Format papira

Vodič za studentska djela

Self Portrait

Barkley Leonnard Hendricks, 2013

Ime Razred Datum
Barkley Leonnard Hendricks, Self Portrait (2013), Chrysler Museum of Art. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Osnovne informacije

Umjetnik
Barkley Leonnard Hendricks artsdot.com/hr/artists/barkley-leonnard-hendricks/
Životopis umjetnika
1945 – 2017
Slikano
2013
Tehnika
Acrylic On Canvas
Izvorni dimenzije
97 x 97 cm
Pokret
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Lokacija izložbe
Chrysler Museum of Art artsdot.com/hr/museums/chrysler-museum-of-art-norfolk_hr/
Artistic style
Realistic portraiture
Influences
European art
Notable elements
Life-size depiction
Subject or theme
Self-representation

Autorska prava Ovo djelo je i dalje zaštićeno autorskim pravima. Barkley Leonnard Hendricks preminuo/la je 2017; autorsko pravo traje 70 godina nakon smrti umjetnika, stoga ostaje na snazi do 2087. Slika je prikazana u edukativne svrhe; prava zadržava nositelj autorskih prava.

Izvor: ArtsDot.com — pristup dato 24. rujna 2026.

Self Portrait — Barkley Leonnard Hendricks Dio 1 · Ovo umjetničko djelo

U kontekstu

Self Portrait — Barkley Leonnard Hendricks

Dimenzije

Originalne dimenzije su 97 × 97 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Godina nastanka

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 72 u smrti.

Naslikano kada je umjetnik imao 68 godina. Umjetnik je doživio 72. 7 od ukupno 8 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Barkley Leonnard Hendricks (1945–2017) ▲ ovo djelo, 2013 svaka datirana slika, desetljeće po desetljeće

Slična djela

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Boje

Izmjereno na temelju slike

    Glavna boja

    Espresso #4a4b4c

    Spremljena paleta

    • #4A4B4C
    • #D1D2CF
    • #8F908D
    • #1B1B1A

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Naziv glavne boje
    Espresso
    Intenzitet
    Monochromatic Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Balanced Harmony Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Balanced Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Muted Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se gleda ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Barkley Leonnard Hendricks u posljednjih dvanaest mjeseci — ukupno 2 zemalja. Odakle ovi podaci dolaze

    Deset vodećih zemalja

    1. 1 Kina 50,0%
    2. 2 Sjedinjene Američke Države 50,0%

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    6 najgledanijih djela umjetnika Barkley Leonnard Hendricks

    1. 1 Self Portrait, 2013 ova slika 33,3%
    2. 2 Take All the Time You Need (Adrienne Hawkins), 1975 22,2%
    3. 3 Sir Charles, Alias Willie Harris, 1972 11,1%
    4. 4 North Carolina Sisters, 1978 11,1%
    5. 5 George Jules Taylor, 1972 11,1%
    6. 6 Slick 11,1%

    Zajedno ova djela zauzimaju 99,9% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 9 djela ovog umjetnika, od kojih je 6 pregledano barem jednom. Ova je slika na 1 mjestu među njima, s 33,3% te pažnje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.

    Izvor: ArtsDot.com — pristup dato 24. rujna 2026.

    Self Portrait — Barkley Leonnard Hendricks Dio 2 · U kontekstu

    O ovom umjetničkom djelu

    Self Portrait — Barkley Leonnard Hendricks

    The Genesis of a Vision: Barkley Leonard Hendricks' "Self Portrait"

    Barkley Leonard Hendricks’ 2013 photograph, “Self Portrait,” isn’t merely a depiction of an artist; it’s a carefully constructed dialogue between the man and his art, a vibrant snapshot of identity forged within the crucible of Philadelphia’s urban landscape. Created during a pivotal period in Hendricks' career – following years dedicated to addressing the conspicuous absence of Black figures in Western art history – this image embodies a profound shift towards celebrating the everyday realities of African American life. The photograph captures Hendricks not as a distant icon, but as a tangible presence, a teacher, and a proud inhabitant of his community, radiating an undeniable sense of self-assuredness.

    Hendricks’ decision to present himself in such a direct and unadorned manner is deliberate. He stands before two of his most celebrated portraits, “Slick” (1977) and “Brilliantly Endowed (Self-Portrait)” (1977), both monumental works that redefined the possibilities of Black portraiture. The inclusion of these paintings – vibrant testaments to his artistic vision – immediately establishes a context of creative accomplishment and intellectual rigor. The photograph’s black and white palette amplifies the impact, stripping away superficial distractions and focusing attention squarely on Hendricks' face and posture; it is a deliberate choice that echoes the stark realism characteristic of his earlier work.

    A Study in Composition: Lines, Light, and the Urban Grid

    The composition of “Self Portrait” is remarkably balanced, despite its slightly cluttered appearance. The photographer masterfully utilizes leading lines – created by the placement of the two finished portraits – to draw the viewer’s eye towards Hendricks' central figure. These lines converge on his face, establishing a direct connection between the artist and the observer. The strong contrast between light and shadow, generated by natural light streaming through a window, sculpts Hendricks’ form with dramatic precision, highlighting the contours of his face and emphasizing the weight of his gaze.

    Geometric Lines: The photograph is defined by geometric lines – the sharp angles of the studio equipment, the rectangular frames of the paintings, and the structured arrangement of Hendricks' clothing.

    Organic Shapes: Despite the dominant geometric elements, organic shapes are subtly present in Hendricks’ body, his posture, and the textures of his shirt.

    Texture: The wood floor, the fabric of his t-shirt, and the surfaces of the paintings all contribute to a rich tapestry of texture, adding depth and tactile quality to the image.

    Symbolism and Context: A Reflection on Representation

    Beyond its formal qualities, “Self Portrait” carries significant symbolic weight. Hendricks’ wearing a t-shirt referencing Simon Gratz High School – where he taught for many years – subtly anchors him within his community and underscores his commitment to education. This detail speaks volumes about his role as both an artist and a mentor, bridging the gap between the art world and the everyday experiences of Philadelphia's youth.

    The photograph’s deliberate lack of embellishment is itself a powerful statement. Hendricks doesn’t pose theatrically or attempt to project an idealized image; instead, he presents himself as he truly is – a thoughtful, engaged individual deeply connected to his roots. This approach directly challenges the traditional conventions of portraiture, which often prioritize beauty and social status over authenticity and lived experience. It's a bold assertion that Black identity can be powerfully represented through realism and directness.

    A Legacy in Monochrome: The Enduring Power of Hendricks’ Vision

    “Self Portrait” is more than just a photograph; it’s a testament to Barkley Leonard Hendricks’ artistic vision and his unwavering commitment to representing the complexities of Black life. The image's stark beauty, combined with its subtle layers of symbolism, invites viewers to contemplate themes of identity, representation, and the enduring power of art to shape our understanding of the world. Reproductions of this compelling work offer a window into Hendricks’ creative process and his profound contribution to contemporary American art.

    Izvor: ArtsDot.com — pristup dato 24. rujna 2026.

    Self Portrait — Barkley Leonnard Hendricks Dio 3 · O ovom umjetničkom djelu

    Umjetnik i muzej

    Umjetnik

    Barkley Leonnard Hendricks

    Mjesto rođenja Philadelphia, United States of America

    Early Life and Education

    Born: April 16, 1945, in Philadelphia, Pennsylvania

    Family Background: Grew up in a family that valued art and education. His parents migrated from Halifax County, Virginia to Philadelphia.

    Education: Attended Simon Gratz High School, Pennsylvania Academy of the Fine Arts (PAFA), and Yale University where he earned both a Bachelor's and Master’s degree. Studied with notable artists like Bernard Chaet, Lester Johnson, Gabor Peterdi, Robert Reed, and Walker Evans.

    Artistic Development and Influences

    European Influence: Early career was significantly influenced by travels to Europe, particularly the portrait styles of artists such as van Dyck and Velázquez.

    Addressing Representation: Troubled by the absence of Black people in Western art history, he dedicated his work to correcting this imbalance.

    Style Characteristics: Paintings are characterized by life-sized, realistic depictions of Black Americans against monochromatic backdrops. A unique blend of American realism and postmodernism.

    Key Influences: The Black Power movement influenced his desire to portray Black Americans with pride and dignity.

    Notable Works and Exhibitions

    Significant Paintings: Notable works include Lawdy Mama (portrait of his second cousin) and What’s Going On (inspired by Marvin Gaye's single).

    Exhibition Highlights: His work has been exhibited at prestigious venues including the Frick Collection in Manhattan (first African American artist to have a solo exhibit), the Nasher Museum of Art at Duke University, and the Chrysler Museum of Art.

    Self-Portraits: Created notable self-portraits like Brilliantly Endowed (Self portrait) and Slick in response to critical reviews.

    Legacy and Historical Significance

    Contribution to Black Portraiture: Made significant contributions to Black portraiture and conceptualism, challenging traditional Western art representations.

    Black Arts Movement Figure: A key figure in the Black Arts Movement, advocating for greater representation of Black artists and culture.

    Recognition and Awards: His work has been widely recognized for its unique style and powerful message.

    Availability: Paintings are available for viewing and purchase on AllPaintingsStore.com.

    Further Information

    Wikipedia: https://en.wikipedia.org/wiki/Barkley_L._Hendricks

    AllPaintingsStore Profile: /en/artists/barkley-leonnard-hendricks/

    Muzej

    Chrysler Museum of Art

    Prikazano u Norfolk, Sjedinjene Američke Države

    Sklonište svjetlosti i vizije

    Smješten u srcu Norfolka u Virginiji, Chrysler Museum of Art stoji kao duboko svjedočanstvo transformativne moći vizije i velikodušnosti. Ono što je 1933. godine započelo kao skromni Norfolk Museum of Arts and Sciences procvjetalo je u vrhunsku kulturnu destinaciju, prvenstveno zahvaljujući ključnoj donaciji Waltera P. Chryslerja mladjeg 1971. godine. Danas on služi kao svjetlosno utočište u kojem se stije pet tisuća godina ljudske kreativnosti, nudeći kronološku odiseju koja posjetitelje poziva na kretanje kroz golemi krajolik umjetničke evolucije. Od drevnih šapata ranih civilizacija do hrabre, visceralne energije suvremenih remek-djela, muzej pruža imerzivno iskustvo koje nadilazi vrijeme i geografiju.

    Duša Chryslera leži u njegovim nevjerojatno raznolikim zbirkama, gdje se monumentalno susreće s delikatnim. Nitko ne može lutati njegovim hodnicima, a da ne bude očaran svjetski poznatom kolekcijom stakla, svjetlucavom panoramom koja prati putovanje ovog medija od krhke antike do moderne inovacije. Ovdje iridiscentni sjaj lampi

    Louisa Comforta Tiffanyja

    stvara minijaturne svemirre svjetlosti, ulazeći u dijalog s masivnim, zadahnjutim vitražima. Ovo majstorstvo svjetla zrcali se u europskim galerijama muzeja, gdje dramatični

    chiaroscuro

    Caravaggia i pedantni, tihi Vermeerovi interijeri nude prozore u samu bit ljudskog stanja. Zbirka se dalje širi u veličanstvenost barokne ere s djelima Berninija i Rubensa, te putuje kroz profinjenu američku portretnu sliku Johna Singletona Copleya do sirove, emotivne apstrakcije Jacksona Pollocka i Marka Rothkoa.

    Arhitektonska elegancija i živa umjetnost

    Arhitektonski, muzej je remek-djelo modernističkog dizajna, posebno projektirano da djeluje kao posuda za svjetlost. Proširenje iz 2014. godine transformiralo je instituciju u uzvišeni krajolik prostranih galerija i visokih stropova, osmišljenih kako bi maksimalno iskoristili prirodno osvjetljenje i potaknuli duboko promišljanje. Ovu arhitektonsku eleganciju isprekidaju razigrani trenuci, poput prisutnosti skulpture

    Rubber Duck

    umjetnika Florentijna Hofmana, koja šaljivo odaje počast pomorskom naslijeđu Norfolka. Za one koji žele svjedočiti iskri stvaranja, muzej udomljuje Perry Glass Studio, interaktivni prostor u kojem se izbliza može promatrati ritmični ples rastopljenog stakla i vrhunske izrade, premošćujući jaz između dovršenog remek-djela i umjetnikove ruke.

    Osim svoje uloge čilišta dragocjenosti, Chrysler Museum definira nepokolebljiva posvećenost inkluzivnosti i angažmanu zajednice. Nudeći besplatan ulaz, institucija osigurava da umjetnost ostane dostupna luksuzna dobrobit, rušeći socioekonomske barijere kako bi pozdravila sve tragače ljepote. Za dizajnere interijera i kolekcionare, muzej služi kao neiscrpan izvor inspiracije, pružajući bogatu paletu tekstura, povijesnih motiva i kolorističkih harmonija. To je više od muzeja; to je živahno središte kulturnog razmjena, mjesto gdje prošlost i sadašnjost dišu zajedno, podsjećajući svakog posjetitelja da su ljepota i inovacija bitni elementi dobro proživljenog života.

    Dodatne informacije

    Pronađite ovo na mreži

    QR kod koji povezuje na stranicu za preuzimanje Self Portrait

    artsdot.com/hr/art/download/barkley-leonnard-hendricks-self-portrait-D435EX-en/

    Izvor za ovo umjetničko djelo

    MLA
    Hendricks, Barkley Leonnard. Self Portrait. 2013, Chrysler Museum of Art. https://artsdot.com/hr/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
    APA
    Hendricks, Barkley Leonnard (2013). Self Portrait [Painting]. Chrysler Museum of Art. https://artsdot.com/hr/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
    Chicago
    Barkley Leonnard Hendricks. Self Portrait. 2013. Chrysler Museum of Art. https://artsdot.com/hr/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
    Harvard
    Hendricks, Barkley Leonnard (2013) Self Portrait. Chrysler Museum of Art. Available at: https://artsdot.com/hr/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/

    Izvor: ArtsDot.com — pristup dato 24. rujna 2026.

    Self Portrait — Barkley Leonnard Hendricks Dio 4 · Umjetnik i muzej

    Pogledajte pažljivije

    Self Portrait — Barkley Leonnard Hendricks

    Pogledajte detaljnije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Koliko lica možete pronaći? ____ (naš katalog broji 2 — slažete li se?)
    4. Naš katalog ovo djelo klasificira pod: self-portrait, artist studio, black and white. Slažete li se? Što biste dodali ili uklonili?
    5. Vratite se na djelo Take All the Time You Need (Adrienne Hawkins) (1975) koje ste ranije vidjeli u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja mu se razlikuje.

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Izvor: ArtsDot.com — pristup dato 24. rujna 2026.

    Self Portrait — Barkley Leonnard Hendricks Dio 5 · Pogledajte detaljnije

    Kviz o umjetnosti

    Self Portrait — Barkley Leonnard Hendricks

    Koliko dobro poznajete ovo umjetničko djelo?

    Odaberite jedan odgovor za svako od 5 pitanja u nastavku. Svako pitanje ima točno jedan točan odgovor.

    1. 1. What is the primary subject of Barkley Leonard Hendricks’ ‘Self Portrait’?

      • A A depiction of a historical event.
      • B A realistic portrayal of an African American man in his studio.
      • C An abstract representation of the artist's emotions.

    2. 2. According to the description, what is notable about the lighting in the photograph?

      • A It’s uniformly bright and even.
      • B It creates strong shadows and highlights.
      • C It's primarily diffused natural light.

    3. 3. What school did Barkley Leonard Hendricks teach at before retiring?

      • A Pennsylvania Academy of the Fine Arts (PAFA)
      • B Yale University
      • C Simon Gratz High School

    4. 4. The photograph includes a reference to which of Barkley Leonard Hendricks’ secondary schools?

      • A Harvard University
      • B Yale University
      • C Simon Gratz High School

    5. 5. What is a key characteristic of Barkley Leonard Hendricks' paintings, as mentioned in the description?

      • A They are exclusively landscapes.
      • B They feature monochromatic backdrops and life-sized depictions of Black Americans.
      • C They primarily depict portraits of European royalty.

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora za nastavnika

    Ovo započinje novu ispisanu stranicu, pa se može jednostavno izostaviti iz kopija.

    1B · 2B · 3C · 4C · 5B

    Provjerite točnost svakog odgovora uspoređujući ga s katalogskim zapisom za ovu sliku

    Izvor: ArtsDot.com — pristup dato 24. rujna 2026.

    Self Portrait — Barkley Leonnard Hendricks Dio 6 · Kviz o umjetnosti

    Pitanja i odgovori

    Koja boja dominira u kompoziciji djela "Self Portrait" autora Barkley Leonnard Hendricks?

    Espresso (#4a4b4c) je dominantna boja djela "Self Portrait" autora Barkley Leonnard Hendricks.

    Koja je postava prikladna za format djela "Self Portrait" autora Barkley Leonnard Hendricks?

    Format Square djela "Self Portrait" autora Barkley Leonnard Hendricks preporučuje se za Living Room. Format i prostor zajedno usmjeravaju postavljanje reprodukcije.

    Pretežuje li u djelu "Self Portrait" koja nijansa?

    Green to Violet Spectrum nijansa prožima "Self Portrait" autora Barkley Leonnard Hendricks.