Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 35 djela Joseph Légaré u našem katalogu
Ukratko
Najpoznatija slika koju je Joseph Légaré naslikao je Conversion of Saint Paul (1822). Odmah nakon toga slijede Le Massacre des Hurons par les Iroquois (1827) i Le Père éternel entouré d'anges (1824). Od 35 djela umjetnika Joseph Légaré u našem katalogu, ovih 23 je najpoznatijih. Svako od njih sadrži godinu nastanka, muzej u kojem se nalazi i kratku napomenu o tome što ga izdvaja.
Sainte Marguerite d'Antioche1825 · Musée national des beaux-arts du Québec
Naručite ručno oslikano from $175 →
Saint François d'Assise en prière devant un crucifix1825 · Musée national des beaux-arts du Québec
Naručite ovo djelo from $175 →
Madame Charles-Maxime Defoy, née Marie-Louise Légaré, soeur de l'artiste1830 · Musée national des beaux-arts du Québec
Neka bude vaša from $175 →
Nature morte au portrait de Calvin1835 · Musée national des beaux-arts du Québec
Naručite ovo djelo from $175 →
La Chute Montmorency1839 · Musée national des beaux-arts du Québec
Naručite ručno oslikano from $175 →
The Corpus Christi Procession, Nicolet1832 · Nacionalna galerija Kanade
Naručite ručno oslikano from $175 →
L'Incendie du quartier Saint-Jean à Québec, vu vers l'ouest1845 · Musée national des beaux-arts du Québec
Neka bude vaša from $175 →
Paysage au monument à Wolfe1845 · Musée national des beaux-arts du Québec
Naručite ovo djelo from $175 →
3 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Joseph Légaré | Slike iz ovog popisa |
|---|---|---|---|
 Musée national des beaux-arts du Québec |
Québec City | 11 | Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges, Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme) |
 Nacionalna galerija Kanade |
Ottawa | 9 | Josephte Ourné, Landscape, The Battle of Sainte-Foy |
 Musée de la civilisation |
Quebec City | 2 | The Rock Slide at Cape Diamond, The Church of Sainte-Foy |
Odaberite desetljeće kako biste vidjeli njegovo najistaknutije djelo.
Joseph Légaré’s “Cholera Plague, Quebec,” painted in 1832, is more than a simple depiction of a nighttime scene; it’s a haunting meditation on vulnerability and societal disruption rendered with the stark clarity of black and white. Measuring 82 x 111 cm, this artwork immediately draws the viewer into a world steeped in shadow and anxiety, reflecting the profound anxieties gripping Quebec during the devastating cholera epidemic of that year.
Na vrhu liste je Conversion of Saint Paul (1822). Odmah za njim su: Le Massacre des Hurons par les Iroquois (1827) i Le Père éternel entouré d'anges (1824).
27 godina. Joseph Légaré je rođen/a 1795, a djelo Conversion of Saint Paul datira iz 1822.
Conversion of Saint Paul, Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges, Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme), La Vision de saint Roch, Josephte Ourné, Landscape, The Battle of Sainte-Foy, Saint Francis of Paola Raising his Sister's Child from the Dead i Saint Philip Baptizing the Eunuch of Queen Candace. Godinu i muzej svakog od njih pronaći ćete u gornjem popisu.
U našem katalogu imamo 35 djela umjetnika Joseph Légaré, datiranih od 1821 do 1854.
Većinu njih možete pronaći u Musée national des beaux-arts du Québec (Québec City), Nacionalna galerija Kanade (Ottawa) i Musée de la civilisation (Quebec City). Na gornjoj listi muzeja nalazi se detaljan pregled.
U 1820s, više nego ikada prije: 9 od 23 djela na ovoj stranici potječe iz tog vremena, od čega je Conversion of Saint Paul među njima.
Najstarije djelo ovdje je Saint Francis of Paola Raising his Sister's Child from the Dead (1821), a najnovije je The Battle of Sainte-Foy (1854).
Na ovoj stranici možete vidjeti 11 djela u muzeju Musée national des beaux-arts du Québec, Québec City, uključujući Le Massacre des Hurons par les Iroquois, Le Père éternel entouré d'anges i Saint Jérôme entendant la trompette du Jugement dernier (La Vision de saint Jérôme).
Da. Svaka slika na ovoj stranici dostupna je kao ručno oslikana uljana reprodukcija ili kao tisak, u veličini koja vam odgovara. Jednostavno otvorite stranicu slike kako biste je naručili.
Joseph Légaré (1795-1855) was a pivotal Canadian artist and politician whose life embodies the intersection of creativity and public service. Born in Saint-Jacques, Canada East, Légaré left an indelible mark on the country’s cultural landscape.
Légaré's early life was marked by a natural inclination towards artistic expression. Though details of his formative years remain somewhat obscure, it is evident he honed skills that would lead him to become one of the founding members of Willow Bunch, Saskatchewan. He wasn’t solely an artist; Légaré skillfully balanced multiple roles throughout his life – painter, glazier, seigneur, and political figure.
Demonstrating a strong entrepreneurial spirit, Légaré ventured into cattle and horse ranching in the Willow Bunch area. This showcased his adaptability and willingness to embrace diverse opportunities. Further solidifying his commitment to community, he served as postmaster in Willow Bunch from 1898 until his death in 1918.
While a significant portion of Légaré’s artistic output remains undocumented, his influence on Canadian art is undeniable. He is particularly remembered for his historical paintings and religious scenes. Cholera Plague, Quebec stands as one of his most recognized works, capturing a poignant moment in the region's history.
Information regarding specific artistic influences on Légaré is limited due to the scarcity of documented sources about his early training. However, it’s reasonable to assume he was influenced by the prevailing artistic styles of Lower Canada during the 19th century – a blend of European traditions adapted to the Canadian context.
Légaré’s life serves as a fascinating case study in the intersection of art and politics. He represents a generation of Canadians who actively participated in both cultural development and civic leadership. His legacy continues to inspire those interested in the rich history of Canadian art and its connection to the nation's social and political evolution.
