लोकप्रियता के आधार पर क्रमबद्ध, रॉबर्ट मैपलथोरप की 25 कलाकृतियाँ जिन्हें हमारे आगंतुक सबसे अधिक देखते हैं, एक-एक करके प्रस्तुत हैं।
संस्करण 2026 · 25 कलाकृतियाँ
प्रत्येक कलाकृति ऑर्डर पर बनाई जाती है
लिनन कैनवास · प्रमाणिकता का प्रमाण पत्र · विश्व भर में डिलीवरी
रॉबर्ट मैपलथोरप · 1948 – 1989
Robert Mapplethorpe's 'Ajitto': A striking black & white photograph capturing introspection and vulnerability. Explore the iconic photographer’s masterful use of form and light.
Experience the exquisite beauty of Robert Mapplethorpe's 'Lily with Bud,' a masterful black-and-white photograph capturing a lily plant illuminated by classical chiaroscuro, embodying elegance and sensual allure.
Experience the striking black & white beauty of Robert Mapplethorpe's 'Tulip.' A minimalist masterpiece capturing delicate floral form and timeless elegance, showcasing the photographer’s signature style.
Experience the striking black & white photograph 'Orchids' by Robert Mapplethorpe – a formal study of three orchids capturing beauty, fragility, and a touch of provocative elegance.
Robert Mapplethorpe’s ‘Lily’ is a strikingly formal black and white photograph of a single bloom, capturing the artist's fascination with beauty and desire from the 1980s. Explore this iconic study in form and texture – a timeless piece to elevate your collection.
Robert Mapplethorpe’s ‘Blue Rose’ – a striking 1988 black & white photograph of a solitary blue rose. Explore its poignant beauty, unique style & the artist's legacy.
Robert Mapplethorpe’s "Jim, Sausalito" (1977) – a stark black & white photo capturing isolation & struggle. Explore its angular lines, dramatic lighting & powerful symbolism of resilience.
Explore Robert Mapplethorpe’s striking black & white portrait of Keith Haring. A study in geometric lines, pop culture, and contemplative mood – a unique photographic masterpiece.
Robert Mapplethorpe’s stark black & white photo juxtaposes an outlet & face, capturing isolation & surrealism. Explore this iconic 1992 image of human connection and alienation.
