Mis à jour en novembre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 3 œuvres de Per Sodermark dans notre catalogue
En bref
Le tableau le plus célèbre de Per Sodermark est Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), et vous pouvez l'admirer au Nationalmuseum, à Stockholm. Juste après, on trouve Portrait of Werner Holmberg (1853) et Christoffer Eichhorn (1837-1889), librarian, art historian (1889). Sur les 3 œuvres de Per Sodermark présentes dans notre catalogue, voici les 3 plus célèbres. Chacune d'elles est accompagnée de son année, de son musée et d'une brève note sur ce qui la rend unique.
Les 2 musées qui détiennent la plupart des peintures de cette page.
| Musées | Ville | Œuvres de Per Sodermark | Peintures de cette liste |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Galerie Nationale finlandaise |
Helsinki | 1 | Portrait of Werner Holmberg |
Choisissez une décennie pour découvrir son œuvre emblématique.
En tête de liste figure Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Stockholm. Juste après : Portrait of Werner Holmberg (1853) et Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Âgé de 26 ans. Per Sodermark est né(e) en 1822, et Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery date de 1848.
Nous avons 3 œuvres de Per Sodermark dans notre catalogue, datées de 1848 à 1889.
Vous les trouverez pour la plupart dans Nationalmuseum (Stockholm) et Galerie Nationale finlandaise (Helsinki). La liste des musées ci-dessus présente le détail complet.
La plus ancienne œuvre ici est Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848) ; la plus récente est Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Vous pouvez voir 2 des œuvres sur cette page au Nationalmuseum, Stockholm, dont Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery et Christoffer Eichhorn (1837-1889), librarian, art historian.
Oui. Chaque tableau de cette page est disponible en tant que reproduction à l'huile peinte à la main ou en impression, dans la taille qui vous convient. Il vous suffit d'ouvrir la page du tableau pour commander.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
