Mis à jour en novembre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 1 œuvres de Max Pietschmann dans notre catalogue
En bref
L'œuvre la plus célèbre de Max Pietschmann est Adam and Eve (1894). Vous pouvez la trouver au Galerie Nationale de Prague à Prague. Nous avons 1 œuvres de Max Pietschmann dans notre catalogue ; ce guide sélectionne les 1 plus célèbres, avec l'année, le musée et l'histoire de chaque pièce.
Le musée qui détient le plus grand nombre de peintures figurant sur cette page.
| Musées | Ville | Œuvres de Max Pietschmann | Peintures de cette liste |
|---|---|---|---|
 Galerie Nationale de Prague |
Prague | 1 | Adam and Eve |
Les œuvres de Max Pietschmann datées de 1894 présentes sur cette page sont présentées ici par ordre de notoriété.
Choisissez une année pour voir ses œuvres.
En tête de liste se trouve Adam and Eve (1894).
Âgé de 29 ans. Max Pietschmann est né(e) en 1865, et Adam and Eve date de 1894.
Nous avons 1 œuvres de Max Pietschmann dans notre catalogue.
Vous les trouverez pour la plupart dans Galerie Nationale de Prague (Prague). La liste des musées ci-dessus présente le détail complet.
Oui. Chaque tableau de cette page est disponible en tant que reproduction à l'huile peinte à la main ou en impression, dans la taille qui vous convient. Il vous suffit d'ouvrir la page du tableau pour commander.
Ernst Max Pietschmann lived much of his life within the quiet landscapes and academic circles of Dresden, Germany. Born on August 6, 1865, he began his formal training at the Dresden Academy of Fine Arts, where he studied under Leon Pohle and Ferdinand Pauwels between 1883 and 1889. His path took him far beyond the borders of his home city, including two years spent in Italy alongside Hans Unger and time spent at the Académie Julian in Paris, focusing largely on the study of nude drawing.
He eventually returned to the familiar surroundings of Saxony, becoming part of the painters' colony in Goppeln. This group focused on plein air painting, capturing the light of the natural world directly from the landscape. In 1904, he moved into a studio house built in an Italian style in Niederpoyritz, where he remained until his death in 1952. His professional life was deeply tied to the Dresden Academy, where he was appointed as a professor in 1909.
Pietschmann’s work is often identified with the German Symbolist movement. He did not follow the later shifts toward Expressionism or New Objectivity that emerged during and after the First World War. Instead, his paintings remained connected to a tradition shared by artists like Max Klinger and Arnold Böcklin. His repertoire frequently explored mythological themes and the human form.
Some of his notable works include:
Under the pseudonym Fr. Laubnitz, he produced pictures that found a wide audience as mural prints during the first half of the twentieth century. This side of his practice allowed his imagery to enter many homes through more accessible formats.
Throughout his career, Pietschmann was part of a group of artists known as the "phalanx of the strong," which included figures such as Oskar Zwintscher and Richard Müller. This group represented the artistic pulse of Dresden at the turn of the century. His presence in the Visual Artists' Association of Dresden helped define the local secession movement.
Today, much of his physical and creative output is preserved within German institutions. His paintings can be found in the following locations:
He passed away on April 16, 1952, and was laid to rest in the Hosterwitz Cemetery in Dresden, leaving behind a body of work that remains anchored in the traditions of his era.
