अक्टूबर 2026 में अपडेट किया गया · हमारे लोकप्रियता स्कोर (प्रत्येक कृति के लिए खोज, विज़िट और ऑर्डर) के आधार पर रैंक किया गया · 46 कृतियाँ तारसिला डो अमरल की हमारे कैटलॉग में
संक्षेप में
तारसिला डो अमरल की सबसे प्रसिद्ध कृति अबापोरु (1928) है। सूची में अगले हैं Amor (Ilustração para (1925) और Rio de Janeiro (Sugar Loaf) (1923)। हमारे कैटलॉग में तारसिला डो अमरल की 46 कृतियाँ हैं; यह मार्गदर्शिका वर्ष, संग्रहालय और प्रत्येक कृति की कहानी के साथ 39 सबसे प्रसिद्ध कृतियों का चयन करती है।
तारसिला डो अमरल ने 1928 में कैनवास पर तेल से निर्मित अपनी कालजयी कृति अबापोरु को आकार दिया। यह पेंटिंग उनके पति, प्रसिद्ध लेखक ओसवाल्ड डी एंड्रेड के लिए उनके जन्मदिन के उपहार के रूप में बनाई गई थी। यह विशिष्ट कृति कलाकार के जीवन में एक अत्यंत महत्वपूर्ण और कलात्मक विकास के दौर में अस्तित्व में आई थी।
In the delicate interplay of light and shadow, Tarsila do Amaral presents us with a profound moment of tenderness in her 1925 work, Amor. This evocative illustration transcends simple imagery, offering instead a soulful meditation on affection and purity. At its heart, the composition features a graceful bird—reminiscent of a dove—captured in a moment of flight with wings elegantly spread. Clutched tenderly within its beak is a heart, inscribed with…
In this 1923 oil on canvas, we find ourselves looking upon a quiet corner of Rio de Janeiro. The composition is anchored by the presence of the Sugar Loaf mountain, which rises with a steady, singular strength in the background. There is a certain stillness here. In the foreground, two palm trees lean into the frame, their forms simplified and clean, grounding the viewer in a tropical atmosphere. A small…
In this 1971 work, we find ourselves drifting into a tranquil coastal sanctuary. The composition centers on a single sailboat, suspended upon a shimmering expanse of water that reflects the soft, ambient light of a peaceful afternoon. There is a profound sense of stillness here, interrupted only by the rhythmic vitality of birds in flight, their silhouettes dancing against the sky. A lush shoreline, lined with verdant trees, frames the…
Antropofagic animals in the landscape is a stylized drawing created in 1971. The composition features a landscape where anthropomorphic animals are situated within a natural setting. The imagery includes several animal figures, such as hands, a bird-like creature, and a human-like figure, interacting with their environment.
Tarsila do Amaral’s “Paisagem Antropofágica” (Anthropophagous Landscape), painted in 1930, isn't merely a depiction of a landscape; it’s a vibrant distillation of Brazil itself – its anxieties, its aspirations, and its complex relationship with the influences that shaped its identity. This iconic work, housed within the collections of major museums worldwide, offers a profound glimpse into the heart of Brazilian modernism and the artist’s unique vision. The painting immediately captivates…
Tarsila do Amaral's "São Paulo," painted in 1924, isn't merely a depiction of a city; it’s a vibrant distillation of a nation’s burgeoning identity and a bold declaration of modernism. Emerging from the fertile ground of early 20th-century Brazil, this oil on canvas transports us to a São Paulo undergoing rapid transformation – a metropolis embracing progress while simultaneously retaining echoes of its rural past. The painting captures a pivotal…
The subject sits in a relaxed pose, her dark hair framing a face that meets the viewer with a subtle, knowing smile. She wears a dress of bright orange, a color that commands the eye and anchors the composition. In the background, secondary figures appear like whispers, adding a sense of depth and social context to this personal encounter. The gaze is direct, bridging the gap between the painted world…
In praise of nature1971 · Museu de Valores do Banco Central do Brasil
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Pão de Açúcar (Ilustração para1925 · Centro Cultural São Paulo
13
Flor Gente (Ilustração para1925 · Centro Cultural São Paulo
14
Carnaval (Ilustração para1925 · Centro Cultural São Paulo
15
Fazenda (Ilustração para1925 · Centro Cultural São Paulo
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Workers1938 · Museu de Valores do Banco Central do Brasil
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Retrato de Antonio de Toledo Pizaइपिरांगा संग्रहालय
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Retrato de José Maria Nunes Garciaइपिरांगा संग्रहालय
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Retrato de Joaquim do Amaral Camargoइपिरांगा संग्रहालय
20
Retrato de Frei Miguel Arcanjo da Anunciaçãoइपिरांगा संग्रहालय
21
Retrato de Francisco Aranha Barretoइपिरांगा संग्रहालय
22
Monkey in the forest1971 · Museu de Valores do Banco Central do Brasil
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In praise of nature1971 · Museu de Valores do Banco Central do Brasil
24
Study (Nude - Figure from the hips up)1922 · Museu de Valores do Banco Central do Brasil
25
Cidade (Ilustração para1925 · Centro Cultural São Paulo
26
Estudo para a Negra1923 · Centro Cultural São Paulo
27
Locomotiva (Ilustração para1925 · Centro Cultural São Paulo
28
Oswald de Andrade1923 · Centro Cultural São Paulo
29
Paisagem1925 · Centro Cultural São Paulo
30
Barco (Ilustração para1925 · Centro Cultural São Paulo
31
Farmhouse1971 · Museu de Valores do Banco Central do Brasil
32
Trees1971 · Museu de Valores do Banco Central do Brasil
33
Pinheiros (Ilustração para1925 · Centro Cultural São Paulo
34
Port I1953 · Museu de Valores do Banco Central do Brasil
35
Estudo para La tasse1923 · Centro Cultural São Paulo
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Urutu Snake1928 · MAM Rio
37
Landscape VII1971 · Museu de Valores do Banco Central do Brasil
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Paisagem AntropofágicaMuseu Nacional de Belas Artes
39
Portal com genteCentro Cultural São Paulo
इन कृतियों में सबसे अधिक बार आने वाले चार विषय, जिनमें से प्रत्येक का सबसे प्रसिद्ध उदाहरण यहाँ दिया गया है।
वे 7 संग्रहालय जिनमें इस पृष्ठ की सर्वाधिक पेंटिंग्स मौजूद हैं।
| संग्रहालय | शहर | तारसिला डो अमरल की कृतियाँ | इस सूची की पेंटिंग्स |
|---|---|---|---|
 Centro Cultural São Paulo |
साओ पाउलो | 15 | Amor (Ilustração para, Paisagem antropofágica, Pão de Açúcar (Ilustração para |
 Museu de Valores do Banco Central do Brasil |
ब्रासीलिया | 13 | Nature, Antropofagic animals in the landscape, Antropofagic landscape with ox |
 इपिरांगा संग्रहालय |
साओ पाउलो | 6 | Retrato de Marechal Arouche, Retrato de Antonio de Toledo Piza, Retrato de José Maria Nunes Garcia |
 The Ema Klabin House Museum |
Sao Paulo | 1 | Rio de Janeiro (Sugar Loaf) |
 Pinacoteca do Estado de São Paulo |
Sao Paulo | 1 | São Paulo |
 MAM Rio |
Rio de Janeiro | 1 | Urutu Snake |
 Museu Nacional de Belas Artes |
रियो डी जनेरियो | 1 | Paisagem Antropofágica |
उस दशक की उत्कृष्ट कृति देखने के लिए एक दशक चुनें।
तारसिला डो अमरल ने 1928 में कैनवास पर तेल से निर्मित अपनी कालजयी कृति अबापोरु को आकार दिया। यह पेंटिंग उनके पति, प्रसिद्ध लेखक ओसवाल्ड डी एंड्रेड के लिए उनके जन्मदिन के उपहार के रूप में बनाई गई थी। यह विशिष्ट कृति कलाकार के जीवन में एक अत्यंत महत्वपूर्ण और कलात्मक विकास के दौर में अस्तित्व में आई थी।
Tarsila do Amaral’s “Paisagem Antropofágica” (Anthropophagous Landscape), painted in 1930, isn't merely a depiction of a landscape; it’s a vibrant distillation of Brazil itself – its anxieties, its aspirations, and its complex relationship with the influences that shaped its identity. This iconic work, housed within the collections of major museums worldwide, offers a profound glimpse into the heart of Brazilian modernism and the artist’s unique vision. The painting immediately captivates…
In the vast landscape of Brazilian Modernism, few works capture the tranquil essence of coastal life as poignantly as Tarsila do Amaral’s Port I. Painted in 1953, this masterpiece serves as a window into a world where the rhythmic pulse of the ocean meets the steadfast presence of the mountains. The composition is a masterful study in depth and perspective; several boats, varying in scale, are scattered across the shimmering…
In this 1971 work, we find ourselves drifting into a tranquil coastal sanctuary. The composition centers on a single sailboat, suspended upon a shimmering expanse of water that reflects the soft, ambient light of a peaceful afternoon. There is a profound sense of stillness here, interrupted only by the rhythmic vitality of birds in flight, their silhouettes dancing against the sky. A lush shoreline, lined with verdant trees, frames the…
सूची में सबसे ऊपर अबापोरु (1928) है। इसके ठीक बाद: Amor (Ilustração para (1925) और Rio de Janeiro (Sugar Loaf) (1923) हैं।
42 वर्ष की आयु। तारसिला डो अमरल का जन्म 1886 में हुआ था, और अबापोरु 1928 का है।
अबापोरु, Amor (Ilustração para, Rio de Janeiro (Sugar Loaf), Nature, Antropofagic animals in the landscape, Paisagem antropofágica, Antropofagic landscape with ox, São Paulo, Retrato de Marechal Arouche और Self-portrait with orange dress। आपको ऊपर दी गई सूची में प्रत्येक का वर्ष और संग्रहालय मिल जाएगा।
हमारे कैटलॉग में तारसिला डो अमरल की 46 कृतियाँ हैं, जिनकी अवधि 1921 से 1971 तक है।
आप इनमें से अधिकांश को Centro Cultural São Paulo (साओ पाउलो), Museu de Valores do Banco Central do Brasil (ब्रासीलिया) और इपिरांगा संग्रहालय (साओ पाउलो) में पाएंगे। ऊपर दी गई संग्रहालय सूची में इसका पूरा विवरण दिया गया है।
1920s में, अन्य किसी भी समय की तुलना में अधिक: इस पृष्ठ पर मौजूद 39 कृतियों में से 19 उस समय की हैं, जिनमें से अबापोरु शामिल हैं।
यहाँ सबसे पुरानी कृति Self-portrait with orange dress (1921) है; और सबसे नवीनतम Nature (1971) है।
इस पृष्ठ पर 39 कृतियों में से Landscape (12), Brazil (7) और Portrait (5)
Painting, जो इस पृष्ठ पर मौजूद 39 कृतियों में से 6 में उपयोग किया गया है।
जैसा कि आप इस पृष्ठ पर मौजूद कृतियों में देख सकते हैं, Modernism।
आप Centro Cultural São Paulo, साओ पाउलो में इस पृष्ठ पर Amor (Ilustração para, Paisagem antropofágica और Pão de Açúcar (Ilustração para सहित 15 कृतियाँ देख सकते हैं।
