija izložbe
University of Pretoria Museums artsdot.com/hr/museums/university-of-pretoria-museums-tshwane/
Artistic style
Bohemian, multiracial influences
Notable elements or techniques
Separated faces, layered composition
Subject or theme
Identity, race, and politics

U kontekstu

Multiple Segregated Faces — charles sekano

Koliko je veliko?

Originalne dimenzije su 59 × 84 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Godina nastanka

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Shaded: životni opus charles sekano (1953–?) ▲ ovo djelo, 2003

Boje

Izmjereno na temelju slike

    Glavna boja

    Rosy Brown #b1ada6

    Spremljena paleta

    • #B1ADA6
    • #C09348
    • #455151
    • #963D2D
    Paleta
    Dark Dominantna paleta boja na slici.
    Naziv glavne boje
    Rosy Brown
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Discordant Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Bright Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Clear Color Presence Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    O ovom umjetničkom djelu

    Multiple Segregated Faces — charles sekano

    A Tapestry of Identity: The Fragmented Vision of Charles Sekano

    In the evocative pastel drawing Multiple Segregated Faces, created in 2003, the South African master Charles Sekano invites viewers into a profound meditation on the fractured nature of identity and the complexities of human connection. The artwork presents a mesmerizing assembly of at least thirteen distinct faces, each seemingly detached from a singular body, floating within a shared, rhythmic space. Through a masterful use of composition, Sekano creates a sense of depth where certain features press toward the viewer while others recede into a dreamlike haze. This layering of gazes and expressions does more than just create a visual puzzle; it constructs a psychological landscape that speaks to the many layers of the human experience, making it an irresistible centerpiece for collectors who value art that provokes deep contemplation.

    The technique employed in this piece is nothing short of hypnotic. Utilizing the soft, tactile medium of pastels, Sekano achieves a delicate balance between vibrant color and intimate texture. The artist’s hand is visible in the way colors bleed into one another, creating a sense of movement that mimics the improvisational flow of the jazz music he famously played during his years in Nairobi. This fluidity allows the faces to appear both separate and inextricably linked, much like the notes of a complex melody. For interior designers, the piece offers a sophisticated interplay of tones that can anchor a room, providing a focal point that is simultaneously energetic and serene.

    Historical Resonance and the Soul of Exile

    To truly appreciate Multiple Segregated Faces, one must look through the lens of Sekano’s extraordinary biography. Born in Johannesburg and shaped by the turbulent era of apartheid, Sekano’s life was defined by movement and exile. His time in Kenya served as a transformative period where the vibrant, multiracial bohemian culture of Nairobi's jazz clubs offered a stark, colorful contrast to the oppressive restrictions of his homeland. This duality—the tension between the freedom found in exile and the heavy political realities of South Africa—is woven into the very fabric of this drawing. The "segregated" nature of the faces serves as a poignant metaphor for the social and political divisions he witnessed, yet the way they coexist within the frame suggests a yearning for unity and a celebration of a shared, albeit fragmented, humanity.

    The emotional impact of the work lies in this tension between fragmentation and togetherness. There is a haunting beauty in the way the faces are positioned; some appear lost in reverie, while others confront the viewer with an unmistakable presence. It is a work that captures the essence of "carefree reverie" and "fantasy," yet it remains grounded in the historical weight of the artist's journey. For those seeking to adorn their spaces with art that carries a narrative soul, this reproduction offers a rare opportunity to possess a piece of history—a window into a world where identity is being reconstructed, one face at a time.

    Umjetnik i muzej

    Umjetnik

    charles sekano

    Rođen/a u Johannesburg, South Africa

    early life and exile

    charles sekano, a south african artist born in 1953 in johannesburg, has led a life marked by exile and artistic expression. at the age of 11, sekano left south africa, eventually settling in kenya for three years. this period significantly influenced his development as a visual artist and jazz musician.

    artistic themes and style

    sekano's work often explores themes of identity, race, and politics in south africa. his drawings, such as multiple segregated faces (2003), showcase his unique blend of bohemian and multiracial influences. the pastel colors and intimate scenes of carefree reverie, fantasy, innocence, and freedom are a testament to his experiences.

    notable works and exhibitions

    multiple segregated faces (2003), a pastel drawing, is one of sekano's most notable works. it showcases his unique style and exploration of themes.

    sekano has exhibited widely in kenya, holland, germany, japan, the us, uk, and south africa, with his works held in private collections and various museums, including university of pretoria museums (pretoria, south africa) and völkerkunde museum (frankfurt, germany).

    his first exhibition in south africa was at the university of pretoria in 2008, after returning to his home country at the age of 50.

    artistic influences and style

    sekano's work is characterized by:

    traditional african forms and color influences

    cubism and the influence of artists like picasso and matisse

    expressive pastel strokes with meticulously conceived compositions

    viewing sekano's work at AllPaintingsStore

    to explore more of charles sekano's artwork, including multiple segregated faces (2003), visit [https://AllPaintingsStore.com/@/charles-sekano](https://AllPaintingsStore.com/@/charles-sekano). for a deeper understanding of his artistic influences and style, see the wikipedia entry on south african art.

    further reading

    for more information on charles sekano's life, work, and exhibitions, explore these links:

    /en/art/show/art-d3c5zh-en/ - AllPaintingsStore's artist profile

    [https://AllPaintingsStore.com/@/charles-sekano](https://AllPaintingsStore.com/@/charles-sekano) - charles sekano's artwork at AllPaintingsStore

    Muzej

    University of Pretoria Museums

    Izloženo u Tshwane, South Africa

    A Tapestry of Pretoria’s Heritage: The University of Pretoria Museums

    Nestled within the vibrant, purple-hued embrace of the Jacaranda City, the University of Pretoria Museums stand as a profound testament to South Africa's intellectual and artistic soul. More than mere repositories for silent artifacts, these institutions function as living chronicles, weaving together a complex narrative of a nation’s journey through time. To step into these halls is to embark on an immersive voyage where academic rigor meets the evocative power of storytelling, illuminating a multifaceted past that ranges from ancient indigenous traditions to the transformative echoes of the liberation struggle. The museum serves as a vital bridge between the preservation of heritage and the pulse of contemporary artistic appreciation, offering a sanctuary for those who seek to understand the deep-seated cultural currents that shape South African identity.

    The architectural landscape of the campus itself provides a majestic stage for this collection, dominated by the venerable Old Arts Building and the Merensky Building. The Old Arts Building is a true architectural marvel, a landmark that breathes with the elegance of various eras, from the sweeping grandeur of Victorian design to the streamlined sophistication of Art Deco. Within its soaring ceilings and ornate structural details, one finds a curated dialogue between European influences and African aesthetics. This sense of structural innovation extends into the museum's unique holdings, most notably through the remarkable assemblage featuring works by Jean Prouvé. The visionary French architect’s influence brings a touch of modern functionalism to the collection, where his philosophy of prioritizing aesthetic beauty alongside structural engineering resonates powerfully against the backdrop of historical South African narratives.

    The true heart of the museum lies in its ability to curate moments of profound historical significance through diverse visual media. Collectors and art enthusiasts will find themselves captivated by the meticulous archives that offer unparalleled access to the figures and pivotal movements that have defined the country. A singular highlight that commands reverence is the Golden Rhinoceros of Mapungubwe, a medieval masterpiece of wood overlaid with thin sheets of gold. This delicate yet powerful artifact, discovered by archaeologists from the university, serves as a shimmering symbol of the ancient Kingdom of Mapungubwe and the sophisticated artistry of pre-colonial South Africa. Such treasures are complemented by recent exhibitions that have brought groundbreaking international perspectives to the local context, fostering a global dialogue through collaborations with world-class curators.

    What distinguishes the University of Pretoria Museums is their holistic commitment to the lifecycle of art and history. It is not merely a place for observation, but a center for active scholarly research where advanced analytical techniques are employed to reconstruct lost artistic traditions. For the interior designer or the passionate art lover, the museum offers an endless wellspring of inspiration, blending the textures of historical struggle with the elegance of architectural innovation. By integrating educational programs and postgraduate studies into its very framework, the institution ensures that the stories held within its walls continue to evolve, inspiring new generations of creators to find beauty in the enduring power of heritage.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Multiple Segregated Faces

    artsdot.com/hr/art/download/charles-sekano-multiple-segregated-faces-D736ZY-en/

    Izvor za ovo umjetničko djelo

    MLA
    sekano, charles. Multiple Segregated Faces. 2003, University of Pretoria Museums. https://artsdot.com/hr/art/charles-sekano-multiple-segregated-faces-D736ZY-en/
    APA
    sekano, charles (2003). Multiple Segregated Faces [Painting]. University of Pretoria Museums. https://artsdot.com/hr/art/charles-sekano-multiple-segregated-faces-D736ZY-en/
    Chicago
    charles sekano. Multiple Segregated Faces. 2003. University of Pretoria Museums. https://artsdot.com/hr/art/charles-sekano-multiple-segregated-faces-D736ZY-en/
    Harvard
    sekano, charles (2003) Multiple Segregated Faces. University of Pretoria Museums. Available at: https://artsdot.com/hr/art/charles-sekano-multiple-segregated-faces-D736ZY-en/

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    Multiple Segregated Faces — charles sekano

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    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Naš katalog klasificira ovo djelo pod: portrait, faces, identity. Slažete li se? Što biste dodali ili uklonili?
    4. charles sekano je imao oko 50 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?
    5. Motivi koji se ponovno pojavljuju u radovima autora charles sekano: nairobi jazz influences, apartheid political themes, identity and race exploration. Koje od njih vidite ovdje?

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