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Kodume Hibino

Informations clés

  • Art period: Contemporain
  • Top-ranked work: WONDER WATER Seaweed
  • Also known as: Kodue Naito
  • Works on APS: 4
  • Nationality: Japon
  • Plus…
  • Copyright status: Under copyright
  • Museums on APS:
    • Meiji Jingu Forest Festival de l'Art
    • Meiji Jingu Forest Festival de l'Art
    • Meiji Jingu Forest Festival de l'Art
    • Meiji Jingu Forest Festival de l'Art
    • Meiji Jingu Forest Festival de l'Art
  • Born: 1958, Shizuoka, Japon
  • Top 3 works:
    • WONDER WATER Seaweed
    • Piece to Peace Love
    • The Forest Moves

Quiz d'art

Chaque question ne comporte qu'une seule bonne réponse.

Question 1:
Quelle université a Kodume Hibino fréquentée ?
Question 2:
Hibino est principalement connue pour son travail dans :
Question 3:
En quelle année Hibino a-t-elle changé son nom d’artiste de Kodue Naito en Kodume Hibino ?
Question 4:
Est-ce que Hibino est connue pour ses sculptures représentant des paysages naturels ?
Question 5:
Hibino a collaboré avec quel réalisateur depuis 1990 ?

Kodume Hibino: Sculpting Texture and Narrative Through Textile Art

Kodume Hibino, born in Shizuoka, Japan, in 1958, stands as a singular figure within the realm of contemporary textile art—a field where she has achieved remarkable recognition globally. Her artistic journey commenced with rigorous studies at Tokyo University of the Arts, equipping her with foundational knowledge in design and fostering an acute understanding of conveying visual narratives through material manipulation; this core principle would permeate her entire oeuvre. Hibino’s artistic vision transcends mere ornamentation; it is deeply rooted in a fascination for natural forms and processes. Her celebrated “forest” sculptures—monumental textile installations presented annually during the Meiji Jingu Forest Festival of Art—are perhaps her most iconic creations. Utilizing leather as her primary medium, Hibino undertakes an ambitious transformation, crafting breathtaking representations of woodland landscapes that defy conventional artistic conventions. These sculptures aren’t simply static depictions; they are dynamic explorations of movement, texture, and the harmonious relationship between organic matter and artistic ingenuity. Each piece captures a fleeting moment in time—a transient impression mirroring the ceaseless rhythm of nature itself—resulting in artworks imbued with palpable energy and immediacy. Since 1990, Hibino’s collaborative endeavors with director Hideki Noda have solidified her reputation as a visionary costume designer for theatrical productions. She consistently challenged artistic boundaries, crafting costumes that served not only aesthetic splendor but also profoundly contributed to conveying thematic depth and enriching character development. This commitment to storytelling extends far beyond the stage, informing her broader artistic practice and demonstrating an unwavering belief in the power of visual art to communicate complex ideas. Hibino’s solo exhibitions—including ‘Kodue Hibino’s Commodity Utopia’ (2007) and ‘Full Cycle: Kodue Hibino’s “60”’ (2018)—provide invaluable insight into her evolving stylistic concerns and underscore her dedication to experimentation with form and technique. The exhibition "Full Cycle," in particular, interrogated the concept of repetition and transformation—a motif recurrent throughout Hibino's artistic explorations—reflecting the cyclical rhythms inherent within natural ecosystems. This deliberate choice underscores Hibino’s profound respect for the environment and her conviction that art can serve as a mirror to the natural world. Her work at ArtsDot showcases her distinctive style, blending meticulous craftsmanship with conceptual depth. The artist's creations are available on ArtsDot.