Portrait de Clyfford Still

Your Guide to the 100 Most Famous Clyfford Still Paintings

Mis à jour en octobre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 160 œuvres de Clyfford Still dans notre catalogue

In short

Clyfford Still's best-known piece is PH-247 (1951). Next on the list are PH-1007 (1976) and Sans titre (1946). We have 160 works by Clyfford Still in our catalogue; this guide picks out the 100 best known, with the year, the museum and the story of each piece.

1904 – 1980, Grandin Expressionnisme abstrait Plus d'œuvres : Metropolitan Museum of Art

The 10 Clyfford Still paintings to know first

1
PH-247 (1951) de Clyfford Still

PH-247

1951 · Huile sur toile

La toile connue sous le nom de PH-247 émerge de l'année 1951, un moment où Clyfford Still était plongé dans son exploration de l'abstraction. Créée à New York, NY, cette œuvre à l'huile sur toile oil on canvas porte un surnom qui témoigne de sa présence intense : « Big Blue ». Le titre lui-même, une simple désignation alphanumérique, reflète la préférence de l'artiste pour un langage visuel qui résiste…

3
Sans titre (1946) de Clyfford Still

Sans titre

1946 · Huile sur toile · Metropolitan Museum of Art, New York

Créée en 1946, cette huile sur toile évite tout point focal central pour privilégier un jeu dynamique entre des formes colossales et irrégulières. Ces formes verticales s'étendent du haut jusqu'au bas de la surface de 178 x 107 cm, générant une poussée ascendante qui rompt l'équilibre visuel. La disposition permet aux espaces entre les masses de respirer, favorisant un sentiment palpable de malaise à travers une asymétrie soigneusement élaborée.

4
1948 C (1948) de Clyfford Still

1948 C

1948 · Huile sur toile

Dans le vaste paysage émouvant de l'expressionnisme abstrait, peu d'œuvres imposent leur présence avec une intensité aussi primordiale que 1948 C de Clyfford Still. Cette toile monumentale n'est pas simplement une peinture, mais un environnement immersif, un vortex tourbillonnant de chaleur qui capture l'essence même de l'énergie élémentaire. Dominée par une palette radieuse de jaunes gorgés de soleil et d'oranges ardents, l'œuvre semble avoir été forgée au cœur d'une éruption…

5
PH-923 (1974) de Clyfford Still

PH-923

1974 · Huile sur toile

Dans le vaste paysage émotif de l'expressionnisme abstrait, peu d'œuvres captivent le regard avec une énergie aussi brute et élémentaire que PH-923. Créée en 1974 par le maître de l'abstraction organique, Clyfford Still, cette peinture s'impose comme un témoignage profond de la puissance du langage non figuratif. Au premier regard, le spectateur est confronté à une toile bleue expansive, un champ profond et immersif qui suggère à la fois les…

6
PH-160 (1957) de Clyfford Still

PH-160

1957 · Huile sur toile

Créée en 1957, l'œuvre PH-160 de Clyfford Still s'affirme comme un champ de couleur pure. La toile porte en elle un dialogue entre le bleu et le jaune. Ces nuances ne se contentent pas de reposer à la surface ; elles occupent l'espace avec une présence physique et pesante. Le bleu porte un poids qui ancre la composition, tandis que le jaune apporte une lumière vive et soudaine. C'est une…

7
PH-272 (1950) de Clyfford Still

PH-272

1950 · Huile sur toile

Dans le vaste et turbulent paysage de l'art américain du milieu du siècle, peu de voix résonnent avec une intensité aussi primale que celle de Clyfford Still. Son chef-d'œuvre, PH-272, s'érige comme un témoignage monumental de l'aube de l'expressionnisme abstrait, invitant le spectateur dans un monde où la couleur et la texture transcendent la simple représentation pour toucher à l'essence même de l'existence. Créée en 1950, cette œuvre n'est pas…

8
PH-223 (1956) de Clyfford Still

PH-223

1956 · Huile sur toile

Créée en 1956, cette composition à l' huile sur toile s'exprime à travers un langage de plans fracturés et une intense tension chromatique. L'œuvre délaisse les formes représentatives pour privilégier un agencement structurel de champs bleus et blancs. Une ligne blanche, tranchante, traverse le registre supérieur, créant une frontière abrupte qui rompt le flux visuel. En contrebas, deux zones bleues distinctes dominent le premier plan, leurs formes irrégulières suggérant une…

9
1950 A No. 2 (1950) de Clyfford Still

1950 A No. 2

1950 · Huile sur toile

Se tenir devant 1950 A No. 2, c'est être le témoin d'un dialogue profond entre l'ombre et la lumière, d'une confrontation viscérale avec les forces élémentaires de la nature. Œuvre séminale issue de l'apogée du pouvoir créateur de Clyfforant Still, ce chef-d'œuvre transcende la simple abstraction pour devenir un paysage existentiel. La toile entre en éruption dans un jeu dramatique de rouges profonds et pulsants et de jaunes brillants, gorgés…

10
1950-W → 1950-W (1950) de Clyfford Still

1950-W → 1950-W

1950 · Huile sur toile · Metropolitan Museum of Art, New York

“1950-W” de Clyfford Still est bien plus qu’une simple peinture ; c’est une immersion dans un paysage intérieur tumultueux, une projection brute et instinctive d'émotions. Née en 1950, cette œuvre emblématique du peintre américain représente un tournant majeur dans son évolution artistique, marquant une rupture définitive avec les conventions figuratives de l’époque. La composition verticale domine, dominée par des couches successives de peinture jaune et or, créant une profondeur hypnotique…

Numbers 11 to 100: more Clyfford Still paintings

Clyfford Still's paintings, period by period

Période initiale

1934 – 1945 · 6 œuvres dans cette liste

Période de maturité

1935 – 1973 · 10 œuvres dans cette liste

What Clyfford Still painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Clyfford Still's paintings

Les 6 musées qui détiennent la plupart des peintures de cette page.

Musée Ville Œuvres de Clyfford Still Peintures de cette liste
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 4 Sans titre, 1950-W → 1950-W
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Row of Elevators
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 1 1950 B
Musée Guggenheim Bilbao, BilbaoMusée Guggenheim Bilbao Bilbao 1 Sans titre
San Francisco Museum of Modern Art, San FranciscoSan Francisco Museum of Modern Art San Francisco 1 PH-233 [anciennement Autoportrait]
Nationalmuseum, StockholmNationalmuseum Stockholm 1 PH-416

Decade by decade: the best-known Clyfford Still piece of each

Œuvres par décennie

Pick a decade to see its standout piece.

Clyfford Still: quick answers about the paintings

What is Clyfford Still's best-known painting?See the answer

Top of the list is PH-247 (1951). Right behind it: PH-1007 (1976) and Sans titre (1946).

What age was Clyfford Still when creating PH-247?See the answer

47 years old. Clyfford Still was born in 1904, and PH-247 dates from 1951.

What are Clyfford Still's top 10 paintings?See the answer

PH-247, PH-1007, Sans titre, 1948 C, PH-923, PH-160, PH-272, PH-223, 1950 A No. 2 et 1950-W → 1950-W. You'll find the year and the museum of each in the list above.

How many works by Clyfford Still are in your catalogue?See the answer

We have 160 works by Clyfford Still in our catalogue, dated 1920 to 1976.

In which museums can you see Clyfford Still's famous works?See the answer

You'll find most of them in Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) et The Phillips Collection (Washington, D.C.). The museum list above has the full breakdown.

When did Clyfford Still make the most famous pieces?See the answer

In 1930s, more than any other time: 41 of the 100 pieces on this page date from then, PH-81 among them.

What are Clyfford Still's first and last famous pieces?See the answer

The earliest piece here is PH-274 (1920); the most recent is PH-1007 (1976).

Which subjects did Clyfford Still paint most often?See the answer

Bleu (3), Noir (3) et Portrait (3), out of the 100 pieces on this page.

Which medium shows up most in Clyfford Still's paintings?See the answer

Huile sur toile, used in 16 of the 100 pieces on this page.

What style or movement is Clyfford Still known for?See the answer

Expressionnisme abstrait, as you can see in the pieces on this page.

Which famous Clyfford Still paintings are at the Metropolitan Museum of Art?See the answer

You can see 2 of the pieces on this page at the Metropolitan Museum of Art, New York, including Sans titre et 1950-W → 1950-W.

Clyfford Still's story

A Pioneer of Abstract Expressionism: The Life and Art of Clyfford Still

Clyfford Still, born in 1904 amidst the vast landscapes of Grandin, North Dakota, stands as a pivotal figure in the evolution of American art. His journey, marked by an unwavering commitment to artistic integrity and a relentless exploration of form and color, positioned him among the leading lights of Abstract Expressionism. Though often overshadowed by contemporaries like Jackson Pollock and Mark Rothko, Still’s contribution was foundational; he ventured into non-figurative painting earlier than many of his peers, forging a path toward a new visual language that would profoundly influence modern art. His early life, spent moving between North Dakota, Washington, and Alberta, Canada, instilled in him a deep connection to the natural world – a resonance that would echo throughout his artistic career. A brief period of study at the Art Students League in New York City in 1925 offered initial exposure to the art world, but it was his subsequent experiences teaching and painting on the West Coast that truly shaped his unique vision. He wasn’t simply seeking to depict nature; he aimed to capture its raw essence, its underlying forces of creation and destruction.

From Representation to Revelation: The Development of a Unique Style

The transformation from representational work to the radical abstraction for which Still is celebrated occurred between 1938 and 1942, a period of intense experimentation and self-discovery. This shift wasn’t merely stylistic; it was profoundly philosophical. He sought to strip away all recognizable imagery, believing that true artistic expression lay in confronting the fundamental elements of painting itself – color, form, and surface. Early works like PH-616 (1929) offer a glimpse into this transitional period, showcasing his initial exploration of rural life rendered with a muted palette and evocative symbolism. These paintings weren’t simply depictions; they were imbued with a sense of longing, a quiet contemplation of the human condition within the vastness of the American landscape. As he moved further toward abstraction, these representational elements gradually dissolved into jagged planes of color, fractured surfaces, and imposing vertical forms. These weren’t merely abstract shapes; they were imbued with raw emotion, existential angst, and the sublime power of nature. He worked primarily with oil paint applied with palette knives, building up layers of texture that created a dynamic interplay between light and shadow. This technique allowed him to create surfaces that seemed to pulse with energy, inviting viewers into an immersive experience—a confrontation with the very act of painting itself.

The Language of Color and Form: Key Characteristics of Still’s Work

Still's mature paintings are characterized by their monumental scale and dramatic color juxtapositions. He favored large canvases, believing that only through such expansiveness could he convey the full emotional weight of his vision. His compositions typically feature irregular, fractured planes of color – often dark and brooding hues punctuated by flashes of brighter tones. These forms aren’t simply arranged on the canvas; they seem to emerge from it, creating a sense of depth and spatial ambiguity. The vertical element is particularly significant in Still's work, representing what he termed “the vertical necessity of life” – a defiant assertion of human spirit against overwhelming forces. 1957-D No. 1, with its predominantly black and yellow palette accented by white and red, exemplifies this characteristic use of color and form to evoke powerful emotional responses. He deliberately avoided titles that might suggest specific interpretations, preferring a numerical system (e.g., “1957-D No. 1”) that emphasized the painting’s purely visual qualities. This was part of his broader effort to resist categorization and maintain control over how his work was perceived. He wanted viewers to experience the paintings directly, without preconceived notions or external narratives.

Legacy and Influence: A Lasting Impact on Modern Art

Clyfford Still's influence extends far beyond his own body of work. He is considered a key progenitor of Color Field painting, a movement that emphasized the expressive potential of color as an independent element in art. His uncompromising artistic vision and rejection of conventional norms paved the way for subsequent generations of abstract painters. While he often distanced himself from the New York art world, his impact on its development was undeniable. He taught at various institutions, including Washington State University and the California School of Fine Arts, inspiring countless students to explore their own creative potential. In 1959, a comprehensive retrospective of his work at the Albright-Knox Art Gallery in Buffalo, New York, solidified his reputation as a major force in American art. Perhaps one of his most significant legacies is The Clyfford Still Museum in Denver, Colorado, which houses an extraordinary collection of over 3,125 works – representing 93 percent of his lifetime output and complete archives. This museum provides unparalleled access to the breadth and depth of his artistic vision, ensuring that his contributions will continue to be studied and appreciated for generations to come. His work continues to resonate with viewers today, offering a powerful meditation on the human condition and the enduring mysteries of existence. ## Further Exploration
  • Explore more about Clyfford Still’s artworks at ArtsDot.com.
  • Discover the Color Field art movement.
  • Learn about artists like Mark Rothko and their influence on the art world.

Toutes les 160 œuvres de Clyfford Still →