Vodič za studentska djela
Autorska prava Ovo djelo je u javnom vlasništvu. Albert Laessle preminuo/la je 1954.; autorska prava traju 70 godina nakon smrti umjetnika, stoga su prestala u 2024.
U kontekstu
First Step — Albert Laessle
Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 77 u smrti.
Naslikano kada je umjetnik imao 32 godina. Umjetnik je doživio 77. 2 od ukupno 23 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.
Shaded: životni opus Albert Laessle (1877–1954) ▲ ovo djelo, 1909 svaka datirana slika, desetljeće po desetljeće
Prva djela: do 1912 Glavni radni år: 1912–1920 Kasna djela: od 1920
Ta tri dijela dijele djela koja u ovom katalogu imaju naveden datum na prvo četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: tanki segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života
Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.
Još djela koja se mogu postaviti uz ovo: artsdot.com/hr/art/similar/albert-laessle-first-step-AQTUKF-en/
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Spremljena paleta
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Deset vodećih zemalja
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Zajedno ova djela zauzimaju 100,0% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 28 djela ovog umjetnika, od kojih je 9 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece
Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo: navedite jednu stvar koja bi sliku mogla učiniti slavnom izvan okvira toga koliko je dobro naslikana.
Umjetnik i muzej
Born in Philadelphia, Pennsylvania, in 1877, Albert Laessle emerged as a distinctive voice within the American art landscape of the late 19th and early 20th centuries. His journey, shaped by familial encouragement alongside parental reservations about an artistic career, led him through rigorous training at institutions like the Spring Garden Institute, Drexel University under Thomas Eakins, and the prestigious Pennsylvania Academy of the Fine Arts where he studied with masters such as Thomas Anshutz and Charles Grafly. A formative period spent in Paris from 1904 to 1907, working alongside Michel Beguine, honed his skills and broadened his artistic perspective, imbuing his later work with a refined sensibility.
Laessle is primarily remembered as an “animalier,” a sculptor specializing in animal subjects. However, to categorize him solely within this genre would be to diminish the breadth of his talent. While celebrated for his remarkably lifelike depictions of creatures—penguins, goats like his beloved "Billy" gracing Rittenhouse Square, and countless others—Laessle’s skill extended beyond mere representation. He possessed an uncanny ability to capture not just the physical form but also the essence, the spirit, of his subjects. This was evident in the controversy surrounding his early plaster sculpture, “Turtle and Crab.” Accusations of casting rather than modeling stemmed from the astonishing realism of the turtle, a testament to Laessle’s meticulous observation and technical prowess. His subsequent creation of a wax version, impossible to cast, definitively silenced his critics and solidified his reputation as a master craftsman.
Laessle's artistic achievements were widely recognized throughout his career. He garnered medals at international expositions in Buenos Aires and San Francisco, demonstrating the global appeal of his work. His talent was further acknowledged through prestigious awards like the Widener Gold Medal in 1918 and the J. Sanford Saltus Award in 1951. Beyond individual accolades, Laessle’s career involved significant collaborative efforts. Notably, he completed Charles Grafly's unfinished masterpiece, the General Galusha Pennypacker Memorial, a monumental project showcasing his ability to seamlessly integrate into and expand upon another artist’s vision. This collaboration highlights not only his technical skill but also his respect for artistic legacy.
Albert Laessle passed away in 1954, leaving behind a body of work that continues to resonate with audiences today. His sculptures reside in esteemed institutions like the Carnegie Institute and the Metropolitan Museum of Art, testament to their enduring artistic merit. Perhaps most poignantly, his bronze "Billy" remains a beloved fixture in Philadelphia's Rittenhouse Square, a playful symbol of childhood joy and a lasting tribute to Laessle’s ability to capture the simple pleasures of life. His influence extends beyond the art world; he taught generations of aspiring sculptors at the Pennsylvania Academy, ensuring that his dedication to craftsmanship and artistic integrity would continue to inspire future artists. Laessle's work stands as a gentle reminder of the beauty found in the natural world and the power of art to evoke emotion and connection.
artsdot.com/hr/art/download/albert-laessle-first-step-AQTUKF-en/
Pogledajte pažljivije
First Step — Albert Laessle
Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.
Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.
Što se tiče autorskih prava, "First Step" je u javnom vlasništvu – autorska prava su istekla.
Status autorskih prava za djelo "First Step" - u javnom vlasništvu – autorska prava su istekla - proizlazi iz smrti umjetnika 1954.
Boje djela "First Step" autora Albert Laessle imaju Muted zasićenost. Zasićenost opisuje koliko su boje živopisne ili prigušene.